Böcker i Cambridge Studies in Twenty-First-Century Literature and Culture-serien

This book shows how interrelated shifts in the global financial system and the global publishing industry have transformed the production of contemporary fiction in Britain and the USA. It will appeal to graduate students and researchers working in twenty-first-century literary studies, especially scholars of contemporary British and American fiction.

Contemporary Feminist Life-Writing is the first volume to identify and analyse the 'new audacity' of recent feminist writings from life. Characterised by boldness in both style and content, willingness to explore difficult and disturbing experiences, the refusal of victimhood, and a lack of respect for traditional genre boundaries, new audacity writing takes risks with its author's and others' reputations, and even, on occasion, with the law. This book offers an examination and critical assessment of new audacity in works by Katherine Angel, Alison Bechdel, Marie Calloway, Virginie Despentes, Tracey Emin, Sheila Heti, Juliet Jacques, Chris Krauss, Jana Leo, Maggie Nelson, Vanessa Place, Paul Preciado, and Kate Zambreno. It analyses how they write about women's self-authorship, trans experiences, struggles with mental illness, sexual violence and rape, and the desire for sexual submission. It engages with recent feminist and gender scholarship, providing discussions of vulnerability, victimhood, authenticity, trauma, and affect.

This book discusses contemporary British poetry in the context of metamodernism. It asks if the concept of metamodernist poetry helps to recalibrate the opposition between mainstream and innovative poetry, and whether a new generation of British poets can be accurately defined as metamodernist.

This book demonstrates how developments in biotechnology such as cloning, synthetic biology, surrogate pregnancies, organ transplants and more have significant implications for personhood, ethics, and governance. Drawing attention to the commodification of life, it shows how the biological functions of life itself are shaped to economic agendas.

This book is for scholars of contemporary literature. It argues for a renaissance of British literary talent in the twenty-first century, introducing readers to several new writers. The analysis of utopian anticipation will also be of interest to academics working in utopian studies, critical theory and the philosophy of time.

This book will engage readers interested in Irish fiction dealing with the United States, Asia, the Global South and Europe. A conceptually innovative study of Irish expatriate novels that situates Irish writing in terms of the country's changing place in an international order in a time of turbulent global change.

This study offers a critical interpretation of literary representations of urban poverty and the sustained trauma associated with exploitation, homelessness, displacement, or racism. It advocates the value of an adapted psychoanalysis for the poor in not only addressing mental health needs but building capacity.

This book assess the transformative arc between medieval books and today's e-books. It will appeal to graduates and researchers working in the 21st century literary studies generally, in the relationships between the book and the digital age specifically.

This book argues that, in the wake of the postmodern, contemporary culture becomes once again concerned with totality, the main focal point of expression for this being concepts of the global. It uncovers predominant ways of conceptualising the global in contemporary literature, film and theory. In so doing, it offers a fresh approach to the study of globalisation and culture, identifying four main categories under which concepts of the global can be placed: the immanent, the transcendent, the contingent and the beyond-measure. Alongside this, it discovers a confrontation between two predominant ways of figuring human relations on a global scale. Conceptualising the Global in the Wake of the Postmodern examines the works of various authors and filmmakers, such as Margaret Atwood, Don DeLillo, Kazuo Ishiguro, Douglas Coupland, David Cronenberg, Charlie Kaufman, and David Lynch, to show how the idea of totality has returned in contemporary culture.