Böcker i Cambridge Studies in American Literature and Culture-serien

Fictions of Capital situates manners and writing about manners in the context of American capitalism between 1880 and 1960. The work of various economic theorists and historians is used to establish two of capitalism's deeper narratives: the plot to accumulate and expand resources and the plot to ensure reproduction of the expanded resources.

This book considers the portrayal of the American national character in the writings of Nathaniel Hawthorne and Herman Melville. It examines Hawthorne's abiding concern with the development of New England from colony to province to republic, and analyses Melville's changing evocation of 'the new American', and the difficulties he faced in sustaining his heady nationalistic faith.

This book explores the testimonies of spiritual experience delivered by puritans in the mid-seventeenth century in order to qualify for membership of their local churches.

This fascinating account of Ezra Pound and Italian Fascism allows the reader to understand the causes and results of Pound's ideology and actions as well as the broader implications they have for the poetry and politics of this century.

In Modernism, Mass Culture and Professionalism Thomas Strychacz argues that modernist writers need to be understood both in their relationship to professional critics and in their relationship to an era and ethos of professionalism.

Throughout this important 1991 study of American Romanticism Professor Porte offers provocative reassessments of familiar and less familiar texts. Throughout this important new study of American Romanticism Professor Porte offers provocative reassessments of familiar and less familiar texts.

Discrepant Engagement addresses work by a number of authors not normally grouped under a common rubric - black writers from the United States and the Caribbean and the so-called Black Mountain poets.

In Walt Whitman and the American Reader, Ezra Greenspan casts Whitman as the central actor on the stage of nineteenth-century American literary culture - a culture redefining its democratic identity.

Robert Frost and a Poetics of Appetite reads Frost's poetry within a theoretical perspective generated, but not limited by feminist analysis, and it evaluates Frost's persistent feminising of poetic language in ways that he typically dramatises as both erotic and humiliating. The study unites biography, psychology and feminism in creating an adept and imaginative instrument of interpretation.

The Cliffs of Solitude offers a comprehensive assessment of the career of one of America's most neglected major poets, Robinson Jeffers.

Linking classic American literature to contemporary popular culture, Sublime Enjoyment argues that the rational systems of normal social life are motivated and sustained by 'perverse' desires. Examining the ways in which this inadvertence is represented in American literature and culture, Dennis Foster shows how longings are linked to social forces.

This book focuses on the works of America's premier colonial poet, Edward Taylor (1642-1729). Professor Rowe advances a theory which unites Taylor's exegetical discipline as a preacher with his creativity as a poet. This is the first work to draw on the collection of unpublished sermons, discovered in 1977, Upon the Types of the Old Testament.

The Interpretation of Material Shapes in Puritanism overturns many of our long-held assumptions about the social and artistic values of Protestantism. Dr Ann Kibbey offers a detailed analysis of the rhetoric of the Puritan plain style, centring her argument on the influential preacher John Cotton.

Breitwieser suggests that the continuity between Mather and Franklin can illuminate the larger continuity between American Puritanism and the American Enlightenment and that certain abiding questions about American identity are raised clearly for the first time in the writings of these two brilliant founders of the national literature.

In this 1990 book John Limon examines the various ways American authors have approached the writing of fiction (and justified that writing) in an age increasingly dominated by science. He focuses in particular on Charles Brockden Brown, Edgar Allen Poe and Nathaniel Hawthorne.

This 1996 book argues that Henry James's work exemplifies the complex role literature plays in the formation of broadly racial, national and cultural identities in the late nineteenth and early twentieth centuries. Blair delineates the complexity of his engagement with emergent cultural rituals through which American values are being forged.

This book traces the development of Marianne Moore's poetry throughout her sixty-year career as one of America's finest poets. Margaret Holley examines changes in Moore's approach to moral and artistic values, and discusses how language and form were distinctive in each of the poet's major phases.

Anita Patterson examines cross-currents of influence among American, African American and Caribbean authors. This bold and imaginative work of transnational literary and historical criticism sets canonical figures in fascinating contexts and will be of interest to scholars of American literature, modernism, postcolonial studies, and Caribbean literature.

Staub recasts 1930s cultural history, demonstrating the seldom-discussed multicultural diversity of those genres so characteristic of the period: ethnography, documentary, journalism and polemical fiction.

Dos Passos and the Ideology of the Feminine is an original contribution to traditional Dos Passos scholarship, which tends to focus on the author's political agenda. Casey takes a cultural studies approach that situates both the author and his finest fiction in relation to theories of gender in the 1920s and 1930s.

This book juxtaposes representations of labour in fictional and non-fictional texts in order to trace the intersections between aesthetic and economic discourse in nineteenth-century America.

Penelope's Web, published in 1991, was the first book to examine fully the brilliantly innovative prose writing of Hilda Doolittle. H. D.'s reputation as a major modernist poet has grown dramatically; but she also deserves to be known for her innovative novels and essays.

This study proposes interpretive strategies for nineteenth-century American women's novels. Harris contends that women in the nineteenth century read subversively, 'processing texts according to gender based imperatives'. Harris scans white, middle-class women's writing throughout the nineteenth century.

This book is a study of the development of New England literature and literary institutions from the American Revolutionary era to the late nineteenth century. Professor Buell explores the foundations, growth and literary results of the professionalisation of the writing vocation.

This book is a major step toward a fuller exploration of the connection between the visual arts and Williams' concept of the Modernist poem and of his achievement in transcending an art-for-art's-sake formalism to create poems that both reflect their own nature as a work of art and vividly evoke the world of which they are a part.

H. D. and Hellenism: Classic Lines concerns a prominent aspect of the writing of the modern American poet H. D. (Hilda Doolittle): a lifelong engagement with hellenic literature, mythology and art. H. D.'s hellenic intertextuality is examined in the context of classical fictions operative at the turn of the century.

Sporting with the Gods examines the metaphors of 'play', 'game' and 'sport' as they are reflected in American literature and culture. The book traces the cultural history of these metaphors primarily through American literary texts resulting in a cultural history of America from its inception.

This is the first book to explore in detail how Eliot's writings at once preserved and reacted against his complex American heritage. Analysing major poems from 'Prufrock' through The Waste Land, Sigg draws upon Eliot's early philosophical writing, essays and reviews to reveal Eliot's early poetry both as a distinct entity and as a stage in his development.

Here, Rachel Blau Duplessis shows how, through poetic language, modernist writers represented the debates around such social issues of modernity as suffrage, sexuality, manhood, and African-American and Jewish subjectivities.

Examines the response of American leftist writers from the 1930s to the rise of mass culture, and to the continued propagation of the values of consumerism during the Depression. It traces in the work of Kenneth Fearing and Nathaniel West certain theoretical positions associated with the Frankfurt school (especially Walter Benjamin) and with contemporary theorists of postmodernism.