Wilfried N¿Sond¿as born in 1969 in the Congo (Brazzaville) and grew up in France. He is widely considered one of the shining lights of the new generation of African and Afropean writers. His work has received considerable critical attention and been recognized with prestigious literary awards, including the Prix des Cinq Continents de la Francophonie and the Prix Senghor de la cr¿ion litt¿ire.Karen Lindo is a scholar of French and Francophone literatures and currently teaches and translates in Paris.Dominic Thomas is Professor of French and Francophone Studies at the University of California, Los Angeles.
"In Senegal, three modest families share a courtyard. This common space is a small paradise where they meet to cook, dine, talk, evoke memories, and grow together. At one Sunday family gathering, the usual post-meal conversation turns tense when Sada's adolescent son, Dieáiry, asks why his father was so friendly with a government official at a televised ribbon-cutting the day before. The conversation quickly devolves into one about respect and duty.In Empire of Illusion, legendary Senegalese novelist Aminata Sow Fall, explores the powerful themes of family, respect, and ethics. What respect does a son owe his father-and vice versa? How does a family maintain a balance of debate and respect? How does a person maintain self-respect when forced to swim in ethically muddy waters? Aminata Sow Fall, the matriarch of Senegalese social-realist fiction delivers yet another trenchant examination of her society, and of the universal challenge of finding, keeping, and giving respect to oneself and others"--
"My mother says that there are things in life that she can't forgive . . ."At age 16, Dipita's mother, Mbila, arrived in Switzerland from Cameroon. Trafficked into Europe, she supported herself and her son as a prostitute in Geneva. Dipita, now a young, black, gay man serving a five-year sentence in a Swiss prison, shares their story and his own search for purpose. He intertwines their stories with the life of Uncle Démoney, a former civil servant in Cameroon, who staked everything on sending his sister to Switzerland.39 Berne Street explores the complex themes of prostitution, immigration, and homosexuality through a fluid and expressive prose that makes it ring true. Originally published in French, it won the Prix du Roman des Romands in 2014.Max Lobe's 39 Berne Street vividly describes the unforgivable actions visited by family members upon family members in desperate bids for survival and contentment in the midst of Dipita's struggle toward forgiveness and acceptance.
*Casablanca Story deals with themes of hardship, expliotation and male sexual desire. *Bofane's last book, Congo, Inc. proved to be a popular addition to the Global African Voices Series *Author's French editions have won several awards, including the Grand prix litteraire d'Afrique noire (Black African Literary Grand Prize)
My Kingdom for a Guitar is a novel based on the life of Cameroonian-born writer and musician Francis Bebey. Narrated by Bebey's daughter, Kidi. IUP's Global African Voices usually sell well.
Embracing the challenges faced by ethnic minority communities today, The Tears of the Black Man looks to the future, arguing that the history of Africa has yet to be written and seeking a path toward affirmation and reconciliation.
"Original publication in French as Le Silence des esprits (c) 2010 Actes Sud."
N'Sonde's powerful voice resonates loudly in Concrete Flowers. This novel tells the story of Rosa Maria, who feels lost in the brutal and racially charged city of Paris. Rosa's coming-of-age journey reveals an individual's expansive capacity to dream of a better life.
Under the pseudonym Eza Boto, Mongo Beti wrote Ville cruelle (Cruel City) in 1954 before he came to the world's attention with the publication of Le pauvre Christ de Bomba (The Poor Christ of Bomba). Cruel City tells the story of a young man's attempt to cope with capitalism and the rapid urbanization of his country. Banda, the protagonist, sets off to sell the year's cocoa harvest to earn the bride price for the woman he has chosen to wed. Due to a series of misfortunes, Banda loses both his crop and his bride to be. Making his way to the city, Banda is witness to a changing Africa, and as his journey progresses, the novel mirrors these changes in its style and language. Published here with the author's essay "e;Romancing Africa,"e; the novel signifies a pivotal moment in African literature, a deliberate challenge to colonialism, and a new kind of African writing.
This tale of wild adventure reveals the dashed hopes of Africans living between worlds. When Moki returns to his village from France wearing designer clothes and affecting all the manners of a Frenchman, Massala-Massala, who lives the life of a humble peanut farmer after giving up his studies, begins to dream of following in Moki's footsteps. Together, the two take wing for Paris, where Massala-Massala finds himself a part of an underworld of out-of-work undocumented immigrants. After a botched attempt to sell metro passes purchased with a stolen checkbook, he winds up in jail and is deported. Blue White Red is a novel of postcolonial Africa where young people born into poverty dream of making it big in the cities of their former colonial masters. Alain Mabanckou's searing commentary on the lives of Africans in France is cut with the parody of African villagers who boast of a son in the country of Digol.
Set in a fictitious African nation, this novel by the distinguished writer Sony Labou Tansi takes aim at the corruption, degeneracy, violence, and repression of political life in Africa. At the heart of The Shameful State is the story of Colonel Martillimi Lopez, the nation's president, whose eccentricity and whims epitomize the "e;shameful situation in which humanity has elected to live."e; Lopez stages a series of grotesque and barbaric events while his nation falls apart. Unable to resist the dictator's will, his desperate citizens are left with nothing but humiliation. The evocation of this deranged world is a showcase for the linguistic and stylistic inventiveness that are the hallmark of Sony Labou Tansi's work. This first English translation by Dominic Thomas includes a foreword by Congolese writer Alain Mabanckou that contextualizes the novel's importance in literary history and the significance of Sony Labou Tansi for future generations of writers.
Originally published in French as: Jazz et vin de palme. Paris: Hatier, A1982.
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