Böcker i Edition Peters-serien

Rhapsodie Espagnole for solo piano by Franz Liszt, edited by Emil Von Sauer. Rhapsodie Espagnole für Soloklavier von Franz Liszt, herausgegeben von Emil Von Sauer.

This is the piano reduction of Giuseppe Verdi's "Quattro Pezzi Sacri" (Four Sacred Pieces) for mixed choir and orchestra. Verdi wrote this collection in 1896, the pieces are entitled "Ave Maria", "Stabat Mater", "Laudi alla vergine Maria" and "Te Deum".Dies ist der Klavierauszug zu Giuseppe Verdis "Quattro Pezzi Sacri" (Vier geistliche Stücke) für gemischten Chor und Orchester. Verdi schrieb diese Sammlung im Jahre 1896, die Stücke sind überschrieben mit "Ave Maria", "Stabat Mater", "Laudi alla vergine Maria" und "Te Deum".

Vivaldi's Cello Concerto in A minor (RV 422), edited by Walter Schulz with the piano reduction by Eberhard Wenzel. Vivaldi composed 27 concertos for the cello, 5 of which were written in A minor. This is arguably one of the most well-known solo cello works by the composer, and is part of the standard repertoire for intermediate to advanced players.Antonio Vivaldis Konzert für Violoncello, Streicher und Basso continuo in a-Moll, RV 422, wurde von Walter Schulz herausgegeben, der Klavierauszug stammt von Eberhard Wenzel. Vivaldi komponierte 27 Cellokonzerte, von denen fünf in a-Moll stehen. Es ist wohl eines der bekanntesten Solocellokonzerte des Komponisten und gehört zum Standardrepertoire für mittlere bis fortgeschrittene Spieler.

Donizetti's Trio in E flat for violin, cello and piano. Published for the first time by Bernhard Päuler, containing separate violin, cello and piano parts. Diese Erstausgabe von Gaetano Donizettis Trio Es-Dur für Violine, Violoncello und Klavier von 1817 wurde Bernhard Päuler herausgegeben.

Urtext edition of Buxtehude's Organ Works (Vol. 2), containing Prelude and Fugue, Toccata and Chaconne, edited by Hermann Keller.  Der zweite Band der Urtextausgabe von Dietrich Buxtehudes Orgelwerken enthält Präludien und Fugen, Toccaten sowie die Ciacona c-Moll BuxWV 159 und wurde herausgegeben von Hermann Keller.

Invitation to the Dance (Op. 65) was written by Weber in 1819. It is a piece in Rondo form that Weber labelled 'rondeau brillant'. Aufforderung zum Tanz (op. 65) wurde von Weber im Jahr 1819 geschrieben. Es handelt sich um ein Stück in Rondo-Form, das Weber als "Rondeau brillant" bezeichnete.

Written while the composer was employed at the Court at Cöthen and dedicated to Christan Ludwig of Brandenburg, Bach's six Brandenburg Concertos are staples of the Baroque orchestral repertoire. The sixth concerto stands out with its unique instrumentation - two violas, two violas da gamba, violoncello, and double bass with cembalo continuo. With no violins, the violas take centre stage. Edited by prominent violist and arranger Watson Forbes, this edition keeps the two viola parts exactly as they appear in the score, while the other orchestral parts have been freely arranged for piano accompaniment. So far as the two solo viola parts are concerned, this is a performing edition which can be played either with the piano reduction or with the full instrumentation.Brandenburgisches Konzert Nr. 6 in B-Dur BWV 1051Bachs sechs Brandenburgische Konzerte, die er während seiner Tätigkeit am Köthener Hof schrieb und Christian Ludwig von Brandenburg widmete, gehören zum festen Bestandteil des barocken Orchesterrepertoires. Das sechste Konzert zeichnet sich durch seine einzigartige Besetzung aus - zwei Bratschen, zwei Gamben, Violoncello und Basso continuo bestehend aus Kontrabass und Cembalo. Da keine Geigen vorgesehen sind, stehen hier die Bratschen im Mittelpunkt. In der vorliegenden Bearbeitung für 2 Bratschen und Klavier, hrsg. von dem bekannten Bratschisten und Arrangeur Watson Forbes, entsprechen die beiden Bratschenstimmen exakt der Orchesterpartitur, während die anderen Orchesterstimmen frei in die Klavierbegleitung eingeflossen sind. Für die beiden Solobratschenstimmen bietet diese praktische Ausgabe die Möglichkeit, entweder den Klavierauszug oder das Aufführungsmaterial der vollen Orchesterbesetzung zu verwenden.

Beethoven's Duet for Viola and Cello (WoO. 32), 'with two (pairs of) obbligato eyeglasses'. Edited by Fritz Stein and Karl Haas.Ludwig van Beethovens Duett "mit 2 obligaten Augengläsern" für Viola und Violoncello Es-Dur WoO 32 wurde von Fritz Stein und Karl Haas herausgegeben.

Shostakovich's 24 Preludes (Op. 34) is a selection of short pieces for solo piano written in 1933. They are arranged following the circle of fifths, with one prelude in each major and minor key.

Alexander Skryabin's 24 Préludes Op.11 for piano solo. Edited by Günter Phillipp.Alexander Skryabins 24 Préludes Op.11 für Klavier solo. Herausgegeben von Günter Phillipp.

The Penguin Cafe Orchestra, founded by Simon Jeffes, created an instantly recognisable sound world, beautifully crafted to convey simple wonder and joy. Phillip Littlemore's arrangement for concert band of their famous Music for a Found Harmonium perfectly captures the exuberance of this uplifting music. Das von Simon Jeffes gegründete Penguin Cafe Orchestra schuf eine sofort erkennbare Klangwelt, die auf wunderbare Art und Weise einfaches Staunen und Freude vermittelt. Phillip Littlemores Arrangement ihrer berühmten Music for a Found Harmonium für Blasorchester fängt die Ausgelassenheit dieser erbaulichen Musik perfekt ein. Partitur.

The Penguin Cafe Orchestra, founded by Simon Jeffes, created an instantly recognisable sound world, beautifully crafted to convey simple wonder and joy. Phillip Littlemore's arrangement for concert band of their famous Music for a Found Harmonium perfectly captures the exuberance of this uplifting music. Das von Simon Jeffes gegründete Penguin Cafe Orchestra schuf eine sofort erkennbare Klangwelt, die auf wunderbare Art und Weise einfaches Staunen und Freude vermittelt. Phillip Littlemores Arrangement ihrer berühmten Music for a Found Harmonium für Blasorchester fängt die Ausgelassenheit dieser erbaulichen Musik perfekt ein. Partitur und Stimmensatz.

The Penguin Café Orchestra, founded by composer Simon Jeffes, knew better than anyone how to create an incredibly catchy hook. This brilliant arrangement for concert band by Phillip Littlemore of Perpetuum Mobile will have audiences tapping in 15/8 all the way home. (4:55)

The Penguin Café Orchestra, founded by composer Simon Jeffes, knew better than anyone how to create an incredibly catchy hook. This brilliant arrangement for concert band by Phillip Littlemore of Perpetuum Mobile will have audiences tapping in 15/8 all the way home. (4:55) Original Item: EP68708-CMPST

Jonathan Dove's rousing setting of Tennyson's poem, made famous in his choral cycle The Passing of the Year is here given a thrilling new life as a concert band showpiece. Phillip Littlemore's exuberant arrangement of Ring Out, Wild Bells is sure to provide concert bands with a show-stopper---a joyful and virtuoso celebration of life. (4:35)

Jonathan Dove's rousing setting of Tennyson's poem, made famous in his choral cycle The Passing of the Year is here given a thrilling new life as a concert band showpiece. Phillip Littlemore's exuberant arrangement of Ring Out, Wild Bells is sure to provide concert bands with a show-stopper---a joyful and virtuoso celebration of life. (4:35) Original Item: EP68709-CMPST

Jonathan Dove's thrilling and energetic showpiece was originally composed for the London Schools Symphony Orchestra (of which the composer was a member). Phillip Littlemore has expertly arranged Run to the Edge for concert band, providing symphonic wind ensembles with a high-velocity joy ride. (5:10)

Jonathan Dove's thrilling and energetic showpiece was originally composed for the London Schools Symphony Orchestra (of which the composer was a member). Phillip Littlemore has expertly arranged Run to the Edge for concert band, providing symphonic wind ensembles with a high-velocity joy ride. (5:10) Original Item: EP68710-CMPST

A vision of childhood experienced through dreams, Eriks Esenvalds' Only in Sleep is a work of subtly powerful expressiveness. Phillip Littlemore has here created a brilliant new version for concert band, sure to be every bit as popular as the choral original. (5:00)

A vision of childhood experienced through dreams, Eriks Esenvalds' Only in Sleep is a work of subtly powerful expressiveness. Phillip Littlemore has here created a brilliant new version for concert band, sure to be every bit as popular as the choral original. (5:00) Original Item: EP68711-CMPST

Salutation was composed for a cappella choir to a poem by Bengali poet and musician Rabindranath Tagore (1861--1941). The music takes up the spiritual message of the poem, that we live our lives in one salutation to God ending back in an eternal home. Phillip Littlemore's brilliant arrangement for concert band adds a work of great contemplative beauty to the repertoire. (3:15) Original item: EP68712-CMPST

One of the most popular of all contemporary choral works, Eriks Esenvalds's Stars is a work of shimmering beauty, a vision of beating hearts of fire" seen overhead on a still, dark night. Phillip Littlemore's expert arrangement for concert band will bring a moment of rapt stillness to any concert programme. (4:00)"

One of the most popular of all contemporary choral works, Eriks Esenvalds's Stars is a work of shimmering beauty, a vision of beating hearts of fire" seen overhead on a still, dark night. Phillip Littlemore's expert arrangement for concert band will bring a moment of rapt stillness to any concert programme. (4:00) Original Item: EP68713-CMPST"

Long Road is a setting of a love poem by Paulina Barda (widow of the eminent poet Fricis Barda), who died in 1983 at the age of ninety-three; set in the original Latvian, it was Esenvalds' contribution to Love madrigals, a collection of new commissions to celebrate the twentieth anniversary of the remarkable youth choir Kamer . . ., and this English version was specially made for Stephen Layton and Polyphony, to whom it is dedicated. It has the plain sincerity of a hymn, being homophonic throughout, and its thorough-going diatonicism is straightforward yet lush. At the midway point, a gentle susurration of bell-sounds and ocarinas appears unexpectedly, there is a brief downwards shift of a third, followed by an elated return to the home key, decorated by soloistic descants, before sustained vocalise and a return of the evanescent tinkling ushers the piece to its close. (5:10)

Long Road is a setting of a love poem by Paulina Barda (widow of the eminent poet Fricis Barda), who died in 1983 at the age of ninety-three; set in the original Latvian, it was Esenvalds' contribution to Love madrigals, a collection of new commissions to celebrate the twentieth anniversary of the remarkable youth choir Kamer . . ., and this English version was specially made for Stephen Layton and Polyphony, to whom it is dedicated. It has the plain sincerity of a hymn, being homophonic throughout, and its thorough-going diatonicism is straightforward yet lush. At the midway point, a gentle susurration of bell-sounds and ocarinas appears unexpectedly, there is a brief downwards shift of a third, followed by an elated return to the home key, decorated by soloistic descants, before sustained vocalise and a return of the evanescent tinkling ushers the piece to its close. (5:10) Original Item: EP68714-CMPST

25 Easy Studies, Op. 100, for solo piano composed by Henri Bertini, edited by Adolf Ruthardt. Bertini's instructive piano études are still considered to this day as both melodic and stimulating works of instruction, designed to teach technique and develop skills through technically challenging studies and expressive melodies and harmonies.25 Leichte Studien op. 100 für Klavier von Henri Bertini, herausgegeben von Adolf Ruthardt. Bertinis Klavieretüden gelten bis heute als anregende Lehrwerke, die darauf abzielen, technische Fähigkeiten durch anspruchsvolle, sowie melodisch und harmonisch ausdrucksstarke Etüden zu entwickeln.

Brahms' 16 Waltzes (Op. 39) arranged for solo piano by the composer (from the original piano duet version).

World Premiere: 8 August 2020, Kärdla Church, Kärdla, Hiiumaa (Estonia), Collegium Musicale, conducted by Endrik Üksvärav.