Böcker i Extreme Sounds Studies: Global Socio-Cultural Explorations-serien

This book unveils the vibrant and thriving world of Peruvian metal. It brings together a collection of Peruvian scholars, providing a long-overdue spotlight on a musical realm often overlooked in the international conversation.

Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project. Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.

Working from and with countries spanning Latin America, Africa, the Middle East, Asia, Oceania, and Indigenous Nations, the contributors of this collection reflect on the social roles of metal music and stress how it faces oppressive experiences and aims to build a better world.