Böcker utgivna av EDINBURGH UNIVERSITY PRESS

Wes Furlotte critically evaluates Hegel's philosophy of human freedom in terms of his often-disregarded conception of nature. In doing so, he gives us a new portrait of Hegel's final system that is surprisingly relevant for our contemporary world, connecting it with recent work in speculative realism and new materialism.

Thomas Nail argues convincingly and systematically that Lucretius was not an atomist, but a thinker of kinetic flux. In doing so, he completely overthrows the interpretive foundations of modern scientific materialism, whose philosophical origins lie in the atomic reading of Lucretius' immensely influential book 'De Rerum Natura'.

This workbook guides students through 12 problems on the establishment of genetic relationship among languages, 24 problems on sound change, 35 problems on phonological reconstruction, 10 problems on internal reconstruction, and 20 problems on subgrouping.

Marking the 200th anniversary of Frederick Douglass' birth, this first collective history and comprehensive collection of the Douglass family writings and portraits sheds new light not only on Douglass as a freedom-fighter and family man but on the lives and works of Lewis Henry, Frederick Jr., and Charles Remond.

Based on close readings of texts, Zeina Halabi counters the prevalent reading of late 20th-century Arabic literature as a neoliberal, apolitical, fragmented discourse.

Offers new tools from intermediality studies for analysing contemporary cinema.

What exactly are words? Are they the things that get listed in dictionaries, or are they the basic units of sentence structure? Andrew Carstairs-McCarthy explores the implications of these different approaches to words in English.

The Victorian Male Body' examines some of the main expressions and practices of Victorian masculinity and its embodied physicality.

A guide to the whole of Nietzsche's understudied early masterpiece

Featuring essays from both recognized and up-and-coming scholars in Scandinavian, transnational and feminist film and media studies, this book also includes an original interview with Bier, addressing some of the provocative readings of her films advanced by the volume's contributors.

Shakespeare and the Fall of the Roman Republic' introduces Shakespeare as a historian of ancient Rome alongside figures such as Sallust, Cicero, St Augustine, Machiavelli, Gibbon, Hegel and Nietzsche.

In this close reading of her films and production methods, E. Dawn Hall defines Reichardt's auteur characteristics, arguing that she offers a contemporary and sustainable model for independent filmmakers in America.

This book changes the terms of scholarly discussion and discovers how the social structures of theatre afforded Milton resources for poetic and polemical representation and uncovers the precise contours of Milton's interest in theatre and drama.

This introduction to American Independent Cinema offers both a comprehensive industrial and economic history of the sector from the early twentieth century to the present and a study of key individual films, filmmakers and film companies.

This textbook overview of Modern Scots provides a description and analysis of the language covering lexical, phonological and structural patterns. It presents evidence for the diversity of the language through illustrations from newly collected fieldwork material.

This is a study of Enlightenment in Edinburgh like no other. Using data and models provided by urban studies theory, it pinpoints the distinctive features that made Enlightenment in the Scottish capital possible.

A wide-ranging, comprehensive study, revealing Virginia Woolf's interest in Christianity, its ideas and cultural artefacts

Joseph O'Mahoney systematically analyses 21 case studies including the Manchurian Crisis, the Turkish invasion of Cyprus and Russia's annexation of Crimea to explore why so many states have adopted a policy of non-recognition of the spoils of war.

A vibrant collection of writings about America from its earliest Arab immigrants, as they reflected on and described the United States for the very first time.

This book probes the feminist faultlines in Derrida's thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still.

This timely book places Brown s literary vision in a larger frame of reference beyond Scotland, while identifying the special place Brown occupies as a Scottish Catholic writer.

Placing literary creativity within a changing cultural and political context that saw the end of Margaret Thatcher and rise of New Labour, this book offers fresh interpretations of mainstream and marginal works from all parts of Britain.