Böcker i Harvard-Yenching Institute Monograph (HUP)-serien

A reference work from one of the world's preeminent linguists, A Comprehensive Manchu-English Dictionary substantially enlarges and revises Jerry Norman's 1978 Concise Manchu-English Lexicon. With hundreds of new entries and a new introduction on pronunciation and script, it will become the standard English-language resource on the Manchu language.

During the Song dynasty (960-1278), some of China's elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, painting titles, contemporary inscriptions, and the historical context, Murck shows that certain paintings expressed strong political opinions-some transparent, others deliberately concealed.

Celestial Masters is the first book in any Western language devoted solely to the founding of Daoism. It traces the movement from the mid-second century CE through the sixth century, and provides a detailed analysis of ritual life within the movement, covering the roles of common believer or Daoist citizen, novice, and priest or libationer.

Bossler traces changing gender relations in China from the tenth to fourteenth centuries by examining three critical categories of women: courtesans, concubines, and faithful wives. Bossler illustrates how these groups intersected and interacted with men, influencing the social, political, and intellectual life of the Song and Yuan dynasties.

Alexander Des Forges reads shiwen from a literary perspective, showing how the examination essay redefined prose aesthetics, transformed the work of writing, and marked the aesthetic as a key arena for contestation of authority as candidates, examiners, and critics joined to form a dominant social class of literary producers.

Structures of the Earth is the first study of the emergent genre of geographical writing and the metageographies that structured its spatial thought during the "Age of Disunion" and continue to illuminate spatial complexities that have been incompatible with the imperial and nationalist ideal of a monolithic China at the center of the world.

In his reading of the Shishuo xinyu, the most important anecdotal collection of medieval China, Jack W. Chen presents an extended meditation on the anecdote form, both what it affords in terms of representing a social community and how it provides a space for the rehearsal of certain longstanding philosophical and cultural arguments.

Tamara T. Chin explores the politics of representation during the Han dynasty at a pivotal moment when China was asserting imperialist power on the Eurasian continent and expanding its local and long-distance ("Silk Road") markets. Chin explains why rival political groups introduced new literary forms with which to represent these expanded markets.

Using the new tools of GIS and social network analysis, Nicolas Tackett shows that the great Tang aristocratic families were more successful than previously believed in adapting to social and economic changes in the seventh and eighth centuries. Tang political influence waned only after many of them were killed during the three decades after 880.

Tang poetic culture was based on hand-copied manuscripts and oral performance. This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation.

Li Mengyang (1473-1530) was a scholar-official who initiated the literary archaist movement that sought to restore ancient styles of prose and poetry in sixteenth-century China. Chang Woei Ong situates Li's quest to redefine literati learning as a way to build a perfect social order in the context of intellectual transitions since the Song dynasty.

Rebecca Doran offers a new understanding of major female figures of the Tang era-including Wu Zhao, Empress Wei, and Shangguan Wan'er-within their literary-historical contexts, and delves into critical questions about the relationship between Chinese historiography, reception-history, and the process of image-making and cultural construction.

In Northern Song China, reform-minded statesmen sought to remove the tension between the Confucian Classics and statist ideals of "big government." Jaeyoon Song illuminates the interplay between classics, thinkers, and government in statist reform, and explains why the uneasy marriage of classics and state activism had to fail in imperial China.

Using an interdisciplinary approach drawing on the research of archaeologists, anthropologists, and religious, social, and art historians, this book seeks to recover the motivations behind the creation of religious art, including temple buildings, sculpture, and wall paintings.

As descendants of the great courtier-poets Fujiwara no Shunzei (1114-1204) and his son Teika (1162-1244), the heirs of the Reizei house can claim an unbroken literary lineage spanning over eight centuries. Carter combines family history, literary criticism, and historical research in a coherent narrative tracking the evolution of the Reizei Way.

The vision of poetic competence evolved for over a millennium from calculated performances of inherited words to sincere passionate outbursts to displays of verbal wit combining calculation with the appearance of spontaneity. This book tells the story of the development of poetic competence to uncover the complexity of the concept.

Tracing journeys of Cantonese migrants along the West River and its tributaries, Steven B. Miles describes the circulation of people through one of the world's great river systems between the late sixteenth and mid-nineteenth centuries.

Scholars have described the eighteenth century in China as a time of "state activism" and often associate the Taiping Rebellion and postbellum restoration efforts with the origins of elite activism. Seunghyun Han, however, argues that the ascendance of elite activism can be traced to the Jiaqing and Daoguang reigns in the early nineteenth century.

Unlike traditional Japanese literature, with its rich tradition of comedy, modern Japanese literature is commonly associated with high seriousness. Cohn analyzes works by three writers-Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )-that assault the notion that comedy cannot be part of serious literature.

Sarah M. Allen explores the tale literature of eighth- and ninth-century China to show how written tales of the Tang canon we know today grew out of a fluid culture of hearsay in elite society. The book focuses on two main types of tales, those based in gossip about recognizable public figures and those developed out of lore concerning the occult.

After the 1911 fall of the Qing dynasty, many declared the classical Chinese poetic tradition dead. In Modern Archaics, Shengqing Wu draws on extensive archival research into the poetry collections and literary journals of two generations of writers to challenge this claim and demonstrate the continuing significance of the classical form.

The realignment of the social order that occurred over the course of the Sung dynasty set the pattern for Chinese society over most of the later imperial era. Bossler examines that realignment from the perspective of specific families, using data on Sung elites-grand councilors who led the bureaucracy and locally prominent gentlemen in Wu-chou.

Wai-yee Li examines the discursive space of women in seventeenth-century China. Using texts written by women or by men writing in a feminine voice, as well as writings that turn women into signifiers of lamentation or nostalgia, Li probes the emotional and psychological turmoil of the Ming-Qing transition and subsequent moments of national trauma.

Lurid depictions of sex and impotence, themes of emperor worship and violence, the use of realism and myth-these characterize the fiction of Mishima Yukio and Oe Kenzaburo. Napier discovers surprising similarities as well as provocative dissimilarities in the work of two writers of radically different political orientations.

This volume analyzes the representation of gender and desire in elite, male-authored literary texts in China dating from roughly 200 B.C. until 1000 A.D.

The goal of this volume is to consider the relationship of writing to materiality in China's literary history and to ponder the physical aspects of the production and circulation of writing.

The 18th-century Chinese novel Rulin waishi (The Unofficial History of the Scholars), Wu Jingzi's (1701-54) ironic portrait of literati life, challenges the reader to come to grips with the mid-Qing debates over ritual and ritualism, and the construction of history, narrative, and lyricism.

In medieval Japanese literature, the practices of initiation ceremonies and secret transmissions found in esoteric Buddhism began to be incorporated into the teaching of waka poetry. The main figure in this development was 13th-century poet Fujiwara Tameaki, whose commentaries transformed secular texts into allegories of Buddhist enlightenment.

This book, the most detailed and comprehensive study of pao-chuan in any language, studies 34 early examples in order to understand the origins and development of this textual tradition. Although it focuses on content and structure, it also treats the social context of these works, as well as their transmission and ritual use.

An exception to the rule that the first-rank poets in premodern China were men, the woman poet Li Qingzhao (1084-1150s) occupies a crucial place in Chinese literature. Ronald C. Egan challenges conventional thinking about Li, examining how critics tried to accommodate her to cultural norms from late imperial times into the twentieth century.