Böcker i Classical Presences-serien

Classics in the Modern World explores the features and implications of a 'democratic turn' in modern perceptions of the ancient world. Exploring the relationship between Greek and Roman ways of thinking and modern definitions of democratic practices and approaches, it enables a wider re-evaluation of the role of classics in the modern world.

Tracing the evolution and reception history of a collection of ancient Greek epigrams from the early nineteenth to twentieth century, the volume analyses the rhetoric which writers and translators brought to the text, highlighting the after effects of this cultural war on the interpretations of Ancient Greece in British print culture.

This volume examines the use of Graeco-Roman samplings in the Bengali works of Michael Madhusudan Datta (1824-1873). Riddiford introduces new texts and contexts to the fields of classical reception and postcolonial scholarship, offering a surprising early chapter in the story of the dissemination and reception of the Graeco-Roman classics in India.

In War, Liberty, and Caesar, Edward Paleit discusses how readers and writers of the English Renaissance read and understood Lucan's epic poem on the Roman civil wars. Looking at engagements with Lucan across a wide variety of literary forms, Paleit questions what made this Latin author so relevant during this period.

Paul explores the relationship between films set in the ancient world and the classical epic tradition, arguing that there is a connection between the genres. Through this careful consideration of how epic manifests itself through different periods and cultures, we learn how cinema makes a claim to be a modern vehicle for a very ancient tradition.

This book explores the political uses of Italy's antique past in the early nineteenth century, tracing how anti-romanism was transformed into a pillar of the nation-building process. It demonstrates the pivotal role played by this ancient heritage in the formation of modern Italian national identity.

Balmer examines the art of classical translation from the perspective of the practitioner. From translating classical texts, to her poetry collections inspired by classical literature, she discusses her own relationship with ancient literature and uncovers the various strategies and approaches she has employed in their transformations into English.

Heringman focuses on the illustrators, fieldworkers, and ghostwriters associated with the production of scholarly plate books during the Romantic-era. The volume explores how the expertise acquired by these intellectuals precipitated a major shift in research and forged a broader perception of antiquity, transforming intellectual life.

This volume presents 11 radio scripts written and produced by Louis MacNeice over the span of his career at the BBC. This selection, all but one of which is published for the first time, illustrates the various ways that MacNeice re-worked ancient Greek and Roman history and literature for radio broadcast.

Egyptology in British Culture and Religion shows, for the first time, how Egyptology's development over the century that followed the decipherment of the hieroglyphic script in 1822 can only be understood through its intimate entanglement with the historical, scientific, and religious contentions which defined the era.

This book explores works from Africa and the African diaspora which respond to the Homeric Odyssey. As a founding text of the Western canon, and as a homecoming trope and quest for identity, the Odyssey has inspired writers who are simultaneously striving against and appropriating the very forms which had been used to oppress them.

Offering a unique cross-cultural study, this book provides a detailed account of the relationship between classical antiquity and the British colonial presence in India. Vasunia shows how classical culture pervaded the minds of the British colonizers, and highlights the many Indian receptions of Greco-Roman antiquity.

Dynamic Reading examines the reception history of Epicureanism in the West, focusing in particular on the ways in which it has provided conceptual tools for defining how we read and respond to texts, art, and the world more generally.

Arranged in three sections - Romanticisms, Romantics, and Reception - the 18 contributions in Romans and Romantics seek to highlight the key role that the Romans played in the creation and development of Romanticism, and the role Romanticism has since played in conceptions of the Romans.

Antiquity on Display offers an insight into the history of the imaginative reproductions of architecture housed in Berlin's Pergamon Museum and the shifting regimes of the authentic in museum displays from the nineteenth century to the present.

This book disputes the notion that humanists in sixteenth-century France were ivory-tower academics detached from the world. Through their interpretations of Homer, they not only played the role of counselor to the king, but participated in national debates about sovereignty and contributed to the development of a French national consciousness.

Two Thousand Years of Solitude: Exile After Ovid is an interdisciplinary study of the impact of Ovid's banishment upon later Western literature and explores the responses to Ovid's portrait of his life in exile. Two millennia after his banishment, Ovid is still a potent symbol of the punished author, suffering in exile.

A collection of essays exploring the crucial place of Homer in the cultural landscape of the twentieth century. It contributes to current debates about the nature of the Western literary canon, the evolving notion of world literature, the relationship between orality and the written word, and the dialogue between texts across time and space.

Women writers are turning to Virgil and alluding to his poetry in a bid to explore modern preoccupations and concerns. Through an analysis of Virgil's presence in the work of contemporary women writers, this book identifies a new Virgil: one who speaks in female tones of the anxieties, pleasures, and threats of the contemporary world.

A collection of essays by an international team of scholars on the part played by classical sources and images in the debates around the abolition of slavery. It shows that the ancient Greek and Roman slave was invoked both by abolitionists and by those who promoted and attempted to justify the custom.

A collection of essays exploring the different ways in which the ruined city of Pompeii has been a major source of inspiration to Western imaginations. Creative and popular, as well as scholarly approaches are covered, including an interview with the novelist Robert Harris, and the volume is fully illustrated, with several images in full colour.

A collection of essays by a team of distinguished international contributors concerned with how Classic - mainly Greek and Latin but also Arabic and Portuguese - texts become present in later cultures; how they are passed on, received and affect over time and space, and how they resonate in the modern.

Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. The volume collects fifteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience.

African Athena examines the history of intellectuals and literary writers who contested the white, dominant Euro-American constructions of the classical past and its influence on the present.

For nineteenth-century thinkers in Germany and Britain, who looked to Greece as the acme of past civilization, the Greeks' enjoyment of pederasty presented a problem. Daniel Orrells's study explores the way in which this awkward issue was negotiated.

Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. The volume collects fifteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience.

Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects and put to new uses. In this collection of essays, international scholars debate the relationship between the culture of Greece and Rome and the changes that have followed the end of colonial empires.

By moving beyond the dominant perspectives on the Greek past, this volume re-imagines Greek antiquity and invites the reader to look at the different uses and articulations of the past both in and outside Greece, ranging from literature to education, and from politics to photography.

This collection of essays provides the latest scholarship on Graves' historical fiction (for example in I, Claudius and Count Belisarius) and his use of mythical figures in his poetry, as well as an examination of his controversial retelling of the Greek Myths.

This volume considers the relationship between Greek tragedy and philosophy in the context of the ancient Greek works themselves, suggesting that the tradition of philosophical thought concerning tragedy has a major place in understandings both of ancient tragedy and of modernity itself.