Böcker i Classical Presences-serien

Transcending traditional studies of single translations or particular translation traditions in isolation, this is the first volume to offer a critical overview of Virgil's influence on later literature through the translation history of his poems, from the early modern period to the present day, and throughout Europe and beyond.

This first in-depth study of the reception of ancient Greek drama in Israeli theatre over the last 70 years offers ground-breaking analysis of a wide range of translations, adaptations, and new writing, and how performances of these works were created and staged at key points in the development of Israeli culture.

Reception studies has profoundly transformed Classics and its objects of study: while canonical texts demand much attention, works with a less robust Nachleben are marginalized. This volume explores the discipline from the perspectives of marginality, canonicity, and passion, revealing their implications for its past and future development.

This volume investigates a cross-section of performances of Greek tragedy on the contemporary American stage that have been produced by or for minority communities to challenge the long-standing stereotypes and political and social practices that have contributed to the marginalization of these cultures.

In a series of case studies of prominent female authors - from Ali Smith and Marina Warner to Alice Oswald and Yoko Tawada - this volume examines the figure of Ovid who emerges from the hands of contemporary women writers and explores the intersections between his imaginative universe and the political and aesthetic agenda of third-wave feminism.

While scholars have long noted the fascination with Roman literature and history expressed by many preeminent British cultural figures of the early and middle-eighteenth century, they have only sparingly commented on the increasingly vexed role Rome played during the subsequent Romantic period. This critical oversight has skewed our understanding of British Romanticism as being either a full-scale rejection of classical precedents or an embrace of Greece at theexpense of Rome. In contrast, Romantic Antiquity argues that Rome is relevant to the Romantic period not as the continuation of an earlier neoclassicism, but rather as a concept that is simultaneously transformed and transformative: transformed in the sense that new models of historical thinking produceda changed understandings of historicity itself and therefore a way to comprehend changes associated with modernity. The book positions Rome as central to a variety of literary events, including the British response to the French Revolution, the Jacobin novel, Byron's late rejection of Romantic poetics, Shelley's Hellenism and the London theatre, where the staging of Rome is directly responsible for Hazlitt's understanding of poetry as anti-democratic, or "right royal." By exposing how Romanreferences helped structure Romantic poetics and theories of the imagination, and how this aesthetic work, in turn, impacted fundamental aspects of political modernity like mass democracy and the spread of empire, the book recasts how we view the presence of antiquity in a modernity with which wecontinue to struggle.

Mythographies-texts that collected and explained ancient myths-were indispensable tools of literary engagement during the European Renaissance. This volume focuses on neglected English mythographies written between 1577 and 1647, revealing a unique English take on the genre and unfolding the significant role myth played in broader culture.

This is an edition of over 300 never-before-printed English translations of ancient Greek and Latin verse, selected from the surviving manuscripts of a 200-year period. They reveal a far broader, deeper, and richer culture of classical translation than previously apparent, with radical implications for classical reception and literary history.

In the eyes of posterity, ancient Rome is deeply flawed; yet its faults have not only provoked censure but also inspired wayward and novel forms of thought and representation. This volume is the first to examine this phenomenon in depth, demonstrating that the reception of Roman "errors" has been far more complex than sweeping denunciation.

The Irish Classical Self considers the role of classical languages and learning in the construction of cultural identities in eighteenth and nineteenth century Ireland. Focusing in particular on the "lower ranks" of society, it explores this unusual phenomenon through analysis of contemporary writings and records of classical hedge schools.

This volume celebrates the women born between the Renaissance and 1913 who played significant roles in the history of classical scholarship. Synthesizing incisive case-studies with overviews of the evolution of the discipline, it explores their legacy and provides scholars of today with the female intellectual ancestors they did not know they had.

This volume explores performances of Greek tragedies in Germany since 1800 as responses to particular political, social, and cultural milestones, shedding light on how, in a constantly changing political and cultural climate, they influenced the evolving cultural identity of the educated middle class over that period.

This volume focuses on the adaptation of Greek tragedy between 1970 and 2005 in order to interrogate the relationship between tragedy and postmodernism; analysis of a range of adaptations from this period demonstrates intertextual engagements with prototype texts that have much in common with the main ideas expressed in poststructuralist thought.

Ever since its publication in 1766, Lessing's Laocoon, or on the Limits of Painting and Poetry has exerted an incalculable influence on western thought. This volume offers an interdisciplinary reassessment on its 250th anniversary, exploring how Lessing's debts to the Graeco-Roman past enabled him to forge a new tradition of modern aesthetics.

Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. The contributions presented here discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy.

This interdisciplinary volume analyses the importance of ancient Rome in the construction of post-classical Western homosexual identities.

This collection of essays presents a series of case studies which demonstrates the sophisticated ways in which different readers across the world have approached and interpreted Lucretius' remarkable poem De rerum natura over the centuries, from Lucretius' contemporary audience to the European Enlightenment.

A Cockney Catullus traces the reception history of the Roman poet Catullus in Romantic-era Britain, identifying the influence of his poetry in the work of numerous Romantic-era literary and political figures, including Byron, Keats, Wordsworth, Coleridge, Hunt, Canning, Brougham, and Gifford.

The Senecan Aesthetic surveys the multifarious ways in which Senecan tragedy has been staged, from the Renaissance up to the present day, and restores Seneca to a canonical position among the playwrights of antiquity, recognizing him as one of the most important, most revered, and most reviled.

Greece on Air offers the first substantial discussion of the fascinating history of creative and public engagements with ancient Greek literature, history, and thought via the BBC Radio, from the birth of domestic broadcasting in the 1920s up to the 1960s.

This volume is a major, ground-breaking study of the modernist E. E. Cummings' engagement with the classics. It explores the significance of Cummings' Harvard training as a Classicist to his development as a poet and to his published work, and also contains an edition of new, previously unpublished material by Cummings himself.

Son of Classics and Comics presents thirteen original studies of representations of the ancient world in the medium of comics. Building on the foundation established by their groundbreaking Classics and Comics (OUP, 2011), Kovacs and Marshall have gathered a wide range of studies with a new, global perspective.

Classical Traditions in Science Fiction is the first collection dedicated to the rich study of science fiction's classical heritage, offering a much-needed mapping of its cultural and intellectual terrain.

Classical Traditions in Science Fiction is the first collection dedicated to the rich study of science fiction's classical heritage, offering a much-needed mapping of its cultural and intellectual terrain.

In this ground-breaking and interdisciplinary collection, leading scholars show that claims about the past have been crucial in articulating sexual morals, driving political, legal, and social change, shaping individual identities, and constructing and grounding knowledge about sex.

This volume looks to uncover the nature of Russian reception of Vergil, and argues that the best way to analyze his presence in Russian letters is to view it in the context of the formation and development of Russian national and literary identity.

This volume focuses on the development of theatre in Greece during the dictatorship of 1967-1974, shedding light not only on the messages and impact of the plays written and produced at this time, but also on the politics of culture and censorship affecting the Greek public during this period.

In this volume, Pop examines how art of the mid 1700s and early 1800s - inspired by translations of Greek tragedy - reveals a view of modern Europe attempting to recognize its own historical status as one culture among many. He analyses this broad view of culture through the lens of Anglo-Swiss artist Henry Fuseli's life and work.

In this volume, Roynon explores Toni Morrison's widespread engagement with ancient Greek and Roman tradition. Combining original and detailed close readings with broader theoretical discussions, she argues that classicism is fundamental to the transformative critique of American culture that Morrison's work effects.

This volume examines cinematic representations of ancient Greek women from the realms of myth and history. It discusses how these female figures were resurrected on the big screen by different filmmakers during different historical moments, and were therefore embedded within a narrative which served various purposes.