Böcker i Gothic Authors: Critical Revisions-serien

Following studies of Lovecraft and Stephen King, this book pays overdue attention to King's equally prolific contemporary, Britain's Ramsey Campbell. Focusing on neglected longer fictions, the book Ramsey Campbell discusses the writer's prose style and treatment of Gothic, interpreting his work theoretically.

This book considers the fiction of Joseph Sheridan Le Fanu (1814-73) in their original material and cultural contexts of the early-to-mid Victorian period in Ireland. Le Fanu's longstanding relationship with the Dublin University Magazine, a popular literary and political journal, is a crucial context in the examination of his work. Likewise, Le Fanu's fiction is considered as part of a wider surge of supernatural, historical and antiquarian activity by Irish Protestants in the period following the Act of Union between Great Britain and Ireland (1801). Le Fanu's habit of writing and re-writing stories is discussed in detail, a practice that has engendered much confusion and consternation. Posthumous collections of Le Fanu's work are compared with original publications, demonstrating the importance of these material and cultural contexts. This book reveals new critical readings of some of Le Fanu's best known fiction, while also casting light on some of his regrettably overlooked work through recontextualisation.

Mary Shelley provides a detailed study of the famous author's extensive contribution to the Gothic genre. Angela Wright examines the key novels alongside the short stories, revealing how the Gothic themes and motifs that energised Frankenstein resurface in some of Shelley's later works.

This study of the works of late eighteenth-century American Gothic author Charles Brockden Brown argues that Brown was a seminal figure in the development of four forms of Gothic fiction: the Frontier Gothic, the Urban Gothic, the Psychological Gothic, and the Female Gothic.

This study examines Stoker's contribution to the modern notion of Gothic and demonstrates that Gothic excess is Stoker's way of focusing on social, economic, and political problems. What makes this study unique is that it privileges Stoker's development of modern Gothic in Dracula but also addresses Stoker's works that are decidedly not Gothic.

Patrick McGrath is one of Britain's foremost contemporary novelists but very little has been written about his work to date. This new book offers readings of McGrath's fiction informed by recent scholarship and evaluates his creative contribution to the continuation of the Gothic tradition into the twenty-first century.