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  • av Neil Jackson
    751

    A heavily illustrated and highly designed tribute to Los Angeles architect Pierre Koenig, a key figure of the Los Angeles Modernist movement.

  • av Virginia Heckert
    367

    A new look at the work of Mario Giacomelli, one of Italy's foremost photographers of the twentieth century.

  • av . Rapelli
    381

    An illustrated guide to the symbols of power in Western art. It examines the way that sovereign rulers have employed well-defined symbols, attributes and stereotypes to convey their power to their subjects and rivals, as well as to leave a legacy for future generations to admire.

  • av . Portella
    561

    The Appian Way was the first great artery from Rome to southern Italy and the model for all roads originating in the ancient capital. Conceived by Appius Claudius in 312 B.C., the thoroughfare provided easy access to Capua, the most important junction in southern Italy, and facilitated Roman expansion into the southern peninsula.

  • av Idurre Alonso
    911

    This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis.

  • av Susan F. Lake
    561

    This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical-and, until now, least studied-major American Abstract Expressionist.

  • av Matthew Hayes
    841

    Repairing works of art and writing about them-the practices that became art conservation and art history-share a common ancestry. This handsomely illustrated volume charts the intersections between the two fields in the treatment of Italian Renaissance paintings in nineteenth-century Europe and proposes a model for a new conservation history.

  • av Donatien Grau
    491

    In almost thirty interviews, Donatien Grau probes some of the world's most prominent thinkers and preeminent arts leaders on the past, present, and future of the encyclopedic museum.

  • av . Morgan
    911

    The visionary nature of the "Apocalypse" - the biblical book of "Revelation" - along with its detailed descriptions of the end of the world have long made it ideal for illustration. This title offers an illustrated exploration of this 13th-century English Apocalyptic manuscript.

  • av . De Caro
    977

    This title reproduces, with commentary, "Le Case i Monu Menti di Pompeii" (1854) of Fausto and Felice Niccolini, the first work to completely and systematically present the public and private buildings so far excavated in Pompeii. It features the watercolours they created to document Pompeii.

  • av . Sider
    557

    An introduction to this ancient library that describes the difficult history of attempts to unwind the damaged rolls. This book discusses the texts that have been deciphered and puts them in the context of literacy and Roman society of the time. It also describes the form of books in antiquity and the papyrus sheets on which they were written.

  • av . Schweidler
    641

    Based on the revised German edition of Max Schweidler's "Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw" - originally published in 1934 - this book includes a glossary, and an illustrated appendix. It complements Schweidler's text in aiding curators, conservators, and collectors on the conservation and restoration of works on paper.

  • av Jane Bassett
    301

  • av . Draguet
    301

    The Belgian artist, illustrator, sculptor, and photographer Fernand Khnopff (1858-1921) became a popular society portraitist in the 1880s, using elements that had served him well as an avant-garde symbolist painter: visual realism and a mood of silence, isolation, and reverie.

  • av . Giorgi
    371

    A guide to identifying Christian saints as they are portrayed in art. From Agatha to Zeno, it presents the characteristic features of over 100 saints, with notes on their lives and martyrdom and visual references to help readers recognize them. The resource features a collection of masterpieces.

  • av . Baldwin
    301

    Parisian photographer Eugene Atget (1857-1927) set out to capture those commonplace features that were gradually disappearing from the city he loved. This volume contains 50 Atget works with comprehensive captions and an edited colloquium on his life and work by seven scholars.

  • av . Abed
    491

    Providing profiles of Tunisia's major mosaic sites, this title contains more than 130 full-colour photographs. It offers an introduction this region's mosaic art; also looking at the historical background of Roman Africa. It discusses the development of art in and around the Mediterranean.

  • av . Franits
    341

    Examines the painting in relation to the artist's life and works, explores his stylistic development, and considers as well, his often complex relationship with other artists. This work also looks at the subject matter of the piece within the broader historical context of 17th-century Dutch concepts of domesticity and parenthood.

  • av . Taplin
    977

    Greek painted pottery from the fourth century BC is one of the largest and most remarkable bodies of theatrically informed material that still survives. This work provides a large body of photographs accompanied by a picture-by-picture discussion of the vases, organized by playwright - including Aeschylus, Sophocles, and Euripides.

  • av . Giorgi
    381

    The seventeenth century was the beginning of a new era of commercialism, in which artists increasingly catered to affluent collectors. This title highlights the most important artists, works, concepts, and theories of the period, accompanied by 400 full-colour illustrations.

  • av Meher McArthur
    291

    This delightful book is a colourful reminder of the many things that visual art can be, become, and do.

  • av Eric Doehne
    491

    Offers an informative overview of the research and development in stone conservation. Suitable for conservators and conservation scientists, this title reflects the explosion of research, enlarging the discussion of preventive conservation and adding sections on rock art and other subjects.

  • av . Hess
    1 111

    In 1984 the Getty Museum acquired a collection of Italian Renaissance majolica, or tin-glazed earthenware. This volume catalogues this collection of 45 objects spanning 400 years, including a pair of 18th-century candlesticks representing mythological scenes and a tabletop with hunting scenes.

  • av Janet Burnett Grossman
    977

    A discussion of 59 Greek funerary monuments at the J. Paul Getty Museum. The title considers their relationships to the art and society of the period. It should be suitable for scholars and students of antiquities, and museum and art libraries.

  • av . Getty
    277

    The letters of the alphabet are illustrated for children in details from 26 paintings in the collection of the John Paul Getty Museum. The book also contains reproductions of the 26 paintings.

  • av . Woodruff
    491

    A comprehensive bibliography of the Russian Modernist holdings of the Getty Research Institute for the History of Art and the Humanities. This book comprises both published and unpublished material form circa 1905-1941.

  • av . Naef
    301

    This volume is devoted to the smaller and more unusually-shaped works of Carleton E. Watkins, many of which have not been published before. The book also contains an overview of his life, and an edited transcript of a colloquium on his career.

  • av Walter Curt Behrendt
    491

    In this volume, first published in German in 1927, Walter Curt Behrendt presents a revisionist concept of style that places equal emphasis on form and function. Behrendt calls on architects to return to basic geometries and to express the new social and economic realities.

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