Documents the infancy of film in Europe - complete with proto-divas, laughable production schedules, and cost-cutting measures with priceless effects - and offers a glimpse of the modern world through the camera's lens. This book captures early twentieth-century Italian filmmaking and reveals its truths as only a parody can.
A study of European art cinema's postwar heyday. This book presents an argument that cinematic modernism was not a unified movement. It traces the emergence of art cinema as a historical category. It explains the main formal characteristics of modern styles and forms as well as their intellectual foundation.
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