Böcker i British Art Centre at Yale Series (YUP)-serien

The 18th-century painter Johan Zoffany (1733-1810) was an astute observer of the many social circles in which he functioned as an artist. This catalogue investigates his sharp wit, shrewd political appraisal, and perceptive social commentary - all achieved while presenting his subjects as delightful and sophisticated members of polite society.

The British architect James Frazer Stirling (1924-1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. This book allows for a close examination of design drawings, photographs, and models spanning Stirling's entire career.

Takes readers inside Samuel and Gabrielle Lurie's private collection of contemporary British art, an intended gift to the Yale Center for British Art, which includes major works by Ian Stephenson, Patrick Caulfield, and John Walker, as well as important prints by Howard Hodgkin and R B Kitaj.

Laden with works of art acquired by young British travellers on the Grand Tour in Italy, the British merchant ship Westmorland sailed from the Italian port of Livorno before being captured by French naval vessels and escorted to Malaga in southern Spain. This book tells the story of the ship's capture and the disposition of its artistic contents.

With a career spanning more than sixty years, Anthony Caro (b 1924) is one of Britain's most acclaimed and best-known sculptors. This book accompanies the first survey exhibition of his work in an American museum since his retrospective at the Museum of Modern Art in 1975.

Views of Edwardian era have swung between seeing period as a golden summer afternoon of imperial and elite complacency and starkly conflicting depiction of decade as one of intense political, and artistic instability. This book explores themes of power and a contrasting lightness of touch through architecture, and decorative and fine arts.

Highlighting an enduring interest in natural history from the 16th century to the present, this book explores depictions of the natural world, from centuries-old manuscripts to contemporary artists' books. It examines the scientific pursuits in the 18th and 19th centuries that resulted in the collecting and cataloguing of the natural world.

The artistic accomplishments of James Northcote (1746-1831) have tended to be overshadowed by his role as a biographer of Joshua Reynolds, first President of the Royal Academy of Arts. This book focuses on Northcote's One Hundred Fables (1828), a masterpiece of wood engraving.

In 1969 and 1970, Louis I Kahn (1901-1974) - one of America's greatest 20th-century architects - participated in a series of interviews with a young German architectural historian, Heinrich Klotz. This title provides a full edited transcript of these illuminating interviews, which provide insights into Kahn's philosophy of architecture.

Highlights the diversity, originality and ubiquity of sculptural production during the reign of Queen Victoria. This illustrated book examines how colourful marbles, bronzes, finely wrought silver, and exquisitely detailed electrotypes, as well as gems, cameos and porcelain, related to and contributed to the contemporary world.

The Paston Treasure, a spectacular painting from the 1660s now held at Norwich Castle Museum, depicts a wealth of objects from the collection of a local landed family. This deeply researched volume uses the painting as a portal to the history of the collection, exploring the objects, their context, and the wider world they occupied. Drawing on an impressive range of fields, including history of art and collections, technical art history, musicology, history of science, and the social and cultural history of the 17th century, the book weaves together narratives of the family and their possessions, as well as the institutions that eventually acquired them. Essays, vignettes, and catalogue entries comprise this multidisciplinary exposition, uniting objects depicted in the painting for the first time in nearly 300 years.

"This publication accompanies the exhibitions William Hunter and the Anatomy of the Modern Museum co-organized by The Hunterian Museum, Glasgow, on view 27 September 2018-6 January, 2019, and the Yale Center for British Art, New Haven, on view 14 February-20 May 2019."

A captivating look into the highlights from the Yale Center for British Art