Drawing on primary texts, paratexts, audio and visual recordings, and archival sources, James Smethurst looks at how Amiri Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day.
Covering a period roughly bookended by two international forums, the 1884-1885 Berlin Conference and the 1911 Universal Races Congress, Emancipation without Equality chronicles how activists of African descent fought globally for equal treatment and access to rights associated with post-emancipated citizenship.
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