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  • av . Walsh
    291

    This children's book takes a tour through the Getty Museum, adjacent gardens, conservation laboratories and other sites at the Getty Center. It features the colourful, humorous characters Milli Ennium, Quincy and their cohorts.

  • av . Wolf
    331

    A retelling of Sophocles' tragedy of the fate of Antigone, who defies her uncle and buries her brother. The text is printed on handmade paper and the volume is slip-cased. The original silk-screened illustrations have a classical Greek flavour.

  • av Yukio Lippit
    251

    "This volume publishes Yukio Lippit's lecture of the same title, held at the Getty Center on 23 September 2014."

  • av Bryan C. Keene
    777

    This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages.

  • av Edina Adam
    507

    A richly illustrated, comprehensive introduction to the visionary artist William Blake.

  • av Marcia Reed
    711

    An exploration of the radical artists who transformed the ways art is conceived, exhibited, and collected, through the Dada, Surrealist, and Fluxus collections of Jean and Leonard Brown.

  • av . Getty
    317

    The autobiography of Jean Paul Getty, American oil executive, multimillionaire and art collector. Getty tells how he amassed his fortune, discusses the prospects of democracy, lists the seven things men should know about women, and recounts conversations at Oxford with the future King of England.

  • av . Battistini
    371

    Presents analysis of occult iconography in many of the masterpieces of Western art - from the astrological symbols that decorated churches and illuminated manuscripts, through the work of a range of Renaissance artists, including Bosch, Brueghel, Durer and Caravaggio, to the visionary works of nineteenth-century artists, such as Fuseli and Blake.

  • av . Winckelmann
    911

    Investigates the idea of beauty over time and space. This book offers a chronological account whose conceptual and historical paradigms have been reiterated and contested into the twentieth century. It not only sketches the circumstances that shaped Winckelmann's project but also assesses this scholar's influence on European intellectual life.

  • av . Causey
    371

    Amber has fascinated mankind since the Palaeolithic era. This book examines the myths and legends woven around amber - its employment in magic and medicine, its transport and carving, and its incorporation into jewellery, amulets, and other objects of prestige.

  • av . Chiantore
    707

    Offers investigation of the material and philosophical aspects of conserving contemporary art. This title gives a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.

  • av . Behdad
    491

    The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe's distinctively Orientalist vision of the Middle East. This book explores the interplay between 19th-century photography and Europe's vision of the Middle East.

  • av . Ridderbos
    847

    Rather than offering a chronological discussion, this book presents early Netherlandish paintings as individual objects that have confronted scholars with countless interpretive challenges. Divided into three parts, it advances the scholarly dialogue about an important period in European art, by assembling scholarly research in the field.

  • av Charissa Bremer-David
    1 167

    A survey of the Getty Museum's 17th- and 18th-century French textiles. The book includes lists of artists and weavers, date and place of manufacture, and materials and techniques used. Also included is an accompanying commentary.

  • av . Teutonico
    561

    Archaeological sites world-wide are threatened by different forces. This volume reports on the proceedings of a workshop held to discuss challenges faced by archaeological sites in the Mediterranean and to examine management planning methods that might generate effective conservation strategies.

  • av Sybille Haynes
    711

    This comprehensive survey of Etruscan civilization, from its origin in the Villanovan Iron Age in the ninth century B.C. to its absorption by Rome in the first century B.C., combines well-known aspects of the Etruscan world with new discoveries and fresh insights into the role of women in Etruscan society. In addition, the Etruscans are contrasted to the Greeks, whom they often emulated, and to the Romans, who at once admired and disdained them. The result is a compelling and complete picture of a people and a culture. This in-depth examination of Etruria examines how differing access to mineral wealth, trade routes, and agricultural land led to distinct regional variations. Heavily illustrated with ancient Etruscan art and cultural objects, the text is organized both chronologically and thematically, interweaving archaeological evidence, analysis of social structure, descriptions of trade and burial customs, and an examination of pottery and works of art.

  • av Debra Burchett-Lere
    561

    The next title in the respected Artist's Materials series offers groundbreaking analysis of Sam Francis's working methods and materials.

  • av . Semper
    887

    Style, Semper believed, should be governed by historical function, cultural affinities, creative free will, and the innate properties of each medium. He tried to turn 19th century artistic discussion away from historicism, aestheticism and materialism.

  • av . Politi
    277

    Tells the story of the yearly return of the swallows to the Mission San Juan Capistrano through the eyes of a small child, Julian, the bell ringer of the Mission. This book includes the music and lyrics for "La Golondrina", a song about the swallows that the author composed himself.

  • av Sarah Perry
    277

    "Imagination is the name of the game, and Perry plays it with distinction. Eye-catching, mind-bending illustrations."-Booklist

  • av Samuel Van Hoogstraten
    977

    A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands.

  • av David Brafman
    507

    This collection of unique works by 150 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city's diverse artistic landscape.

  • av . Armstrong
    437

    Carol Armstrong offers an important study of Edgar Degas's work and reputation. Armstrong grapples with contradictory portrayals of Degas as "odd man out" within the modernist canon. She shows how our critical and popular expectations of Degas are overturned and subverted.

  • av . Baldwin
    277

    This is a study of the Victorian photographer's photograph "Pasha and Bayadere". It includes information about the life and career of Roger Fenton, best known for his photographs of The Crimean War.

  • av . De Brancion
    707

    Louis de Carmontelle was an 18th-century French draftsman, painter, and garden designer. In 1783, he began painting a series of panoramas on translucent paper that, when cranked through a backlit viewing box gave viewers the experience of journeying through beautiful landscapes. This title offers glimpse into the beginnings of the moving image.

  • av Mary Brooks
    827

    This volume explores the conservation and presentation of dress in museums and beyond as a complex, collaborative process.

  • av Peter Bjorn Kerber
    641

    Lavishly illustrated and exhaustively researched, this volume provides the first-ever comprehensive study-in any language-of this type of view painting. In examining these paintings alongside the historical events depicted in them, Peter Bjorn Kerber carefully reconstructs the meaning and context these paintings possessed for the artists.

  • av Rachel Rivenc
    827

    Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist's chosen technology often carries with it strong sociological and historical information and meanings. The free online edition of this open-access book is available at www.getty.edu/publications/keepitmoving/ and includes zoomable figures and videos. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

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