Böcker i Blacks in the Diaspora-serien

Legacy of the Lash is a compelling social and cultural history of the Brazilian navy in the decades preceding and immediately following the 1888 abolition of slavery in Brazil. Focusing on non-elite, mostly black enlisted men and the oppressive labor regimes under which they struggled, the book is an examination of the four-day Revolta da Chibata (Revolt of the Lash) of November 1910, during which nearly half of Rio de Janeiro's enlisted men rebelled against the use of corporal punishment in the navy. These men seized four new, powerful warships, turned their guns on Rio de Janeiro, Brazil's capital city, and held its population hostage until the government abolished the use of the lash as a means of military discipline. Although the revolt succeeded, the men involved paid dearly for their actions. This event provides a clear lens through which to examine racial identity, violence, masculinity, citizenship, modernity, and the construction of the Brazilian nation.

Against the lethargy and despair of the contemporary Anglophone Caribbean experience, Aaron Kamugisha gives a powerful argument for advancing Caribbean radical thought as an answer to the conundrums of the present. Beyond Coloniality is an extended meditation on Caribbean thought and freedom at the beginning of the 21st century and a profound rejection of the postindependence social and political organization of the Anglophone Caribbean and its contentment with neocolonial arrangements of power. Kamugisha provides a dazzling reading of two towering figures of the Caribbean intellectual tradition, C. L. R. James and Sylvia Wynter, and their quest for human freedom beyond coloniality. Ultimately, he urges the Caribbean to recall and reconsider the radicalism of its most distinguished 20th-century thinkers in order to imagine a future beyond neocolonialism.

Trailblazing representations of black womanhood

The African community in colonial Mexico under Spanish and Catholic rule.

Race, Class, and the Civil Rights Movement is a unique sociohistorical analysis of the civil rights movement. In it Jack M. Bloom analyzes the interaction between the economy and political systems in the South, which led to racial stratification.

Using fiction, history, and oral poetry drawn from the United States, the Caribbean, and Africa, this book analyzes how writers reinterpret episodes of historical slave rebellion to conceptualize their understanding of an ideal 'master-less' future. It discusses about the grip of slavery and rebellion on modern black thought.

The ancient rice-growing cultures of West Africa and their transplantation to the Georgia-Carolina coast

Employing interdisciplinary critical strategies, including social, educational, and publishing history, canon-formation theory, and archival research, this book analyzes childhood as a site of emerging black cultural nationalism. It explores the period's vigorous exchange about the nature and identity of black childhood.

Focuses on the means employed by former slaves in Charleston, South Carolina to adjust to their status as a free people and to battle attempts by whites to regain control over them. This study attempts to understand how the freedmen saw themselves in the new order and to shed light on their hopes and aspirations.

A study of "receptive" communities in the West Indies, which focuses on two groups - English-speaking colonists, and the new African immigrants. This work describes the formation of these settlements, and offers details about the families of liberated Africans, the labour they performed, their religions, and the culture they brought with them.

What effect has the black literary imagination attempted to have on, in Toni Morrison's words, "e;a race of readers that understands itself to be 'universal' or race-free"e;? How has black literature challenged the notion that reading is a race-neutral act? Race and the Literary Encounter takes as its focus several modern and contemporary African American narratives that not only narrate scenes of reading but also attempt to intervene in them. The texts interrupt, manage, and manipulate, employing thematic, formal, and performative strategies in order to multiply meanings for multiple readers, teach new ways of reading, and enable the emergence of antiracist reading subjects. Analyzing works by James Weldon Johnson, Zora Neale Hurston, Ralph Ellison, Jamaica Kincaid, Percival Everett, Sapphire, and Toni Morrison, Lesley Larkin covers a century of African American literature in search of the concepts and strategies that black writers have developed in order to address and theorize a diverse audience, and outlines the special contributions modern and contemporary African American literature makes to the fields of reader ethics and antiracist literary pedagogy.

Although they came from distinct polities and peoples who spoke different languages, slaves from the African Gold Coast were collectively identified by Europeans as "e;Coromantee"e; or "e;Mina."e; Why these ethnic labels were embraced and how they were utilized by enslaved Africans to develop new group identities is the subject of Walter C. Rucker's absorbing study. Rucker examines the social and political factors that contributed to the creation of New World ethnic identities and assesses the ways displaced Gold Coast Africans used familiar ideas about power as a means of understanding, defining, and resisting oppression. He explains how performing Coromantee and Mina identity involved a common set of concerns and the creation of the ideological weapons necessary to resist the slavocracy. These weapons included obeah powders, charms, and potions; the evolution of "e;peasant"e; consciousness and the ennoblement of common people; increasingly aggressive displays of masculinity; and the empowerment of women as leaders, spiritualists, and warriors, all of which marked sharp breaks or reformulations of patterns in their Gold Coast past.

The election of Barack Obama gave political currency to the (white) idea that Americans now live in a post-racial society. But the persistence of racial profiling, economic inequality between blacks and whites, disproportionate numbers of black prisoners, and disparities in health and access to healthcare suggest there is more to the story. David H. Ikard addresses these issues in an effort to give voice to the challenges faced by most African Americans and to make legible the shifting discourse of white supremacist ideology-including post-racialism and colorblind politics-that frustrates black self-determination, agency, and empowerment in the 21st century. Ikard tackles these concerns from various perspectives, chief among them black feminism. He argues that all oppressions (of race, gender, class, sexual orientation) intersect and must be confronted to upset the status quo.

That the Blood Stay Pure traces the history and legacy of the commonwealth of Virginia's effort to maintain racial purity and its impact on the relations between African Americans and Native Americans. Arica L. Coleman tells the story of Virginia's racial purity campaign from the perspective of those who were disavowed or expelled from tribal communities due to their affiliation with people of African descent or because their physical attributes linked them to those of African ancestry. Coleman also explores the social consequences of the racial purity ethos for tribal communities that have refused to define Indian identity based on a denial of blackness. This rich interdisciplinary history, which includes contemporary case studies, addresses a neglected aspect of America's long struggle with race and identity.

In Free and French in the Caribbean, John Patrick Walsh studies the writings of Toussaint Louverture and Aime Cesaire to examine how they conceived of and narrated two defining events in the decolonializing of the French Caribbean: the revolution that freed the French colony of Saint-Domingue in 1803 and the departmentalization of Martinique and other French colonies in 1946. Walsh emphasizes the connections between these events and the distinct legacies of emancipation in the narratives of revolution and nationhood passed on to successive generations. By reexamining Louverture and Cesaire in light of their multilayered narratives, the book offers a deeper understanding of the historical and contemporary phenomenon of "e;free and French"e; in the Caribbean.

In a speech from which Nation of Cowards derives its title, Attorney General Eric Holder argued forcefully that Americans today need to talk more-not less-about racism. This appeal for candid talk about race exposes the paradox of Barack Obama's historic rise to the US presidency and the ever-increasing social and economic instability of African American communities. David H. Ikard and Martell Lee Teasley maintain that such a conversation can take place only with passionate and organized pressure from black Americans, and that neither Obama nor any political figure is likely to be in the forefront of addressing issues of racial inequality and injustice. The authors caution blacks not to slip into an accommodating and self-defeating "e;post-racial"e; political posture, settling for the symbolic capital of a black president instead of demanding structural change. They urge the black community to challenge the social terms on which it copes with oppression, including acts of self-imposed victimization.

In the 1920s, the South Side was looked on as the new Black Metropolis, but by the turn of the decade that vision was already in decline-a victim of the Depression. In this timely book, Christopher Robert Reed explores early Depression-era politics on Chicago's South Side. The economic crisis caused diverse responses from groups in the black community, distinguished by their political ideologies and stated goals. Some favored government intervention, others reform of social services. Some found expression in mass street demonstrations, militant advocacy of expanded civil rights, or revolutionary calls for a complete overhaul of the capitalist economic system. Reed examines the complex interactions among these various groups as they played out within the community as it sought to find common ground to address the economic stresses that threatened to tear the Black Metropolis apart.

Elisa Joy White investigates the contemporary African Diaspora communities in Dublin, New Orleans, and Paris and their role in the interrogation of modernity and social progress. Beginning with an examination of Dublin's emergent African immigrant community, White shows how the community's negotiation of racism, immigration status, and xenophobia exemplifies the ways in which idealist representations of global societies are contradicted by the prevalence of racial, ethnic, and cultural conflicts within them. Through the consideration of three contemporaneous events-the deportations of Nigerians from Dublin, the aftermath of Hurricane Katrina in New Orleans, and the uprisings in the Paris suburbs-White reveals a shared quest for social progress in the face of stark retrogressive conditions.

One of the most important books published on slave society, Stolen Childhood focuses on the millions of children and youth enslaved in 19th-century America. This enlarged and revised edition reflects the abundance of new scholarship on slavery that has emerged in the 15 years since the first edition. While the structure of the book remains the same, Wilma King has expanded its scope to include the international dimension with a new chapter on the transatlantic trade in African children, and the book's geographic boundaries now embrace slave-born children in the North. She includes data about children owned by Native Americans and African Americans, and presents new information about children's knowledge of and participation in the abolitionist movement and the interactions between enslaved and free children.

Explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. This work focuses on Countze Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices.

Exploring slavery and slave society through the lives of black women.

A look at African and African American participation in the 1893 Columbian Exposition.

Akinwumi Ogundiran is Chair of the Africana Studies Department and Professor of Africana Studies, Anthropology and History at the University of North Carolina, Charlotte. He is author of Archaeology and History in the Ilare District, 1200-1900.Toyin Falola is the Frances Higginbotham Nalle Centennial Professor in History at the University of Texas at Austin. He is editor (with Matt D. Childs) of The Yoruba Diaspora in the Atlantic World (IUP, 2005).

A study of Boston's West Indian immigrants, examining the identities, goals, and aspirations of two generations of black migrants from the British-held Caribbean who settled in Boston between 1900 and 1950. It explores the pre-migration background of the immigrants, work and housing, identity, culture and community, activism and social mobility.

Discussing the roles of women in an urban slave society, this book takes up issues of gender, race, condition (slave or free), and class and examines the ways each contributed to conveying and replicating power. It analyses what it meant to be a woman in a world where historically specific social classifications determined personal destiny.

Presenting a complex slave society in 19th-century Brazil, this book looks at urban slavery in an Atlantic port city from the vantage point of enslaved Africans and their descendants, examining their self-perceptions and self-identities in a variety of situations. It illustrates the difficulty of generalizing about New World slave societies.

Examines freedom's influence on the lives of African American women and families in Mississippi during and after the Civil War. Exploring issues of family and work, this book shows how African American women's attempts to achieve more control over their lives shaped their attitudes toward work, marriage, family, and community.

Was Mau Mau a national effort or an ethnic outburst? What were its political aims? Maloba describes the participants and their differing ideologies; relationships between the revolt and the conventional party politics of the Kenya African Union; and the impact of Mau Mau on decolonization in Kenya.

Gerard Aching is Professor of Africana and Romance Studies at Cornell University. He is author of The Politics of Spanish American Modernismo: By Exquisite Design and Masking and Power: Carnival and Popular Culture in the Caribbean.