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  • av Kwaku Darko-Mensah Jnr
    96,-

    After over a decade working as a musician under the name Kae Sun, Kwaku Darko-Mensah Jnr. makes a full-blooded return to poetry. His debut Flood Season explores diasporic belonging, the tensions between who we are and the cliches that surround our nation states, and hybridity.

  • av Laurie Ogden
    96,-

    Humaning, Laurie Ogden's striking debut, moves through a storm of conflicting notions of womanhood, the body, and difference. Sometimes open and playful, sometimes dark and surreal, the poems offer up self-authorship and anthropomorphism as tools for transformation in the aftermath of trauma.

  • av Hubert Matiuwaa
    110,-

    Written originally in Me'phaa, Hubert Matiuwaa's First Rain is a selection of poems that emerged from responding to the death of a grandmother who declared in 2005: I will die in the days when the first rains come. The work mourns both the loss of a grandmother, the fading away of a culture and language that hold so much history and pride.

  • av Amina Jama
    96,-

    A Warning to the House That Holds Me builds on the milestones and mythology of Mexican painter Frida Kahlo to perform a deeply personal act of reclaiming power. Drawing on a long tradition of Somali storytelling, these poems achieve the complex balance of being as conversational as they are crafted.

  • av Pnina Shinebourne
    110,-

    A Suburb of Heaven is based on Stanley Spencer's work and the part-imagined life of Anna O, patient zero of psychoanalysis. Spencer's predilection for using Biblical scenes in a rural context carries a narrative impetus that Pnina Shinebourne builds on, and she deftly invents Anna O's history, complete with music notes and linguistic asides.

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