Böcker i Bollingen Series (General)-serien

"As the French Empire collapsed between 1812 and 1815, artists throughout Europe were left uncertain and adrift. The final abdication of Emperor Napoleon, clearing the way for a restored monarchy, profoundly unsettled prevailing national, religious, and social boundaries. In 'Restoration', Thomas Crow combines a sweeping view of European art centers-Rome, Paris, London, Madrid, Brussels, and Vienna-with a close-up look at pivotal and significant artists, including Antonio Canova, Jacques-Louis David, Theodore Gericault, Francisco Goya, Jean-Auguste-Dominique Ingres, Thomas Lawrence, and forgotten but meteoric painters Francois-Joseph Navez and Antoine Jean-Baptiste Thomas. Whether directly or indirectly, all became linked in a new international network in which changing artistic priorities and possibilities emerged from the ruins of the old. Crow examines how artists of this period faced dramatic circumstances, from political condemnation and difficult diplomatic missions to a catastrophic episode of climate change. Navigating ever-changing pressures, they invented creative ways of incorporating critical events and significant individuals into fresh artistic works. Crow discusses, among many topics, David's art and pedagogy during exile, Ingres's drive to reconcile religious art with contemporary mentalities, the titled victors over Napoleon all sitting for portraits by Lawrence, and the campaign to restore art objects expropriated by the French from Italy, prefiguring the restitution controversies of our own time."--Provided by publisher.

Tracing the transformations of classical Latin rhetoric from late antiquity to the modern era, this book explores the concerns such as: the historical and social contexts in which writings were received, and issues of aesthetics, semantics, stylistics, and sociology that anticipate the concerns of the new historicism.

The Medicine Rite is performed by medicine men upon the initiation of a member to their cult. Presenting a transcription of the Medicine Rite, the most sacred ritual of the Winnebago Indians, this work captures a poetic source of profound importance to the understanding of mystical experience.

Presnts an analysis of interrelated themes in Iranian religion, including the angelology of Mazdaism and Islamic Shi'ite concepts of spirit-body identity.

The Swiss thinker JJ Bachofen is most often connected with his theory of matriarchy, or 'mother right,'. This book includes an autobiographical essay and selections from "An Essay on Ancient Mortuary Symbolism", "Mother Right", and "The Myth of Tanaquil".

Essays by Henry Corbin, Mircea Eliade, C. G. Jung, Max Knoll, G. van der Leeuw, Louis Massignon, Erich Neumann, Helmuth Plessner, Adolf Portmann, Henri-Charles Puech, Gilles Quispel, and Hellmut Wilhelm. With an introduction by Henry Corbin. Originally published in 1957. The Princeton Legacy Library uses the latest print-on-demand technology to a

In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us.Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch''s fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art historyΓÇÖs unexplored underside: the image itself as an enemy.An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artistsΓÇöincluding BoschΓÇÖs notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on KoernerΓÇÖs A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.

What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition.Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting.Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.

Bronislaw Malinowski (1884-1942) was a wide-ranging thinker whose ideas affected almost every branch of the social sciences. And nowhere is this impact more evident or more persistent than on the study of myth, ritual, and religion. He articulated as never before or since a program of seeing myths as part of the functional, pragmatic, or performed

Addresses subjects that range from literature and philosophy through religion, politics, history, and biography, to travel-writing and science. This volume comprises annotations on more than sixty books (from Sherlock to "Unidentified"), including well-known works by Sir Philip Sidney, Southey, Spinoza, Swift, and Tennyson.

Poetry in its many guises is at the center of Coleridge's multifarious interests. This edition of his poetical works marks the pinnacle of the Bollingen Collected Coleridge. Setting standards of comprehensiveness in the presentation of Romantic texts, it is useful for historians and editorial theorists, as well as readers and students of poetry.

The Sanctuary of the Great Gods on the island of Samothrace was a renowned center of religious life in the northern Aegean from the 7th century BC until the 4th century after Christ, and the mysteries practiced there rank in historical importance with those of Eleusis. This volume focuses primarily on excavations of the southern (S) Nekropolis.

The medieval legend of the Grail, a tale about the search for supreme mystical experience, has never ceased to intrigue writers and scholars by its wildly variegated forms. This title shows how the Grail, once a Celtic vessel of plenty, evolved into the Christian Grail with miraculous powers.

Includes essays by Ernesto Buonaiuti, Friedrich Dessauer, C G Jung, Werner Kaegi, C Kerenyi, Paul Masson-Oursel, Fritz Meier, Adolf Portmann, Max Pulver, Hugo Rahner, Erwin Schrodinger, and Walter Wili.

Provides a study of the mythology of the world's high civilizations. This book explores the relation of dreams to myth, and demonstrates the important differences between oriental and occidental interpretations of dreams and life.

Includes essays by Julius Baum, C G Jung, C Kerenyi, Hans Leisegang, Paul Masson-Oursel, Fritz Meier, Jean de Menasce, Georges Nagel, Walter F Otto, Max Pulver, Hugo Rahner, Paul Schmitt, and Walter Wili.

Comprises annotations on more than fifty books and manuscripts (from "Valckenaer" to "Zwick", and "Addenda"). This book includes comments on Wordsworth's "Benjamin the Waggoner," "The Prelude," and "Translation of Virgil's Aeneid," as well as on William Godwins's verse drama "Abbas."

Poetry in its many guises is at the center of Samuel Taylor Coleridge's multifarious interests. This edition contains his complete poetical works. It is intended for historians, editorial theorists, as well as readers and students of poetry. The textual information also reveals changes in such areas as linguistic and grammatical usage.

Poetry in its many guises is at the center of Samuel Taylor Coleridge's multifarious interests. This edition contains his complete poetical works. It opens with an introduction and chronological tables. Each poem is accompanied by a headnote and commentary that together provide its historical-biographical context and offer key textual variants.

Contains essays that reveal a concern about the one-sidedness of patriarchal Western civilization. They discuss the psychological stages of woman's development, the moon and matriarchal consciousness, Mozart's Magic Flute, the meaning of the earth archetype for modern times, and the fear of the feminine.

From the famous siege of Constantinople in 1453 through the numerous other campaigns that securely established the Ottoman Empire, this title covers various events in the life of the emperor Mehmed II.

Interweaves biographical information about 5 renowned French artists - Nicolas Poussin, Antoine Watteau, Jean-Honore Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres. This book presents over 260 illustrations, and explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas.

Brings to a wide audience one of the most innovative and meaningful models of God for this post-Auschwitz era. In a return to the original Hebrew conception of God, which questions accepted conceptions of divine omnipotence, this title defines God's authorship of the world as a consequence of his victory in his struggle with evil.

During the winter of 1818-1819, Samuel Taylor Coleridge gave 14 lectures on the history of philosophy. This edition presents an indexed text of the lecture series and provides, in addition, the complete texts of the shorthand reports and of Coleridge's own notes, along with newspaper and manuscript reports by people who attended the lectures.

Charts the theological defense of icons during the Iconoclastic controversies of the eighth and ninth centuries, whose high point came in AD 787, when the Second Council of Nicaea restored the cult of images in the church. This title demonstrates how the dogmas of the Trinity and the Incarnation eventually provided the basic rationale for images.

Presents an account of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610) and the artist's revolutionary achievement. This book focuses on the emergence of the full-blown 'gallery picture' in Rome during the last decade of the sixteenth century and the first decades of the seventeenth.

"Biographia Literaria" has emerged over the last century as a supreme work of literary criticism and one of the classics of English literature. This is a completely annotated edition of the highly allusive work.