Böcker i Aris & Phillips Hispanic Classics-serien

This volume brings together a generous selection of Aliaga's prose poems, the majority previously unseen in English, as well as a substantial introduction to the author's work and its context, both literary and political, by the editor and translator. Cristian Aliaga (b.

Tirso de Molina's Marta the Divine (c. 1614-15) is a spirited comedy about an ingenious young woman who fakes religious piety in order to avoid an arranged marriage imposed upon her by her father.

Juan Valera y Alcala-Galiano (1824-1905), one of 19th-century Spain's most well known authors, had a career in the diplomatic service with postings in Europe and the Americas. A serious student of his own and foreign literatures, Valera wrote novels, short stories, essays and literary criticism.

Juan Ramon Jimenez, 1956 winner of the Nobel Prize, published Platero and I in 1914. Like Le Petit Prince by Antoine de Saint-Exupery and Lewis Carroll's Alice in Wonderland , Platero and I is a book not only for children, but for adults as well. It is an allegory of the deepest human emotions.

When Diego Rivera's biographer, Bertram Wolfe, was sifting though the painter's jumbled collection of correspondence, he encountered a series of Parisian letters from Angelina Beloff.

This edition presents The Mountain Girl from La Vera (1613) for the first time in English. The extraordinary protagonist, Gila, calls herself a man, takes pride in doing things men do, and falls in love with a queen. Her betrayal by an army captain who she has humiliated leads to tragedy. Gila has been described as feminist, lesbian, queer, and transgender. It is a vibrant, relevant play and a great piece of theatre.

This bilingual edition presents Luis Vélez de Guevara's 1613 play La Serrana de la Vera (The Mountain Girl from La Vera) for the first time ever in English translation. This long-forgotten tragedy has come back into focus in recent years because of its extraordinary protagonist, Gila, a peasant girl who calls herself a man, takes fierce pride in doing things men do, and falls in love with Queen Isabel. Her betrayal by an army captain who she has humiliated leads to lawlessness, violence and tragedy. Dramatized by the playwright as an heroic rebel, Gila has been variously described as feminist, homosexual, bisexual, lesbian, transsexual, hybrid, queer, and transgender. Highly relevant today, The Mountain Girl from La Vera is also a great piece of theatre, full of dramatic confrontations, colourful vignettes, striking moments of music and spectacle, and plentiful comic relief. This bilingual edition presents the entirety of the play, annotated, along with a Critical Introduction bythe translator that contextualizes the work.

Is gender learned or innate? This controversial play asks the question: what happens if you raise a boy to sew and behave as a girl, and raise his sister to fight as a soldier? For the first time, Guillen de Castro's La fuerza de la costumbre ('The Force of Habit') is available to English and Spanish audiences with a performance-tested translation on facing pages.

Is gender learned or innate? This controversial play asks the question: what happens if you raise a boy to sew and behave as a girl, and raise his sister to fight as a soldier? For the first time, Guillen de Castro's La fuerza de la costumbre ('The Force of Habit') is available to English and Spanish audiences with a performance-tested translation on facing pages.

A new expanded edition of a collection of short stories by contemporary Spanish women writers, now with 14 authors.

Premiered in 1981, The Granny and the Heist (La estanquera de Vallecas) interweaves tense excitement, comic banter and moments of great tenderness in its examination of an area of Madrid equally ignored by Spain's nascent democracy as it had been under the Franco dictatorship. Contains a new critical introduction and language-teaching resources.

A new translation of Un rio, un amor (One River, One Love) by Luis Cernuda (1902-1963). Written in France and Spain in 1928-1929, this collection reflects the influences, conflicts and impulses that governed the poet's life then and is faithful to the author's quasi-Surrealist intentions.

First collection in English of a series of short stories by an influential but not well-known early 20th century Spanish author

In this collection of 65 short poems, Roberta Quance exemplifies the range, vitality and inner mysticism of work by one of Spain's foremost, if controversial, contemporary female poets, drawing on the contents of a number of Spanish collections.

Benito Perez Galdos (1843-1920) was a prolific Spanish realist novelist, who through a lack of good translations is virtually unknown outside Spain, though he has been compared as second only to Cervantes in Spanish literature and whose work is considered to give the deepest, truest, most comprehensive realities of Spain.

The discoveries of the Portuguese made an impact on every area of human endeavour, as shown in the broad scope and trans-discliplinary nature of the papers collected here.

Ruyra was in the vanguard of the Catalan modernist generation as they constructed a new literary model after 1860 when the Catalan language became the vehicle of cultural nationalism. He has been called the 'prince of Catalan prose'.

Originally published in four separate volumes, this publication sees all 12 Novelas Ejemplares as a single volume for the first time in English. Each story has an individual introduction, the original Spanish text with facing English translation and notes.

Fuente Ovejuna (C.1613) is the most famous and frequently performed play by the creator of Spanish theatre, Lope de Vega (1562-1635). Astonishingly for its period, it celebrates the murder in 1476 of a nobleman, the Grand Commander of the Military Order of Calatrava, by the peasants he had oppressed, and their subsequent solidarity under torture.

The story comes from the Second Book of Samuel and tells of the incestuous passion of Amnon, David's eldest son, for his half-sister, Tamar and the subsequent murder of Amnon by his brother Absolom. Amnon's lust is set in the context of complementary passions of ambition and revenge, reflected in Absolom and Tamar respectively.