Böcker i Getty Publications - (Yale)-serien

This title reproduces, with commentary, "Le Case i Monu Menti di Pompeii" (1854) of Fausto and Felice Niccolini, the first work to completely and systematically present the public and private buildings so far excavated in Pompeii. It features the watercolours they created to document Pompeii.

A guide to the materials used in architecture during the past century, as well as tips on building repair and restoration. With more than 200 illustrations, including a full-color photographic essay, it focuses on the history and conservation of modern building materials.

In the 18th and early 19th centuries first modern, public museums of art appeared throughout Europe, setting a standard for nature of such institutions that has made its influence felt to present day. This book includes chapters on fifteen of the earliest major examples, from Capitoline Museum in Rome, opened in 1734, to Alte Pinakothek in Munich.

Gathers more than 65 texts that have been influential in the development of thinking about the conservation of cultural heritage, from antiquity to the present day. This title includes John Evelyn's 17th-century tract on air pollution in London and the founding manifesto of the Society for the Protection of Ancient Buildings by William Morris.

Offers investigation of the material and philosophical aspects of conserving contemporary art. This title gives a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.

At the heart of all good art museum teaching is an effort to bring people and artworks together in meaningful ways. But what constitutes an experience of a work of art? This book addresses these and myriad other questions and investigates the mission, history, theory, practice, and future prospects of museum education.

Offers an informative overview of the research and development in stone conservation. Suitable for conservators and conservation scientists, this title reflects the explosion of research, enlarging the discussion of preventive conservation and adding sections on rock art and other subjects.

Investigates the idea of beauty over time and space. This book offers a chronological account whose conceptual and historical paradigms have been reiterated and contested into the twentieth century. It not only sketches the circumstances that shaped Winckelmann's project but also assesses this scholar's influence on European intellectual life.

An illustrated account of the Getty Museum's research into outdoor sculpture conservation.

Offers fresh insights into the evolution of the forms and meanings of Roman art. The author offers a cultural history of the functions of the visual arts, the messages that these images carried, and the values that they affirmed in late Republican Rome and the Empire.

Provides an exploration of glassmaking in the ancient world. This title describes the uses glass and glassmaking in the ancient world.

Mural, painted in 1943, was Pollock's first major commission. It was made for the entrance hall of the Manhattan duplex of Peggy Guggenheim who donated it to the University of Iowa in the 1950s where it stayed until its 2012 arrival for conservation and study at the Getty Center. This book unveils the findings of that examination.

An illustrated guide to the symbols of power in Western art. It examines the way that sovereign rulers have employed well-defined symbols, attributes and stereotypes to convey their power to their subjects and rivals, as well as to leave a legacy for future generations to admire.

An anthology of important texts tracing the historical development of the conservation of works of art on paper.

A guide to the technical terms most commonly used in painting. It presents explanations of the technical terms most often encountered by art enthusiast, visitors to galleries, and museum goers. It also pays special attention to the processes and methods of painting conservation, and offers definitions and examples of materials and techniques.

Science and art combine in this captivating, lushly illustrated biography of Maria Sibylla Merian, one of the world's first entomologists, who was also a botanist, naturalist and a celebrated artist.

Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist's chosen technology often carries with it strong sociological and historical information and meanings. The free online edition of this open-access book is available at www.getty.edu/publications/keepitmoving/ and includes zoomable figures and videos. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

"In a study of sixty neglected panel paintings from Roman Egypt, the authors present evidence for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance"--Provided by publisher.

Presents an introduction to the use of controlled vocabularies. This book presents readers with a "how-to" guide to building controlled vocabulary tools, and indexing cultural materials with terms and names from controlled vocabularies, and how to use vocabularies in search engines and databases to enhance discovery and retrieval online.

A re-examination of the importance and legacy of provenance in the history of art. It goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research.

Edward Henry Weston (1886-1958) first started taking photographs at the age of sixteen with a camera given to him by his father. Over the next five decades, he would come to be regarded by his peers as one of the greatest photographers of the twentieth century. This volume is a collection of his photographic studies of the nude form.

This volume provides a collection of texts on the conservation of art and architecture. Aimed at students of art history as well as conservation, the book consists of 46 texts in which art historians raise questions such as when to restore, what to preserve and how to maintain aesthetic character.

When life (in a global pandemic) imitates art . . .

The first study devoted to classical art's vital creative impact on the work of the Flemish master Peter Paul Rubens.

This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in internationalcollections.

Drawing from Getty Research Institute's Harald Szeemann Archive and Library, this heavily illustrated volume examines the groundbreaking career of the Swiss Curator Harald Szeemann (1933-2005), widely regarded as one of the most influential curators of the twentieth century.

Argues that art should address a broad audience and explains the painter's responsibility to his spectators. This book explains how - even if the archbishop did not succeed in reforming the arts - Paleotti's treatise constituted one last synthesis of art as a reading of creation and salvation history, and "sacred" art as a vehicle of devotion.

Photography was introduced to China in the 1840s through the West's engagement in the Opium Wars and the subsequent reforms of Chinese statesmen. This title offers an illustrated exploration of the history of photography in China.

Thoroughly researched and beautifully produced, this catalogue complements the first comprehensive retrospective in the United States of Imogen Cunningham's work in over thirty-five years.