Böcker i Critical Media Studies: Institutions, Politics, and Culture-serien

A survey of the historical roots, theoretical foundations and normative claims of 20th-century conceptualizations of public opinion. It examines research strategies such as polling, the "spiral of silence" model, and the role of the media in the formation and expression of public opinion.

Revealing aspects of Harold Adam Innis's character that have largely escaped the attention of his biographers, this volume brings together Innis's previously unpublished autobiographical memoir, a selection of his WWI correspondence, and his thesis, "The Returned Soldier." Detailed annotations by the volume editors flesh out the original materials.

Exploring how social order changes as the means of communication change, this volume makes widely accessible, for the first time, three extant chapters from Harold Innis's History of Communications-a legendary manuscript known of by many media historians, but seen by very few.

Cinzia Padovani takes an in-depth look at Italian public service broadcasting, covering its history, its role in Italian society, its relationship to the political party system, and its influence on cultural and linguistic unification in Italy.

This study examines issues of communication technology, neo-liberal economic policies, public service media and media access, among others, and shows how progressive policymakers must use these bases to confront more directly the debates on contemporary welfare theory and politics.

This is collection of essays on the theory and practice of critical studies in communication, media, and journalism. It is grounded in a critical theory of the media that addresses the potential of liberating individuals by challenging their roles in the hegemonic relationship of media and society.

Analyzes images on global CNN, Israeli IBA, and Palestinian PATV that contribute to how the violence in the Middle East is framed. This book draws from critical media theory and approaches out of cinema studies to examine how dominant ideologies are embedded in mainstream TV news.

Explains conglomeration and regulation in the film and television industries, covering its history as well as the contemporary scene. Useful as a supplement for a variety of media courses, this text includes synopses of key media regulations and policies, discussion questions, a glossary, and entertaining boxed features.

This provocative book takes a new approach toward understanding the uneven flows of global communications, focusing on areas of the state, the market, and society. Wielding a political-economic view of communication and culture, this international group of authors follows interesting developments, from communication NGOs in Africa to affirmative action in India's information technology job market. Other cases spotlight China, Singapore, Venezuela, Palestine, Arab nations, Ghana, Canada, the United States, Russia, and the European Union. Theoretically driven and empirically grounded, Global Communications avoids alarmist or celebratory approaches.

Takes a fresh approach towards understanding the uneven flows of global communications, and focuses on areas of the state, the market, and society. Wielding a political-economic view of communication and culture, this work follows developments, from communication NGOs in Africa to affirmative action in India's information technology job market.

Helps readers understand the fascination with do-it-yourself media. Useful for students, this guide lays out the difficult theoretical terrain that community media theory and advocacy has located itself in, including the ideals of participation, community, and social change.

Science and Humanism in UNESCO's Approach to Globalization studies the influence of scientific humanism on the emergence and development of UNESCO's original approach to globalization. It also studies the role that UNESCO tried to play in the international system through the promotion of its own specific account of globalization.

An examination of a range of technological issues at stake in the European Union, from employment and the labour market, to implications for political processes and democracy. It discerns social trends but finds there is considerable room to use the technologies as a force for social change.

Raymond Williams, a Welsh media critic and a pioneer of cultural studies, believed traditional biographies focus on individuals while isolating them from their communities. The author introduces us to Williams and his time period of social change and crisis.

Delves into the aesthetics and politics of sexuality in the era of do-it-yourself (DIY) Internet pornography. This work offers a critical analysis of Web culture as digital artistry and of the corresponding heightened government surveillance and censorship of the Internet.

Coverage of the "mad cow disease" outbreak in the mid 1990s was accused by many commentators of starting a widespread public panic. These essays examine the diminishing coverage of serious news, often described as "tabloidisation", and study what is going on and what its implications are.

This volume is a primer on media governance at a global level and the key influencing forces and organizations, such as ITU, WTO, UNESCO, WIPO and ICANN. It raises key questions and suggests where more complete answers can be found.

Karen Ross provides the necessary historical context against which to read recent sex- and gender-based media phenomena such as Big Brother, Terminator, girls' use of mobile phones, women news editors, the Wonderbra generation, the Hillary Clinton and Sarah Palin phenomena, and so on.

This text came out of hundreds of international studies and proposed reforms for global communication media to ensure a free flow of information.

Critiques global mediascape through feminist perspectives, highlighting concerns of policy, power, labor, and technology. Starting with the state of international communications, this work covers cases on online news, pornography, democracy, policies for women's development, violence against women, information workers, print media and telecentres.

Has copyright protection gone too far in keeping the music from the masses? This book shows how the online music industry establishes the model for digital distribution, cultural access, and consumer privacy. It also explores the implications of downloading music.

His name may not be as well known as that of his colleague and spiritual descendent, Marshall McLuhan, but Harold Innis's influence on contemporary critical media and communication studies has been no less profound. This concise look at Innis' life and conributions to the communication field.

This text shows how and why US educational reforms must seek to build upon rather than downplay the native culture and language of minority students. The work includes stories from teachers and students that show what works - and what doesn't - in creating effective educational opportunties.

To reshape the field of development communication, this text proposes situating theory and practice within contexts of power, recognizing both the ability of dominant groups to control and the potential for marginal communities to resist.

This anthology of hard-to-find primary documents provides a solid overview of the foundations of American media studies. Focusing on mass communication and society and how this research fits into larger patterns of social thought, this valuable collection features key texts covering the media studies traditions of the Chicago school, the effects tradition, the critical theory of the Frankfurt school, and mass society theory. Where possible, articles are reproduced in their entirety to preserve the historical flavor and texture of the original works. Topics include popular theater, yellow journalism, cinema, books, public relations, political and military propaganda, advertising, opinion polling, photography, the avant-garde, popular magazines, comics, the urban press, radio drama, soap opera, popular music, and television drama and news. This text is ideal for upper-level courses in mass communication and media theory, media and society, mass communication effects, and mass media history.

Is deliberative democracy the ideal goal of free speech? How do social movement organizations, activists, and political candidates use the media to frame their discourse. This text aims to answer these and other questions and provide a foundation for evaluating the state of democratic discourse.

Well-known for his work in film and theater as director, actor, and writer, Welles' influence in the field of radio has often been overlooked for the more glamorous entertainment of his movies. The Medium and the Magician is a comprehensive review of Welles's radio career, devoted to assessing his radio artistry and influence in the field. Visit our website for sample chapters!

The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, identifying various types of film studios and investigating the consequences for Hollywood, international film production, and the studio locations.