Böcker i Grundlagen / Basics-serien

In its early decades, the ­Ethiopian capital, founded in 1886, witnessed a very specific form of ­architecture. At the beginning of the East African country's first ­urbanisation process, a mixture of vernacular knowledge and a new cosmopolitan mindset led to an archi­tectural type that local professionals refer to as the 'Addis ­Ababa Style': Pavilion-like buildings of different sizes, made of stone, earth, and wood, characterised by expressive pinched roofs, generous verandas with curtain walls, and a high degree of detailing. Today, those graceful, ­appropriate, and nature-based buildings are under threat of being swallowed up due to shortsighted economic interests. In cooperation with the Institute for Architecture in ­Addis Ababa (EiABC), architects of Berlin's Technical University studied this typology with regard to its embeddedness in local resources, climatic conditions, and craftsmanship. As such, they employed the ­'Addis ­Ababa House' as a case study to discuss the possibility of a non-­industrial building type that ­reflects the desire for a cosmopolitan urban life.

The City of Mariupol's heroic defence and systematic destruction at the beginning of the Russian invasion have made it an international symbol of senseless brutality and Ukrainian defiance. The ruined city today still harbours the embers of that resistance. Join a multidisciplinary team of architects, planners, Mariupol residents, and outside experts from "Ro3kvit. Urban Coalition for Ukraine" as they envision the rebirth of their beloved city following its liberation. Inspired by the Ukrainian people's faith and determination to rebuild, the authors join forces with displaced Mariupol residents to imagine a dynamic future for Mariupol that will begin the day the Ukrainian flag rises. Despite the unavailability of reliable information and the difficulty of communicating with the scattered population, the team illustrates the case for planning rebuilding while the city is still under occupation, both so as to exorcise the scars of war and colonialism and to establish a viable economy and human-centred city that draws strength from its tragic past.This title is part of the Histories of Ukrainian Architecture programme initiated by DOM publishers in response to Russia's attack on Ukraine's sovereignty on 24 February 2022.

Anyone concerned with the history, tradition, and culture of our built environment will sooner or later come across the term 'Public Humanities'. At the interface between academe and the media-oriented culture industry, Public Humanities is established as a field of inquiry in the US and is increasingly becoming so in Europe too. Whether this field of research remains a product of Western culture will only become apparent in the coming years. However, linking architectural debate with the humanities is an important concern of the papers collected here. These essays on architectural theory provide academic food for thought while encouraging reflection on the discipline of architecture and stimulating urban design in the twenty-first century. The lectures collected here are from a class on Public Humanities at Brown University.

The participation of foreign intellectuals in the urban development of Peruvian cities, and particularly of Europeans in the introduction of new types of buildings in Lima, remains one of the most important influences on local architects and engineers. Based on the award-winning doctoral thesis of Javier Atoche Intili, a specialist in architectural heritage with roots in both South America and Europe, this monograph focuses on the study of the most active European designers in 1940s Peru, including the Austrian Richard Neutra, the German-born Paul Lester Wiener and the Spaniard Josep Lluis Sert. It also considers the economic, political and cultural circumstances that underpinned the design and use of multi-storey buildings in the historic centre of Lima: from the introduction of urban planning regulations to the presence of European-born architects who designed a significant number of these buildings, including Paul Linder from Germany, Mario Bianco from Italy and Theodor Cron from Switzerland. Finally, it reflects on the protection, conservation and valorisation of this vast architectural heritage.

In 1960 and 1961, a group of young Indonesians ­completed their studies in Berlin and Hanover with a degree in architecture (Diplom-Ingenieur Architektur; in Indonesian: Dipl.-Ing. Arsitek). Most of these graduates returned to Indonesia. At that time, the country sought independent forms of built expression to represent a modern civil society with contemporary structures that would reflect the culture and accommodate the climate. During this highly dynamic period, those who returned soon became influential architects in their homeland. Around a third of the graduates remained in Europe, where they pursued successful architectural careers in Germany, Switzerland, or the Netherlands.Using the final diploma projects of ten of those students as a starting point, Dipl.-Ing. Arsitek: German-trained ­Indonesian Architects from the 1960s provides multi­faceted insights into this little-known aspect of German-­Indonesian relations. Many of the cited plans and documents come from the architects' personal archives and are now available to the public for the first time. Fifteen exemplary buildings are documented in their current context in new photographs produced for this project, highlighting their unique characteristics and qualities.

This is a book about four cities who were several times, and especially in connection with World War II forcedly put into completely new national contexts. This was affected by coercion from outside. The changes included genocide and forced displacement, but preserved built environment testifies past populations and national contexts. This book describes the urban environment in the four cities before World War II, and how the present population handles the memories of the past for future development.In connection with World War II and its aftermaths, many of the four cities Chisinau, Cernivci, Lviv and Wroclaw residents were either killed or subject to forced migration beyond the new national borders. People settled in the city environment which still bore the traces of the earlier population and the earlier urban life that had been brutally put to an end. Due to the continued Russian military aggression on the territory of Ukraine, this study takes on a new relevance.This title is part of the Histories of Ukrainian Architecture programme initiated by DOM publishers in response to Russia's attack on Ukraine's sovereignty on 24 February 2022.

After the discovery of oil, the Kuwaiti State established a means of wealth distribution for its citizens through housing programmes aimed at improving standards of living. It allocated residential neighbourhoods for Kuwaitis and non-Kuwaitis through the introduction of two main architectural typologies: the apartment and the villa. However, in response to certain economic, sociocultural and regulatory constraints, an unplanned hybrid typology has recently emerged. The multiplex, specific to Kuwait and yet not officially recognised by the state, has become the informal expression of specific living needs that is now ubiquitous across Kuwait.Here, for the first time, the authors of "The Multiplex Typology" explore everyday life in these hybrid homes, arguing that the one-size-fits-all housing model of the past is both outdated and unsustainable. But this book is not merely a documentation of the current state of living in Kuwait, nor a straightforward analysis of Kuwaiti domestic architecture today. It is also an urgent and timely call for alternative approaches to housing that are sustainably driven, culturally rooted and responsive to future change.

Boris Iofan (1891¿-¿1976) was considered Josef Stalin's 'court architect' due to his closeness to the dictator, whose design ideas he translated into reality. His name is associated with projects such as the House on the Embankment, the Soviet pavilion at the 1937 Paris World's Fair and the Palace of the Soviets, which was never realised. In the period from 1932 to 1947, he was one of the most important, if not the most important architect of the Soviet Union. This biography, a detailed study of Iofan's creative development, is based on previously unpublished documents. It also contains never-before-published visual material, including original drawings and sketches by the architect and his collaborators: most of this comes from Iofan's archive, which is now in the collection of the Museum für Architekturzeichnung in Berlin.