Krig

A vivid portrait of a world at the end of war, told through 12 months from around the globe

The first book on the Auschwitz women's orchestra by the bestselling historian of twentieth-century women's lives

This is the first comprehensive study to examine the place of the Eastern Front or Soviet-German War in European memory from a truly comparative perspective across Europe; it encompasses the Soviet and post-Soviet space, Germany (both GDR and FRG, and the Berlin Republic after 1990), Western Europe and Finland. Covering the whole post-war period to the present, with a particular emphasis on recent events, this book offers a cultural perspective on the different ways in which the politics of memory dictated by states interact with and are sometimes counteracted by grass-roots memory initiatives.The Eastern Front and European Memory focuses on a diversity of sources and agents of memory, from monuments and public ceremonies to literary narratives, films and other aspects of popular culture that contribute to shaping the historical culture of the societies concerned.

Joseph Mallord William Turner's The Batt le of Trafalgar is one of the most famous and recognisable paintings in the collection of the National Maritime Museum. Published to coincide with the 250th anniversary of Turner's birth and 220 years aft er the batt le for which this monumental work is named, the book situates the painting alongside plans, sketches and artefacts from the National Maritime Museum's collection and examines Turner's contribution to maritime art and to Nelson's complicated legacy. The Batt le of Trafalgar was the only work Turner made 'by royal command' and the largest he painted. Although best remembered as an unconventional artist, with this commission Turner was tasked with producing a patriotic painting to adorn the halls of power. On completion, the piece was the subject of intense scrutiny, att racting criticism for perceived historical inaccuracies in the representation of the batt le. Yet it remains a powerful artwork, which combines a celebration of maritime victory with a tribute to national a hero, an ode to ordinary sailors and a meditation on the horrors of war. Three chapters consider: the artist and the batt le; the commissioning of the work, Turner's artistic process and specifi c elements and events within the fi nished piece; and the response to the work, including its display in the National Gallery of Naval Art at Greenwich Hospital.

This book tells the story of humanitarians working to safeguard refugee camps, agricultural colonies, trains, and harbours situated at the doors of Europe.

The dramatic story of a pivotal figure in the Haitian Revolution, who shook the Atlantic world to its core

How the Dutch military legal apparatus did or did not act against extreme violence committed by its own soldiers between 1945 and 1950.

A thorough analysis of the Dutch-Indonesian battle for intelligence.

Views the terrifying Bersiap period against the backdrop of the violent first phase of the Indonesian National Revolution.

Explores the evolution, use, and technical details of the German Sturmgeschütz assault guns during World War II, focusing on the Eastern Front.From their introduction in 1940, the German army's Sturmgeschütz assault guns played a vital role in the campaigns of the Blitzkrieg era, the gargantuan struggles in Russia and the final defensive battles. Evolving from a mobile bunker-buster, armed with a short-barrelled howitzer, the Sturmgeschütz III was up-armoured and up-gunned and by 1943 its tank killing abilities were widely recognised. In 1944, largely as an emergency quick-fix, the Sturmgeschütz IV entered service and over 10,000 examples of both versions had been built by the end of the war. Although not as well known as the Tiger or Panther tanks, they were among the most frequently encountered German armoured vehicles and as the Wehrmacht's resources continued to decline, the assault guns were thrown into every operation and increasingly substituted for gun tanks in official unit establishments. In the second volume in the TankCraft series to examine the Sturmgeschütz, Dennis Oliver employs official documentation and unit histories to investigate the formations that operated these vehicles and uses archive photos and extensively researched colour illustrations to examine the markings, camouflage and technical aspects of the Sturmgeschütz III and Sturmgeschütz IV that served on the Eastern Fronts during what was almost certainly the pivotal year of the campaign. A key section of his book displays available model kits and aftermarket products, complemented by a gallery of beautifully constructed and painted models in various scales. Technical details as well as modifications introduced during production and in the field are also examined, providing everything the modeller needs to recreate an accurate representation of these historic vehicles.

"In Spetsnaz, Tor Bukkvoll presents the first in-depth history of the Soviet, and, later, Russian special operations forces from their establishment in the early 1950s until today. He focuses on three broad topics: (1) Soviet and later Russian thinking on the use of special operations forces; (2) the actual process of constructing these forces and how this was facilitated or hampered by other agencies of the Soviet and Russian states; and (3) the use of these forces in combat"--

"On December 15, 1972, as rumors swirled of a pending peace agreement between the United States and North Vietnam, Governor Jimmy Carter issued an executive order creating the Georgia Advisory Committee on Vietnam Veterans (GACVV). His reasoning was simple: "the citizens of the State of Georgia and of the United States of America owe a debt of gratitude to these veterans who have served the Nation in an unpopular war." Carter's efforts followed trends occurring across the country as a host of states contemplated their responsibilities to Vietnam veterans by considering such benefits as cash bonuses, educational stipends, and free hunting licenses. Through his words and actions, Carter joined this broader debate regarding society's obligation to Vietnam veterans. In A Debt of Gratitude, Glenn Robins examines Carter's role in the creation of Vietnam veterans' issues as a national agenda item. Covering virtually the entire decade of the 1970s, from Carter's single terms as governor and president of the United States, Robins demonstrates that, throughout this period, Carter distinguished himself as one of the country's most important decision-makers concerning Vietnam veterans' policy. By addressing Vietnam veterans' issues and by communicating his positions and views, Carter made a substantial political investment in moving these items from the level of public debate to the level of policy prescriptions, thereby raising awareness, generating concern, and promising government attention to honor and thank Vietnam veterans"--

"Waged from June 26 to September 1, 1862, the Second Manassas campaign pitted the US Armies of Virginia and the Potomac against the Confederate Army of Northern Virginia and its new commander, Robert E. Lee. The campaign unfolded against a backdrop of momentous US political decisions regarding confiscation, emancipation, and Confederate civilians. These decisions dismayed and energized Confederates, sparking the debut of Lee's offensive strategy. Weeks of strategic movements were punctuated by savage fighting that culminated in a climactic battle from August 28-30. Second Manassas destroyed the careers of US army commander John Pope and corps commander Fitz John Porter. Despite the dramatic impact of the campaign, it is often forgotten in the larger history of the Civil War, and sorely understudied. The essays in this volume provide valuable attention to matters of strategy, tactics, and logistics; the performances of key commanders on each side; the campaign's political dimensions; the connections between home front and battlefield; and the memory of the campaign's aftermath. Contributors include John Hennessy, Gary W. Gallagher, Cecily N. Zander, Peter C. Luebke, James Marten, Keith S. Bohannon, and William Marvel"--

This is a comprehensive study of Holocaust memory in the digital age of social media. Focusing on the five most popular digital platforms in use today: Flickr, Instagram, YouTube, Twitter and Facebook, it examines how social technology affects the way history is made and circulated online.Social media has become a place where memories of the Holocaust take shape through user-driven content shared in elaborately interconnected communication networks. Alongside curated exhibits, documentaries and scholarly research, smartphone photos, short videos and online texts act as windows into the popular consciousness. They document how everyday people make sense of the crime of genocide, presenting unique challenges to historians. Does participatory media create a different understanding of genocide than more traditional forms of writing? How does expertise manifest in the digital public sphere? Do YouTube tourist videos and concentration camp selfies undermine the seriousness of the Holocaust and Holocaust Studies by extension? Holocaust Memory in the Digital Mediascape provides valuable answers to these questions and much more.The book comes with a range of helpful images and it also analyzes the way vernacular memory around the Holocaust and postwar reckoning and reconciliation is mobilized as well as contested in the digital sphere. It is an important volume for all scholars and students of the Holocaust, its history and memory.