Böcker i Haymarket-serien

This text examines documentary in print, photography and film from the 1930s to the 1990s, using the lens of feminist film theory as well as scholarship on race, class and gender. Rabinowitz discusses the ways in which the media have shaped the truth over the decades.

This collection of essays questions the often ambivalent place of Africa in the imaginations, cultures and politics of its American and British descendants. It combines literary analysis, history, biography, cultural studies, critical theory and politics.

Who speaks for science in a technologically dominated society? In his latest work of cultural criticism Andrew Ross contends that this question yields no simple or easy answer. In our present technoculture a wide variety of people, both inside and outside the scientific community, have become increasingly vocal in exercising their right to speak about, on behalf of, and often against, science and technology.Arguing that science can only ever be understood as a social artifact, Strange Weather is a manifesto which calls on cultural critics to abandon their technophobia and contribute to the debates which shape our future. Each chapter focuses on an idea, a practice or community that has established an influential presence in our culture: New Age, computer hacking, cyberpunk, futurology, and global warming.In a book brimming over with intelligence—both human and electronic—Ross examines the state of scientific countercultures in an age when the development of advanced information technologies coexists uneasily with ecological warnings about the perils of unchecked growth. Intended as a contribution to a ¿green¿ cultural criticism, Strange Weather is a provocative investigation of the ways in which science is shaping the popular imagination of today, and delimiting the possibilities of tomorrow.

This history of the Weatherman Underground covers the origins, development and ultimate demise of the organization. Drawing on an array of documents, interviews with participants, and a knowledge of the history of the New Left, Jacobs gives an objective assessment of US 1960s radicalism.

This work studies television reporting of the US at war since World War II, including detailed coverage of television's role in the Gulf. Cumings offers insights into the everyday operations of the media and assesses the possibilities of mobilizing them for political purposes.

This text brings together black activists and scholars, including two former mayors of American cities, to analyze the theoretical and practical problems currently facing the black community in the United States

Stunned by the news of Sputnik in 1957, the American public were to be treated over the next dozen years to the spectacle of an all-out national crusade: the race to beat the Russians to the moon. What few understood at the time - and what has largely been obscured in popular representations of this episode in movies and bestsellers - was the key economic and technical role played by manned space exploration in post-war US capitalist expansion. From Potsdam to Cape Canaveral, the yellow brick road twisted and turned, but its ultimate goal remained clear: the Oz of global American economic and political domination.Taking off from that masterpiece of American fiction, Thomas Pynchon's Gravity's Rainbow, Dale Carter tells the lurid tale of the postwar boom, through the history of the manned space program. Salvaged from the ashes of Nazi Germany (Pynchon's 'Oven State'), as US officials rounded up the Third Reich's leading V-2 scientists, the American Rocket State embarked on an upward path that would culminate in the epochal voyage of Apollo XI in 1969. Following this path, Carter gives an innovative, brilliant account of American culture and society during the Cold War. He charts the ideological and political significance of a range of phenomena, from films like High Society, Destination Moon and When Worlds Collide to John F. Kennedy's rise to power, from the emergence of a new high-tech economy fueled by the NASA-led transformation of the aerospace industry to the last flight of the space shuttle Challenger. His highly original account of the star-spangled space age sets a new standard for the study of American culture.

Taking a multi-disciplinary approach, this prize-winning author offers reflections on how the history of white racism continues to have impact on political and social life today. His previous book, "The Wages of Whiteness" won the Merle Curti Prize for Social History in 1991.

This text provides an explanation of the political correctness argument: how it emerged and how right-wing pundits have used it to undermine contemporary criticism. In a series of essays, Berube examines such issues as the current state of cultural studies and the significance of postmodernism.