Böcker i Dover Pictorial Archive-serien

"Throughout history, artists have grappled with the problem of depicting clearly and forcefully the principles of evil and suffering in human existence." With this view, the Lehners have collected 244 representations, symbols, and manuscript pages of devils and death from Egyptian times to 1931. Reproductions from Dürer, Holbein, Cranach, Rembrandt, and many other lesser-known or unknown artists illustrate the fascinating history. The fifteenth, sixteenth, and seventeenth centuries are stressed.The book is divided into 12 chapters, each with a separate introduction. Most of the illustrations are collected in five of these chapters: Devils and Demons, including Belial, Beelzebub, and the Anti-Christ; Witches and Warlocks, their animals, forms, and rituals; The Danse Macabre, with the Dance of Death Alphabet by Holbein and representations of all classes leveled by the common force of death; Memento Mori, including a skull clock, a macabre representation of the Tree of Knowledge and Death, and the winged hourglass and scythe; and Religio-Political Devilry, the fight between the Papists and the Reformers, and symbols of devils in other political disputes. There are also chapters on the Fall of Lucifer, Faust and Mephistopheles, Hell and Damnation, The Apocalyptic Horsemen, Witch-Hunting, The Art of Dying, and Resurrection and Reckoning.Anyone curious about witchcraft, death, and devils will be interested in this book. It is particularly useful to teachers, artists, and illustrators who need clear reproductions for the classroom, for models, or for commercial uses. Death, devils, and their history are very much with us today.

For almost a century, W. A. Bentley caught and photographed thousands of snowflakes in his workshop at Jericho, Vermont, and made available to scientists and art instructors samples of his remarkable work. His painstakingly prepared images were remarkable revelations of nature's diversity in uniformity: no two snowflakes are exactly alike, but all are based on a common hexagon.In 1931, the American Meteorological Society gathered the best of Bentley's photos and had them published; that work has long been available in a Dover reprint edition. The present volume includes a selection of 72 of the best plates (containing over 850 royalty-free, black-and-white photographs), carefully selected from that larger collection.An inexhaustible source of design inspiration for artists, designers, and craftspeople, these graceful patterns are ideal for use in textile and wallpaper design, as well as a host of other creative projects. These images will also appeal to anyone intrigued by the intricacy and beauty of design in the natural world.

Baroque art and architecture--extravagant in concept, exuberant in spirit, elaborate in detail--flourished in seventeenth-century Europe, and through the ages has continued to stir us with its vitality and dynamism and its mood of barely suppressed passion. In the architecture of St. Peter's in Rome, St. Paul's in London, and Santa Maria della Salute in Venice as well as in the works of Michelangelo, Bernini, and Rubens, the Baroque spirit lives today. Now graphic artists can add Baroque flair to almost any graphic project with this magnificent collection of royalty-free motifs.The seventeenth-century French artist Jacques Stella (1596-1657) embodies the Baroque sensibility. Early in his career, Stella spent seven years in Florence, working for Medici Prince Cosimo II and enjoying the acquaintance and advice of the master engraver Jacques Callot. He spent another ten years in Rome, where he came under the artistic influence of his friend Nicolas Poussin. On his return to France, championed by Cardinal Richelieu, he became court painter to Louis XIII, and founded a career that makes him esteemed as one of the major French artists of the seventeenth century. This book presents engravings executed by Stella's niece after drawings of Classical motifs probably made by Stella during his years in Italy. These engravings, first published in Paris in 1658, comprise a magnificent sourcebook of ready-to-use Baroque design, filled with highly embellished individual ornaments, decorative motifs, and a dazzling array of border elements.Included are lush florals and foliates, fruits, leaves, birds, shells, acorns, and more--as individual ornaments and rosettes, as repeating motifs in a frieze, and in other useful arrangements. Now this sturdy, inexpensive edition makes them available to a wide audience for convenient reproduction as well as for study, inspiration, and enjoyment.Dover (1987) selection of plates from Divers Ornements d'Architectures, Recueillis et Dessegnes Apres l'Antique par Mr. Stella, Peintre Ordinaire du Roy et Chevalier de Son Ordre de St. Michel, originally published in Paris, 1658.

Forty of Victorian master's most famous designs for wallpapers, chintzes, velveteens, tapestries, tiles, carpets, and more. Reproduced from original color plates of "The Art of William Morris."

412 rare royalty-free woodcut engravings of men in every conceivable attitude, costume, activity. Men at work, play, leisure. Eskimos, gladiators, knights, bullfighters, workers, doctors, artists, many more, taken from 19th-century periodicals.

This unusual collection of primitive and medieval symbols provides one of the most fertile single sources of decorative ideas available today. It is also a graphic history of the development of written communication and offers a singular insight into the psychology of the primitive mind. The Book of Signs contains 493 classified and documented illustrations, collected, drawn, and explained by the celebrated typographer Rudolf Koch. Divided into 14 different categories, it includes General Signs, The Cross, Monogram of Christ, Other Christian Signs, Monograms of Medieval Church and State Leaders, Stone Masons' Signs, The Four Elements, Astronomical Signs, Astrological Signs, Botanical Signs, Chemical Signs, House and Holding Marks, Miscellany, and Runes. Provides the contemporary artist with a rich design vocabulary on which to improvise.--Art in Focus. An inspiration to graphic artists everywhere.--Graphis.An artistic and typographical achievement of considerable beauty and worth.--Psychiatric Quarterly.Unabridged republication of the English translation originally published by the First Edition Club of London, 1930.