The Vietnam War has been depicted by every available medium, each presenting a message, an agenda, of what the filmmakers and producers choose to project about America's involvement in Southeast Asia. This collection of essays analyzes the themes, modes, and stylistic strategies seen in a broad range of films and television programs.
Anthologizes the author's movie reviews, cultural criticism, and political essays, published in "The Village Voice", "Artforum", and elsewhere during the period bracketed by the fall of the Berlin Wall and the collapse of the World Trade Towers.
"Feminist film theory will soon be a quarter of a century old. It has known the euphoria of the 1970s, experienced the contradictions of the 1980s, and glimpsed the reversals and political gains, which include women of color, of the 1990s." This book asks, what does "happily" mean for women? And what does "ever after" cost women?
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