Böcker i Ashgate Studies in Architecture-serien

Provides a detailed exploration of the relationships between individual architects, educators, artists and designers that laid the foundation and shaped the approach to designing new school buildings in postwar Britain.

Bringing together leading writers and practicing architects including Jean Dethier, David Mayernik, Massimo Scolari, Robert Adam, David Watkin and Leon Krier, this volume provides a kaleidoscopic, multilayered exploration of the Architectural Capriccio. It not only explains the phenomena within a historical context, but moreover, demonstrates its contemporary validity and appropriateness as a holistic design methodology, an inspiring pictorial strategy, an efficient rendering technique and an optimal didactic tool. The book shows and comments on a wide range of historic masterworks and highlights contemporary artists and architects excelling in a modern updated, refreshed and original tradition of the Capriccio. The capacity of the Capriccio to create an imaginary, imagined or ''analogue'' reality by combining and relocating existing or invented buildings and places in uniquely suggestive drawings and paintings offers unprecedented insights in the ''Architectural Mind''. Unlike what the word Capriccio might suggest, it is not ''capricious'' but indeed follows complex rules of realism and figuration, as well as coherent narratives and semantics. It is a playful reflection of the dialectics of the real and the ideal. The Capriccio does not challenge the mechanism of reality, but questions the mechanic and linear reading of the real, of life and of art and offers a large palette of threads, figures, tones and nuances to illustrate and contribute creatively to the complexity of a sustainable built and living architectural environment.

While the significance of the interior has recently been explored from a range of disciplinary perspectives, there has been no extensive study of discomfort, or the role it plays in the cultural history of architecture. By examining discomfort's physical, emotional, conceptual, psychological and aesthetic impact on the experience of architecture, the contributors to this volume offer an alternate, cultural approach to the study of architecture and the built environment.

Investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives an account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank.

The author examines changing conceptions of tradition and modernity, and the development of a modern church architecture that drew from the ideas of the liturgical movement. Based on meticulous historical research in primary sources, theoretically informed, fully referenced, and thoroughly illustrated.

At the end of the Second World War, Italian architects began to pay increasing attention to examples imported from the United States, with the "American model" becoming a reference for many Italian designers, planners, and critics. This book questions how effective the circulation of US-originated knowledge was.

Bringing together leading writers and practicing architects including Jean Dethier, David Mayernik, Robert Stern, Robert Adam, David Watkin and Leon Krier, this volume provides a kaleidoscopic, multilayered exploration of the Architectural Cappriccio. It not only explains the phenomena within a historical context, but moreover.

Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today.

In 1964, Le Corbusier was commissioned to design a hospital in the San Giobbe neighbourhood of Venice. While he died the following year and so his design was not built.

Illustrated by critical analyses of significant buildings, including examples by such eminent architects as Adler and Sullivan, Erich Mendelsohn, and Louis Kahn, this book examines collaboration in the architectural design process over a period ranging from the mid-19th century to the late 1960s. The examples chosen, located in England.

Between the two World Wars, there was an unprecedented need for new houses in Britain which resulted in a building boom. This book examines these modest Modernist houses within the context of the Modern Movement in Europe, as well as the inter-war building boom in suburban Britain.

Describes the various technological, political and social developments that shaped one building type - the bungalow - contemporaneous to the development of modern Indian history during the period of British rule and its subsequent aftermath. This book also examines what it meant to be modern in Indian society as the twentieth century evolved.

When considering the successful design of cities, the focus tends to be on famous examples such as Paris or Rome, with equally successful but smaller and more remote examples being ignored. The story of Aberdeen is just such as example. This book examines the development and design of Aberdeen city.

Bringing together case studies from Europe, North and South America, the Middle East, Africa, Asia and Australia, this book provides an exploration of the relationship between architecture and nationalism. It includes essays grouped together in three thematic sections: Revisiting Nationalism, Interpreting Nationalism and Questioning Nationalism.

Focusing on England between 1935 and 1959, this book examines a selected group of innovative buildings and environments that were designed for children or addressed their needs, such as playgrounds, schools, community centres, hospitals, dwellings and neighbourhoods.

The book provides a unique, in-depth and critical analysis of Wright's concrete block houses, set within their historical, biographical and theoretical contexts. In particular, it shows the full impact upon Wright of his contemporaries, architects Irving Gill and Rudolph Schindler. In doing so, it allows a full appreciation of Wright's.

Edited version of the author's thesis (Ph. D.--Massachusetts Institute of Technology, 2013) under the title: Spectacles plastiques: reconstruction and the debates on the 'synthesis of the arts' in France, 1944-1962.

How do digital media (mobile phones, GPS, iPods, portable computers, internet, virtual realities, etc.) affect the way we perceive, inhabit and design space? Why do architects traditionally design, draw and map the visual, as opposed to other types of sensations of space (the sound, the smell, the texture, etc.).

Postmodern architecture - with its return to ornamentality, historical quotation, and low-culture kitsch - has been seen as a critical and popular anodyne to the worst aspects of modernist architecture. This book examines a range of architectural phenomena such as theme parks, casinos, specific modernist and postmodernist buildings.