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Böcker i British Film-Makers-serien

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  • av Geoff Mayer
    336,-

  • av Quentin Falk
    1 126,-

    Charles Crichton, director of A Fish Called Wanda and several much-loved Ealing comedies, had one of the most remarkable careers in British film history. Featuring interviews with colleagues such as Dame Judi Dench, Petula Clark, John Cleese and Sir Michael Palin, this book provides the first comprehensive study of his work. -- .

  • av Steve Chibnall
    400,-

    The first to examine the work of a man once hailed as the finest film-maker to emerge from the British studio system after the Second World War, J. Lee Thompson -- .

  • av Neil Sinyard
    336,-

    A personal and fascinating account of the career and achievement of an important, much-loved director; Jack Clayton. -- .

  • av Colin Gardner
    346,-

    The career of Wisconsin-born Joseph Losey spanned over fourdecades and several countries, from . collaborator with Bertholt Brecht,director of Hollywood B-pictures and victim of McCarthyism, to director ofseminal British films such as "Time Without Pity," "Eve,""The Servant," and "The Go-Between". -- .

  • av Peter Marks
    1 060,-

    This book is the most sustained and comprehensive examination to date of one of cinema's most challenging and lauded auteur. It proposes new ways of seeing Gilliam and his films that go beyond reductive readings of him as a gifted but manic fantasist. It analyses Gilliam's work over nearly four decades, from Monty Python, to Brazil and Tideland. -- .

  • av Peter Hutchings
    270,-

    This book offers an appreciation of all of Fisher's films and also gives a sense of his place in British film history -- .

  • av Peter William Evans
    336,-

    A major reconsideration of one of British cinema's finest film directors, offering fresh insight into Carol Reed's distinctive work, and his place in the history of British cinema. -- .

  • av Rowland Wymer
    386,-

    This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure within a particular subculture. -- .

  • - Cinema Authorship
    av John Izod, Karl Magee, Kathryn Hannan & m.fl.
    1 126,-

    Students and Lecturers in British film, television and cultural history. -- .

  • av Brian McFarlane
    270,-

    Charts Lance Comfort's career in full -- .

  • - Arliss, Crabtree, Knowles and Huntington
    av Brian McFarlane
    1 126,-

    This is a book for those who love British cinema and want to know more about its rise to popularity in the 1940s. The 'quality' films of the decade have been thoroughly explored already, but this book looks at the films the public actually went to see, and provides detailed information on the directors behind them. -- .

  • av Melanie Williams
    336 - 1 150,-

    Comprehensive overview of the director's body of work which yields new insights on the established classics of Lean's career as well as its lesser-known treasures -- .

  • av Colin Gardner
    336,-

    This first full-length critical analysis of the Czech-born, British director, Karel Reisz uses recent interdisciplinary methodologies to explore the crisis of political commitment and historical displacement in the context of the 1960s and '70s counter-culture. -- .

  • av Professor Andrew Spicer
    336 - 1 126,-

    A lucid and informative account, drawing on unpublished material, of the career of one of the most successful and significant producers in British cinema. It provides discussion of all his films, including The Seventh Veil (1945), and affords an exceptional insight into the workings of the wartime and postwar British film and television industries. -- .

  • av Sally Dux
    1 126,-

    The first detailed scholarly and authoritative analysis of Richard Attenborough's work as a filmmaker -- .

  • av Tom Ryall
    272,-

    A study of Anthony Asquith, which sets his work in the context of the history of British cinema from the silent period to the 1960s, and examines the artistic and cultural influences within which his films can be understood.

  • av Keith Beattie
    1 126,-

    From dramatic reflections on the Blitz to insightful examinations of post-war conditions, Jennings' startling documentary films redefined the genre. The book carefully examines and explains the central components of Jennings' most significant films, and considers the relevance of his filmmaking to British cinema and contemporary experience.

  • av Tony Whitehead
    336 - 1 126,-

    Mike Leigh may well be Britain's greatest living film director; his worldview has permeated our national consciousness. Written with the co-operation of Leigh himself, this book gives detailed readings of the nine feature films he has made for the cinema, as well as an overview of his work for television.

  • av Neil Sinyard
    1 060,-

    A critical reappraisal of one of the most significant filmmakers of the post-war era, 'Beatles' director, Richard Lester. -- .

  • av Benjamin Halligan
    270,-

    Cine-literate and single-minded, Michael Reeves took onexploitative film production companies, the British censors, and even VincentPrice to create a unique vision of savage poetry and lacerating despair:Witchfinder General. -- .

  • av Wendy Everett
    346,-

    Exciting, stimulating, and eminently readable, this first-ever analysis of the work of Terence Davies provides a detailed and wide-ranging exploration of his films and demonstrates his central importance to contemporary cinema. -- .

  • av Bruce Babington
    336,-

    Analyses the achievement of one of the central partnerships in British film history -- .

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