Böcker i German Visual Culture-serien

Otto Dix (1891-1969) was a leading figure of the Neue Sachlichkeit, or New Objectivity, movement in painting in 1920s Germany. This groundbreaking study analyses for the first time the relationship between Dix's verist-realist portrait paintings and the rapidly expanding mass media culture of the Weimar era that surrounded it.

This study offers an unconventional reading of modern and postmodern German memorials from a medievalist perspective. Including but not limited to memorials for the victims of the Nazis in Germany, the book offers a medieval prism through which to view these works of art and understand their contribution to German memory culture.

Early twentieth-century Germany and Britain may have seemed politically very different, yet there was a lively interchange between these two countries during this period. This book explores how art practitioners and scholars in both countries learned from and influenced each other, seeking to highlight the relevance of these interchanges today.

Although Anselm Kiefer's work is routinely compared with the Gesamtkunstwerk, the 'total work of art' pioneered by Richard Wagner, this book investigates the highly ambivalent relationship between these two artists. Their views on art and society, individualism and counter-Americanism are all explored.

Otto Dix fought in the First World War for four years before becoming one of the most important artists of the Weimar era. This book takes Dix's very public, monumental works out of the isolation of the artist's studio and returns them to a context of public memorials, mass media depictions, and the communal search for meaning in the war.

This book is a cutting-edge, interdisciplinary collection of essays by some of today's most forward-thinking scholars. The contributors explore the ways in which the prefix "trans" erupts German identity and the identity of Germany itself. What are the promises and perils for Germany, and German identity, in becoming transGerman?

This volume examines the multi-faceted nature of German identity through the lens of myriad forms of visual representation from the Middle Ages to the present. A broad spectrum of visual culture is considered - from painting to sculpture, advertising to architecture, film to installation art - to offer new insights into the 'German Question'.

Art history traditionally concentrates on the visual, often at the expense of sound art. This book is about recent attempts by artists trained in (West) Germany to provoke listening experiences to awaken the ear. Their work is revolutionary in artistic terms and in what it reveals about human relations, especially concerning issues of gender.

The Doppelganger - the double, twin, mirror image or alter ego of someone else - is a universal theme that has been prevalent in German culture since the Romantic period. This volume explores the phenomenon of the double in multiple aspects of German visual culture, from painting and classical ballet to film and photography.

This volume examines the multi-faceted nature of German identity through the lens of myriad forms of visual representation from the Middle Ages to the present. A broad spectrum of visual culture is considered - from painting to sculpture, advertising to architecture, film to installation art - to offer new insights into the 'German Question'.

How does the visual nature of spectacle destabilize the political, challenge aesthetic convention and celebrate cultural creativity? This interdisciplinary volume explores the concept of spectacle in the German context, including critical interventions into exhibitions, architecture, cinema and photography from the Baroque to the contemporary.