Böcker i Explorations in Philosophy and-serien

William C. Hackett provides a renewed reading of Christian theology by evaluating the role of anthropomorphism in shaping negative theology. Through this theological history, he addresses the fear of anthropomorphism that prompted early philosophers and theologians to adopt abstract understandings of God.Hackett charts the wide-ranging importance of anthropomorphism to theology through figures including Balthasar, Bultmann, Dionysius the Areopagite, and Cyril of Alexandria. He argues that anthropomorphism highlights the unique conceptual problem between divine presence and absence. By exploring the turn away from practical and embodied views of God in Scripture, this book focuses on anthropomorphic views of God in symbols, images, and narratives. Emphasising these forms promotes an intellectual vision of Christianity that challenges theoretical and conceptual abstraction. Anthropomorphism in Christian Theology further traces the nuances between human and angelic intellect, modern philosophy and theology, negative theology and the concept of transcendence.

Emmanuel Falque, one of the foremost philosophers working in the continental philosophy of religion today, takes us by the hand into the very heart of 12th-century monastic spirituality.Translated into English for the first time, The Book of Experience weaves together contemporary phenomenological questions with medieval theology, revealing undiscovered dialogues already underway between Hugh of St. Victor and Maurice Merleau-Ponty, between Richard of St. Victor and Emmanuel Levinas, between Aelred of Rievaulx and Michel Henry, and not least between Bernard of Clairvaux and the trio of Descartes, Heidegger, and Jean-Luc Marion, consummating in a masterful phenomenological reading of Bernard's sermons on the Song of Songs. Whether it is a question of 'the idea that comes to God' (Anselm of Canterbury) or actively 'feeling oneself fully alive' (Aelred of Rievaulx or Bernard of Clairvaux), Falque uses these encounters to shed light on both parties, medieval and modern, theological and philosophical. Leading us through works of art, landscapes, architectures, and liturgies, this major contemporary philosopher of religion clarifies mysteries and discovers experience lying at the heart of the medieval tradition.

In the first English language translation of this classic late 20th-century text within French Catholic thought, Poetics of the Sensible brings together insights from Neoplatonism and phenomenology with a distinctive and innovative approach. Taking a stance within the generative conception of human language represented by continental thinkers such as Humboldt and Herder and powerfully articulated today by Charles Taylor, Stanislas Breton expands the sense of the "poetic"-the constructive meaning-bearing capacity that is a core characteristic of humanity-to include the body and its senses phenomenologically intertwined with the world. Defying Heidegger's prohibition on the question of God alongside contemporary thinkers such as Jean-Luc Marion, Jean-Louis Chrétien and Emmanuel Falque, he boldly writes of God, of the angel, of the icon, and of prayer in a refusal to bracket his religious faith. Against a Neoplatonic backdrop, Breton promotes the dense material dimensions of embodied signification as paradoxically harbouring meaning that is greater than that of conceptual abstraction alone. Illuminating Breton's poetic and allusive discourse, Poetics of the Sensible showcases his unique voice in French philosophy, phenomenology and the philosophy of religion and is essential reading for scholars and students alike.