Böcker i Cambridge Library Collection - Music-serien

William Ashton Ellis (1852-1919) abandoned his medical career in order to devote himself to his Wagner studies. Best known for his translations of Wagner's prose works, Ellis also translated Wagner's letters to family and friends. In this 1899 publication, most of the letters are those which Wagner wrote to the wealthy retired silk merchant Otto Wesendonck, who provided Wagner with generous financial support and whose wife, Mathilde, provided the words for the Wesendonck Lieder. Also included here are letters to the German writer Malwida von Meysenbug, who was also a friend of Nietzsche, and to the novelist Eliza Wille, at whose house in Zurich, a meeting place for the cognoscenti, Wagner was a regular guest. She later published her memories of the composer. Despite the stylistic idiosyncrasies of the translations, these letters remain of value because they capture something of the colour of Wagner's prose and personality.

Adolf Bernhard Marx (1795-1866) was an influential music theorist, critic, composer and pedagogue. He believed that music should be part of everyone's general education and lobbied the Prussian government for a comprehensive national music-education scheme. This English translation by George Macirone of Marx's 1839 Allgemeine Musiklehre was published in 1854 as the first work in the series Novello's Library for the Diffusion of Musical Knowledge. The series, described by the publisher as 'a collection of standard treatises on the art of music written by the most esteemed English and foreign masters', was devised in response to a growing demand for training books and manuals to support domestic music-making. It also included Berlioz's famous treatise on instrumentation (also reissued in this series). Marx's work covers the basic elements of music theory, musical instruments, compositional techniques, forms of music, performance advice, and the importance of musical education in general.