Böcker i Critical Authors and Issues-serien

Thomas M. Kavanagh argues that Enlightenment culture and its tensions, contradictions, and achievements flow from a subversive attention to the present as present, freed from the weight of past and future.

Taking Edgar Allan Poe's 1841 "The Murders in the Rue Morgue" as an inaugural frame, Andrea Goulet traces the shifting representations of violence, space, and nation in French crime fiction from serial novels of the 1860s to cyberpunk fictions today.

Combining the practical knowledge of a renowned director with the perspective of a historian and media specialist, Christian Delage explores the conditions and consequences of using film for the purposes of justice and memory by examining archival footage from war crime trials from Nuremberg to the present.

Goulet argues that modern narrative forms are crucially structured by scientific and philosophical debates about the nature of vision.

"Schoolcraft's memorable biography of Gary, the first to appear in English, will serve as a point of departure for anyone who is interested in twentieth-century French fiction."-Choice

Literary CriticismAn AutopsyMark Bauerlein"It's later than you think! Literary critics, practicing and prospective, had better take a close look at Mark Bauerlein's mordant and humorous 'autopsy.'"--Frederick Crews, editor, Unauthorized Freud: Doubters Confront a Legend"There isn't another book like this: a primer and a polemic on the jargon of literary study, impressive in its range of examples and uncompromising in its critique. Bauerlein describes the motives of several prospering forms of contemporary obscurantism, analyzes the conditions in which they arose, and maps the terrain in which they continue to flourish. His account is written with nerve, wit, and a tough-minded intelligence."--David Bromwich, Yale University"A thesis I both understand and endorse. . . . I agree with him when he writes that the critical terms currently fashionable have very little to do with literature."--Philip Thody, Journal of European Studies"This slim volume with its seemingly innocuous title takes the buzz words of contemporary critical theory to task for their pseudostatus as methodological tools…The items under the knife--cultural studies, discourse, gender theory, to pluck out a few--highlight how little real cutting edge there is in current literary criticism."--Forum for Modern Language Studies"A shrewd demonstration, amusing and saddening at once, of what has gone wrong with so much academic writing in the field that used to be literature. It is in its way a pointed and revealing piece of cultural criticism, but of the sort which that fashionable pursuit cannot--and for reasons Bauerlein's excellent little book implies--perform."--John Hollander, Yale UniversityAs the study of literature has extended to cultural contexts, critics have developed a language all their own. Yet, argues Mark Bauerlein, scholars of literature today are so unskilled in pertinent sociohistorical methods that they compensate by adopting cliches and catchphrases that serve as substitutes for information and logic. Thus by labeling a set of ideas an "ideology" they avoid specifying those ideas, or by saying that someone "essentializes" a concept they convey the air of decisive refutation. As long as a paper is generously sprinkled with the right words, clarification is deemed superfluous.Bauerlein contends that such usages only serve to signal political commitments, prove membership in subgroups, or appeal to editors and tenure committees, and that current textual practices are inadequate to the study of culture and politics they presume to undertake. His book discusses 23 commonly encountered terms--from "deconstruction" and "gender" to "problematize" and "rethink"--and offers a diagnosis of contemporary criticism through their analysis. He examines the motives behind their usage and the circumstances under which they arose and tells why they continue to flourish.A self-styled "handbook of counterdisciplinary usage," Literary Criticism: An Autopsy shows how the use of illogical, unsound, or inconsistent terms has brought about a breakdown in disciplinary focus. It is an insightful and entertaining work that challenges scholars to reconsider their choice of words--and to eliminate many from critical inquiry altogether.Mark Bauerlein is Professor of English at Emory University. He is editor of The Turning World: American Literary Modernism and Continental Theory

In Institutions of the English Novel, Homer Obed Brown takes issue with the generally accepted origin of the novel in the early eighteenth century. Brown argues that what we now call the novel did not appear as a recognized single "genre" until the early nineteenth century, when the fictional prose narratives of the preceding century were grouped together under that name.After analyzing the figurative and thematic uses of private letters and social gossip in the constitution of the novel, Brown explores what was instituted in and by the fictions of Defoe, Fielding, Sterne, and Scott, with extensive discussion of the pivotal role Scott''s work played in the novel''s rise to institutional status. This study is an intriguing demonstration of how these earlier narratives are involved in the development and institution of such political and cultural concepts as self, personal identity, the family, and history, all of which contributed to the later possibility of the novel.

"A lucid and riveting account of the recent violent upheaval in Algeria."-Publishers Weekly

Paperwork challenges traditional approaches to print culture and the mass media in the nineteenth century. Kevin McLaughlin argues for a literary-critical approach to the impact of the mass media on literature through a series of detailed interpretations of fiction by Poe, Stevenson, Melville, Dickens, and Hardy.

Kavanagh argues that the history of gambling as a cultural practice provides new and important insights into how French culture has responded to the challenge of understanding what identity, responsibility, and freedom can mean in a world ruled largely by chance.