Böcker i Galaxy Books-serien

A short account of the life and achievements of one of the great figures of history, this volume also serves as an excellent introduction to one of the world's major religions.

Enlarged to take into account such dramatic changes in entrepreneurship as the explosive growth of government and the puzzling effects of "stagflation, " the expanded edition includes biographies of Mary Switzer and Marriner Eccles, two "bureaucratic entrepreneurs" whose work represents the two most prominent trends in government economics, and a short essay on the nature of bureaucracy in both government and the private sector.

A history of aging in America surveys and compares actualities and attitudes in the eighteenth, nineteenth, and twentieth centuries and suggests practical improvements on the current inadequate system of pensions, social security, medicare, and other programs.

The Middle Ages inherited from antiquity a tradition of prophecy and gave it new life. This tradition foretold a millennium in which humanity would enjoy a new paradise on earth, free from suffering and sin. This is the story of those millenarian fanaticisms, and points to their persistence in the modern era.

Compiles critical essays on the Romantic Age and the individual works of Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats.

Karl Barth's Commentary on the Epistle to the Romans first appeared in Germany in 1918, and caused an immediate sensation. A second edition, corrected, enlarged, and reconsidered, followed in 1921, and four others by 1933.

Attempts to show the religious dimension in many special spheres of man's cultural activity.

First published in 1954 and having gone through several editions, this comprehensive book remains the authoritative source in the field. This paperback edition includes all of the 350 illustrations from the original edition, as well as the complete and unabridged text. Divided into fourteen chapters, text and illustrations reveal the symbolism inherent in representations of religious personages, the Earth and Sky, animals, birds, insects, and flowers. In addition to a discussion of objects treated symbolically in Christian art, George Ferguson explores Old Testament characters and events and their symbolic representation in art.

This highly acclaimed study analyzes the various trends in English criticism during the first four decades of this century.

This new translation, with the French text on the facing pages, captures the tone and rhythm of Rimbaud's language as well as the quality of his thought.

This study examines the role of technological innovation during the rise of social groups in the Middle Ages.

Mr. Sinclair's three-volume prose translation of DANTE'S DIVINE COMEDY should prove to be an invaluable source of pleasure to those English readers who would read this great medieval classic with understanding. The original Italian test and the Sinclair translation are arranged on facing pages, and the commentaries, brilliant examples of genuine literary criticism, appear after each canto.

Expounds upon consciousness, self-consciousness, reason, spirit, religion and absolute knowing and also supports Kant, denounces skepticism and hails idealism.

Unsurpassed as a manual for students, this Atlas includes sections on bones, muscles, surface anatomy, proportion, equilibrium, and locomotion. Other unique features are sections on the types of human physique, anatomy from birth to old age, an orientation on racial anatomy, and an analysis of facial expressions.

Both a history of film theory and an introduction to the work of the most important writers in the field, Major Film Theories compares the thought of such major theorists as Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. Andrew places their theories in the context of larger intellectual movements, including Gestalt Psychology, Russian Formalism, and Existentialism.

To those who know the grace of Aldo Leopold's writing in A Sand County Almanac, this posthumous collection from his journals and essays will be a new delight. These daily journal entries on hunting, fishing and exploring, written in camp during his many field trips in lower California, New Mexico, Canada, and Wisconsin, indicate the source of Leopold's ideas on land ethics found in his longer essays. The excerpts from these journals - many taken from notes written around a camp fire, spattered with a slapped mosquito or a drop of coffee - show in direct context what he did in his own leisure time. The essays are taken from more contemplative notes which were still in manuscript when Leopold died, fighting a grass fire in 1948. Round River has been edited by Leopold's son, Luna, a geologist well-known in the field of conservation. It is also illustrated throughout with line drawings by Charles W. Schwartz. All admirers of Leopold's work - indeed, all lovers of nature - will find this book richly rewarding.

Speaking with understanding and force, Tillich offers a basic analysis of love, power, justice, and all concepts fundamental in the mutual relations of people, of social groups, and of humankind to God. His concern is to penetrate to the essential, or ontological foundation of the meaning of each of these words.

Includes an extensive introduction encompassing biographical, and critical material which makes it ideal for students.

A translation of 'Naturrecht und Staatswissenschaft im Grundisse' and 'Grundlinien der Philosophie des Rechts.'

Collingwood's theory of philosophical method applied to the problem of the philosophy of nature.

Presents a chronological survey of this genre from the beginnings of modern science and technology to the present.

Attacks nothing less than the currently prevailing world philosophy--humanism, which the author feels is exceedingly dangerous in its hidden assumptions.

This work stresses the illogical manner in which mathematics has developed, the question of applied mathematics as against 'pure' mathematics, and the challenges to the consistency of mathematics' logical structure that have occurred in the twentieth century.

This treatise on aesthetics criticizes various psychological theories of art, offers new theories and interpretations, and draws important inferences concerning the position of art in human society.