Böcker i Early Music History 25 Volume Paperback Set-serien

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume twenty-three include: Guillaume de Machaut and his canonry of Reims 1338-1377; 'Notes as a garland': the chronology and narrative of Byrd's Gradualia.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume one include: A lost guide to Tinctoris's teachings recovered; two English motets on Simon de Montfort; the Mary Magdalene scene in the Visitatio sepulchri ceremonies.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume five include: Montecassino and the Old Beneventan chant; and Music and ceremonial in the Low Countries: Philip the fair and the Order of the Golden Fleece.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume twenty-five include: Lorenzo Corsisni's 'Libri di canzone' and the madrigal in mid-sixteenth-century Florence; Antonio Squarcialupi: man and myth; Children's voices: singing and literacy in sixteenth-century France.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume ten include: Parisian nobles, a Scottish princess and the woman's voice in late medieval song.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume nine include: Franco of Cologne on the rhythm of organum purum; Music-printing in late sixteenth- and early seventeenth-century Florence: Giorgio Marescotti, Cristofano Marescotti and Zanobi Pignoni.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume six include: On the question of psalmody in the ancient synagogue; Music and grammar: imitation and analogy in Morales and the Spanish humanists; and a Florentine chansonnier of the early sixteenth century.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume four include: Toledo, Rome and the legacy of Gaul; Classical tragedy in the history of early opera in Rome; and Reading and singing: on the genesis of occidental music-writing.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume seven include: Music, ritual and patronage at the Church of Our Lady, Antwerp; Instrumental music in urban centres of Renaissance Germany; and the fourth-century origin of the gradual.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume nineteen include: Mapping the soundscape: church music in English towns 1450-1550; Royal image-making and textual interplay in Gilbert Banaster's O Maria et Elizabeth.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume eleven include: The lost chant tradition of early Christian Jerusalem: some possible melodic survivals in the Byzantine and Latin chant repertories; Rome as the centre of the universe: papal grace and musical patronage.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume eight include: Cosimo Bartoli on music; Music publishing in sixteenth- and seventeenth-century Umbria; and Guillaume Du Fay's benefices and his relationship to the court of Burgandy.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume fifteen include: Costanzo Festa's Gradus ad Parnassum; Scenes from the life of Silvia Galiarti Manni, a seventeenth-century virtuosa.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume twenty-two include: O quelle armonye: dialogue singing in late Renaissance France; Labouring in the midst of wolves: reading a group of Fauvel motets.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume two include: The Chirk Castle partbooks; Isabella d'Este and Lorenzo da Pavi, 'master instrument maker'; and Johannes de Garlandia on organum in speciali.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume twenty include: Encompassing past and present: quotations and their function in Machaut's motets; The Vatican organum treatise re-examined; Who 'made' the Magnus liber?

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume eighteen include: The sources and significance of the Orpheus myth in Musica Enchiriadis and Regino of Prum's Epistola de harmonica institutione.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume twenty-one include: Musica mundana, Aristotelian natural philosophy and Ptolemaic astronomy; Eros and thanatos: a Ficinian and Laurentian reading of Verdelot's Si lieta e grata morte.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume sixteen include: The dialectic between Occitania and France in the thirteenth century; A mirror of monarchy: Music and musicians in the household chapel of the Lady Margaret Beaufort, mother of Henry VII.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume fourteen include: Roger de Chabannes, cantor of St Martial, Limoges; Music in Corpus Christi procession of fifteenth-century Barcelona; Song masses in the Trent Codices.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume thirteen include: Ut musica poesis: Music and poetry in France in the late sixteenth century; Ronsard, the Lyric Sonnet and Late Sixteenth-Century Chanson; Italianism and Claude de Jeune.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume twelve include: Guerrero L'homme arme masses and their models; Oral and written transmission in Ethiopian Christian chant; Sight, sound and ceremony in the chapel of Galeazzo Maria Sforza.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume three include: The Venetian privilege and music-printing in the sixteenth century; Francesco Landini and the Florentine cultural elite; and the Beneventan apostrophus in south Italian notation, AD 1000-1100.