Böcker i Dover Art Instruction-serien

This book introduces not only the techniques of oil painting but also the underlying principles of figure drawing. A series of images by the Old Masters includes 32 full-color pages.

Thorough step-by-step guide discusses anatomy of horse, lion, and bull; methods of construction; tools, materials, etc. Also comprehensive exposition of casting in plaster. 63 full-page photographic plates. 138 drawings and diagrams.

Clear and concise guide to pen-and-ink work offers material for artists at every level. Thirty-seven step-by-step presentations illustrate the progression from pencil sketch to ink outline to shadows and details to completed work.

An inspiring sourcebook, this guide helps artists discover a wide variety of subjects and ideas for their next sketch. More than 140 of the author's drawings illustrate nostalgic scenes, old engravings, atmospheric effects, photographs, and landscapes.

In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively.In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective.Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.Dover (1992) republication of How to Use Creative Perspective, originally published by Reinhold Publishing Corporation, New York, 1955.

Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations.

Both experienced and aspiring artists can benefit from this practical guide. More than 400 detailed illustrations include fundamentals for drawing trees, rocks, buildings, mountains, lakes, and other scenic elements.

This instructive book presents excellent annotated line drawings of anatomical structure for the beginning artist, explaining the subject in simple terms, identifying parts of the body and demonstrating physical activities through the author's sketches. Chapters cover the human skeleton, head and neck, torso, arm, hand, leg, foot, and musculature. 179 black-and-white illustrations.

Artists of classical Greece and the Renaissance were highly aware of the complexity and great beauty of the human figure, and strove in their artwork to depict the ideal form. This book by an experienced twentieth-century art teacher covers two fundamentals of figure drawing that were equally important to masters of earlier eras--anatomy and perspective, subjects that seldom receive a thorough treatment within the same book. Carefully addressing both topics, the text suggests ways to convey the structure and functions of the human figure, covers elementary principles of drawing, and considers the use of light and shadow. Also discussed are aspects of measurement and the application of such simple forms as the cube, cylinder, and sphere in representing parts of the human body.In describing the relationship between anatomical features and surface form, the chapters on anatomy include drawings of the bones and muscles of the trunk, upper and lower limbs, and the head and its prominent aspects. A final section focuses on accessories, such as eyeglasses and clothing--items which, when worn, virtually become part of the figure's anatomy.Clearly and concisely written, Anatomy and Perspective will be an important addition to the personal library of anyone interested in drawing the human figure. Unabridged Dover (2004) republication of the edition published by The Viking Press, New York, 1972.