Shows how American artists, photographers, and graphic designers helped to shape public perceptions about World War I. This book considers how flag-based patriotic imagery prompted Americans to intervene in Europe in 1917, and contemplates the corrosive effects of the war on soldiers who lost their faces on the battlefield.
Examines decorative Chinese works of art and visual culture, known as chinoiserie, in the context of church and state politics, with a particular focus on the Catholic missions' impact on Western attitudes toward China and the Chinese.
"Christine Guth offers a brilliant new perspective on early modern Japanese craft. She shatters the myth of unchanging traditions by demonstrating how craft communities were innovative, well networked, and responsive to sustainability. This astute and engaging study shifts the focus from elite patrons to bring clarity to the networks, materials, and processes of craftmakers."--Sherry Fowler, Professor of Japanese Art History, University of Kansas "This is a field-shifting work. It reflects the author's immense expertise in the historical study of Japanese visual and material cultures and gives us a richer and more multivalent and multisensory understanding of the often essentialized category of 'craft.'"--Gregory Levine, Professor of Art History, University of California, Berkeley
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