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Böcker i Film Theory in Practice-serien

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  • av USA) McGowan & Todd (University of Vermont
    446 - 1 346,-

    "Psychoanalytic Film Theory and The Rules of the Game offers a concise introduction to psychoanalytic film theory in jargon-free language and shows how this theory can be deployed to interpret Jean Renoir's classic film"--

  • av USA) Raengo & Alessandra (Georgia State University
    366 - 1 256,-

    "An introduction to Critical Race Theory through a close analysis of Spike Lee's film Bamboozled"--

  • av Canada) Ruti & Mari (University of Toronto
    366 - 1 266,-

    An overview of feminist film theory and how it explicates Pretty Woman.

  • av USA) Mittell & Jason (Middlebury College
    366 - 1 266,-

  • av USA) Tinkcom & Matthew (Georgetown University
    366 - 1 266,-

    An examination of the field of queer theory and its relevance to the film Brokeback Mountain

  • av USA) Morrison & James (Claremont McKenna College
    310 - 1 266,-

  • av USA) Basu Thakur & Gautam (Boise State University
    410 - 1 346,-

    "An explanation of postcolonial film theory and how it explicates James Cameron's film"--

  • av USA) Kornbluh & Anna (University of Illinois
    350 - 1 126,-

  • av Canada) Flisfeder & Matthew (University of Winnipeg
    366 - 1 266,-

    Provides an introductory explanation of postmodernism and its connection to film theory, and how it can be used to interpret Ridley Scott s film, Blade Runner."

  • av Hilary (University of Vermont Neroni
    446,-

    The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Feminist Film Theory and Cléo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda''s critically acclaimed 1962 film Cléo from 5 to 7.Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts-identification, framing the woman''s body, and the female auteur-Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today. Picking up one of the currents in feminist film theory - that of looking for feminist alternatives among female-oriented films - Neroni traces feminist responses to the contradictions inherent in most representations of women in film, and she details how their responses have intervened in changing what we see on the screen.

  • av Canada) Burnham & Clint (Simon Fraser University
    400 - 1 256,-

    "An exploration of Fredric Jameson's film theory and how it explicates Martin Scorsese's film The Wolf of Wall Street"--

  • av UK) Rushton & Dr Richard (Lancaster University
    326 - 910,-

  • av Hilary Neroni & Todd McGowan
    270 - 900,-

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