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  • - (Rabbit Run,Rabbit Redux,Rabbit is Rich and Rabbit at Rest)
    av John Updike
    431

    Newly revised by the author for this edition, and printed together in one volume for the first time, Updike's four Rabbit novels chronicle the history of a man and a nation from the 1950s to the 1980s.

  • av Charles Dickens
    191

    The humour of the shop and the pilgrimage counterbalance the tragic and sentimental story of Little Nell. A Disney production of THE OLD CURIOSITY SHOP has recently finished shotting in Ireland, starring James Fox, Peter Ustinov, and Tom Courtenay.

  • av Ford Madox Ford
    287

    A story which traces the history of a house and a family at the time of World War I. This is a picture of Edwardian England at its most opulent. Exploring the themes of love, honour and betrayal, this contemporary of Henry James and Joseph Conrad shows himself their equal in literary skill.

  • av Mikhail Lermontov
    191

    Set in the Caucasus, the scene of Russia's military campaigns in the 19th century, this is both an adventure story and a sardonic look at the heroic ideals of the author's contemporaries - which makes it all the more ironic that the main character, Pushkin, (like the author) was killed in a duel.

  • av Ivan Turgenev
    177

    These stories of the 19th-century Russian rural landscape and the difficult life of those who inhabited it were universally popular with the reading public at large and contributed in no small measure to the emancipation of the serfs in 1861.

  • av Alexandre Dumas
    431

    This beloved novel tells the story of Edmond Dantès, wrongfully imprisoned for life in the supposedly impregnable sea fortress, the Château d'If. After a daring escape, and after unearthing a hidden treasure revealed to him by a fellow prisoner, he devotes the rest of his life to tracking down and punishing the enemies who wronged him.Though a brilliant storyteller, Dumas was given to repetitions and redundancies; this slightly streamlined version of the original 1846 English translation speeds the narrative flow while retaining most of the rich pictorial descriptions and all the essential details of Dumas's intricately plotted and thrilling masterpiece.Alexandre Dumas's epic novel of justice, retribution, and self-discovery-one of the most enduringly popular adventure tales ever written-in a newly revised translation.

  • av Everyman's Library
    281

  • av Adam Smith
    257

    Published in the same year as the American Declaration of Independence, The Wealth of Nations has had an equally great impact on the course of modern history.

  • av Mikhail Lermontov
    311

    In its adventurous happenings-its abductions, duels, and sexual intrigues-A Hero of Our Time looks backward to the tales of Sir Walter Scott and Lord Byron, so beloved by Russian society in the 1820s and '30s. In the character of its protagonist, Pechorin-the archetypal Russian antihero-Lermontov's novel looks forward to the subsequent glories of a Russian literature that it helped, in great measure, to make possible.This edition includes a Translator's Foreword by Vladimir Nabokov, who translated the novel in collaboration with his son, Dmitri Nabokov.

  • av Mary Shelley
    331

    No-one in the grip of Mary Shelley's FRANKENSTEIN, with its mythic-minded hero and its highly sympathetic monster who reads Goethe and longs to be at peace with himself, can fail to notice how much more excellent the original is than all the adaptations, imitations and outright plagiarisms which have followed in its ample wake. In her first novel, written at the instigation of Lord Byron and published in 1818 (and revised in 1831), Mary Shelley produced English Romanticism's finest prose fiction.

  • av Jane Austen
    351

    In its marvelously perceptive portrayal of two young women in love, Sense and Sensibility is the answer to those who believe that Jane Austen's novels, despite their perfection of form and tone, lack strong feeling. Its two heroines, Marianne and Elinor-so utterly unlike each other-both undergo the most violent passions when they are separated from the men they love. What differentiates them, and gives this extraordinary book its complexity and brilliance, is the way each expresses her suffering: Marianne-young, impetuous, ardent-falls into paroxysms of grief when she is rejected by the dashing John Willoughby; while her sister, Elinor-wiser, more sensible, more self-controlled-masks her despair when it appears that Edward Ferrars is to marry the mean-spirited and cunning Lucy Steele. All, of course, ends happily-but not until Elinor's "sense" and Marianne's "sensibility" have equally worked to reveal the profound emotional life that runs beneath the surface of Austen's immaculate and irresistible art.

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