Böcker i Applause Acting Series-serien

MEN'S COMEDIC MONOLOGUES THAT ARE ACTUALLY FUNNY

CONTEMPORARY SCENES FOR TWENTYSOMETHINGS

BEST CONTEMPORARY MONOLOGUES FOR MEN 18-35

This is the ultimate ten-minute play collection that is perfect for this time: the collection of thirty ten-minute plays is expressly set and meant to be performed outdoors. The book offers a healthy and safe way to partake in live theater performances!

She Persisted: One Hundred Monologues from Plays by Women Over Forty is a collection of monologues from plays by members of Honor Roll!, an advocacy group of women over forty. About Honor Roll!:"Honor Roll! is an advocacy and action group of women+ playwrights over forty?and our allies?whose goal is our inclusion in theater. The term "women+" refers to a spectrum of gender identification that includes women, non-binary identifiers, and trans. We are the generation excluded at the outset of our careers because of sexism, now overlooked because of ageism. We celebrate diversity in theater, and work to call attention to the negative impact of age discrimination alongside gender, race, ethnicity, faith, socioeconomic status, disability, and sexual orientation in the American Theatre and beyond.""These women are in their forties and fifties and sixties, and they have been writing a long time, and they are at the height of their craft. These are tight, complex, nuanced pieces of writing, which no one has seen because for too long they weren't looking. These are important writers, and important plays." ?Theresa Rebeck, from the introduction

She Persisted: Thirty Ten-Minute Plays by Women over Forty is a collection of plays by members of Honor Roll!, an advocacy group of women over forty. About Honor Roll!:"Honor Roll! is an advocacy and action group of women+ playwrights over forty?and our allies?whose goal is our inclusion in theater. The term "women+" refers to a spectrum of gender identification that includes women, non-binary identifiers, and trans. We are the generation excluded at the outset of our careers because of sexism, now overlooked because of ageism. We celebrate diversity in theater, and work to call attention to the negative impact of age discrimination alongside gender, race, ethnicity, faith, socioeconomic status, disability, and sexual orientation in the American Theatre and beyond.""These women are in their forties and fifties and sixties, and they have been writing a long time, and they are at the height of their craft. These are tight, complex, nuanced pieces of writing, which no one has seen because for too long they weren't looking. These are important writers, and important plays." ?Theresa Rebeck, from the introduction

ON SINGING ONSTAGE: CLASS TWO: TECHNIQUE WITH DAVID CRAIG

CONTEMPORARY MONOLOGUES FOR A NEW THEATER

The Best New Ten-Minute Plays, 2019 presents approximately thirty of the most original and fresh ten-minute plays, selected by renowned editor Lawrence Harbison. This volume is ideal for theater enthusiasts looking for new and compelling short pieces from some of the finest playwrights of our time.

ONE ON ONE THE BEST WOMEN'S MONOLOGUES FOR THE NINETIES

Renowned editor Larry Harbison brings together approximately one-hundred never-before-published women's monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights and future stars.

In the same way that Shakespeare himself continued to meditate and transform his own ideas and the shape they took, Marowitz gives us license to continue that meditation in productions extrapolated from Shakespeare''s work. Shakespeare becomes the greatest of all catalysts who stimulates a constant re-formulation of the fundamental questions of philosophy, history and meaning. Marowitz introduces us to Shakespeare as an active contemporary collaborator who strives with us to yield a vibrant contemporary theatre.

original paperback

Three editors each associated with theatre collaborated on this book of monologues for actresses. What they discovered besides bravura pieces for auditions acting classes and study was the pulse of the millennial theatrical scene. A follow-up to the popular previous edition from the 1990s ÊOne on One: The Best Women''s Monologues for the 21st CenturyÊ includes the work of over 70 playwrights spotlighting the best of Broadway Off-Broadway regional and experimental writings since 2000. A special introduction also explains how to choose practice and perform a speech for auditions. Comic or serious ä or both ä the monologues are written for young old and multicultural players by famous names and up-and-coming talent.ÞAnna Deavere Smith records abuse in real relationships (ÊHouse ArrestÊ); August Wilson relates trials of those who survived coming to America ä and those who did not (ÊGem of the OceanÊ); and William Gibson recreates the dark fledgling days of Israel (ÊGolda''s BalconyÊ). Additional works include ÊAre You Ready?Ê by David Auburn ÊBad DatesÊ by Theresa Rebeck ÊThe CommitteeÊ by Brian Dykstra and many others.

In this anthology of diverse monologues and scenes mature actors will find material by a wide-range of playwrights and their best work. Marriage sex work the changes in a maturing body memories and loss of memory among other themes that reflect the life experiences of middle age and aging are presented for the benefit of actors who are over fifty as well as younger actors seeking to expand their range. Never before compiled in a single volume these moving and unusual pieces will serve as a valuable reference and ever-inspiring source of material.

Starting with an understanding that all actors are by nature unconventional, Monologues from the Edge presents performers with a wide range of monologues featuring characters who stand outside social norms and ideas of acceptability. Compiled by dramaturg Steve Marsh, this collection includes many contemporary monologues from plays he had the opportunity to review during his time on the nominating committee of the Drama Desk Awards in NYC. Marsh''s sincere theatrical bliss comes from understanding and working with playwrights and their dramatic structures, and his definition of the "edge" and his choice of dramatic works is sure to inspire all actors who endeavor to understand all of the characters and their motivations completely.