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This anthology presents a collaborative interrogation at the intersection of feminist biblical studies and biblical masculinity studies. The included essays make a compelling case for both feminist and masculist readers to recognize the advantage of engaging with each other. As they join forces, they produce research that not only brings female characters, gender issues or queer interpretation histories to the forefront but also interrogates critically male characters as well as androcentric and heteronormative conventions, viewpoints and norms. Connections to geopolitical, ethno-religious and other intersectional issues are part and parcel of the diverse range of approaches.As a whole, then, the book expands the scholarly discourse from essentializing attention on 'women' or 'men' to a multifaceted (de)construction of gender that exposes gendered structures of domination in comprehensive ways. The shared goal is to halt reactionarygender discourses and to foster intersectional comprehension of texts and scholarship. Theoretical, historical, contemporary and textual considerations underscore the methodological, hermeneutical and exegetical value of this kind of work.The volume is organized into three main parts. First, 'Theoretical Considerations', presents two essays illuminating meta-level assumptions and developments when biblical scholars embrace the interrelationship of feminist and masculinity studies in their work. Second, 'Historical and Contemporary Considerations', contains three essays examining the Bible in past and present cultural contexts. Third, 'Textual Considerations', features four essays focusing on specific passages with lenses informed by masculinity and feminist studies. All nine essays, and the three responses addressing them, invite readers to understand, critique and interrupt phallogocentric assumptions in texts, interpretation histories, and research of the Hebrew Bible.

In this book, Trevaskis argues that holiness in Leviticus always has an ethical dimension, and is not simply a cultic category. Inso doing he departs from the usual view that in Leviticus 1-16 (P) holiness is largely a cultic concept. Biblical scholars have commonly read ritual texts as practical instruction or prescription, inferring the theological significance of the ritualsfrom elsewhere. For example, theological interpretations of the 'burnt offering' have been derived from its use in narrative settings (e.g. Gen. 8.20; 22.13) rather than from its legal prescription in Leviticus 1.Trevaskis, however, argues that an implicit command to be holy exists within some ritual texts in Leviticus, which are more than mere ritual prescriptions. It is in the symbolic dimensions of the rituals that the theological significance lies. In support of this argument, he undertakes exegetical studies of the 'burnt offering' (Leviticus 1), of the 'purity regulations' (Leviticus 11_15) and of the physical appearance of priests and sacrificial animals (Leviticus 21-22). These studies take place within amethodological framework that avoids capricious symbolic interpretations. Trevaskis draws on cognitive linguistic insightsto discern when a text may allude to other texts within the Pentateuch (especially Genesis 1-3), and attends to the legislator's use of various rhetorical devices (e.g. 'rhetorical progression').Since the command to 'be holy' in Leviticus 17-26 (H) only makes explicit what P leaves implicit in Leviticus 1-16, this study has important implications for the compositional history of Leviticus. It becomes much less clear that H's ethical view of holiness developed from a prophetic critique of P (as Milgrom and Knohl, for example, argue).

In this important collection of essays by the leading theorist of form, Martin Buss presents in Part I, Steps toward a New Form Criticism, several essays that view forms as complexes of relations that constitute possibilities. This relational approach to form criticism rejects, on the one hand, the idea that reality is at base only particular and, on the other hand, an essentialism that holds that forms are firmly structured and there is a single correct way to classify texts.In Part II, Interdisciplinary Ideas of Sitz im Leben, he shows how Gunkel's notion of Sitz im Leben, derived from his knowledge of other fields, made an impact on leading figures in several disciplines. They modified the notion, and their analyses became known to a number of biblical scholars. This cross-pollination introduced a new understanding of the notion of Sitz im Leben into biblical studies, which, in turn, was noted by scholars in other fields.An appendix to the volume reports relational approaches in several disciplines that provide a stimulus for relational form criticism. The volume has been edited by Nickie M. Stipe.

This fresh approach to the story of Michal, daughter of Saul and wife of David, juxtaposes three quite different interpretative methods: narratological, historical, and history of traditions. In his first chapter Bodi offers a subtle political reading of the Michal story, bringing to the fore the power-struggle between Saul and David that forms its main intrigue. Michal's personal tragedy foreshadows that of the Israelite monarchy and prefigures its end. It is a unique phenomenon in ancient Near Eastern literature that the story of a woman should serve as a means of criticizing the abuses of the monarchy and deconstructing the royal ideology. The second chapter compares the daughters of Saul and the daughters of Zimri-Lim. This eighteenth-century BCE tribal king of Mari offered his two daughters Kirum and Shimatum to the same vassal in order to be able to spy on him. Saul seems to have done something similar with his daughters Merab and Michal, both offered to David. The unhappy marriage of Kirum ended in divorce. Although the announcement of the divorce was made by her husband in a public ceremony, it was prompted by the royal princess-the first example of a divorce initiated by a woman in ancient Near Eastern texts. The third chapter explores a rich variety of rabbinic interpretations of key moments in the Michal story. Important and often little known observations are drawn from both the Talmuds and from midrashic works such as Abrabanel and anthologies like Midrash Rabbah, Yalqut Shimoni, Meam Loez and Malbim, together with the comments by Rashi and Qimhi. Both the narratological investigation and the rabbinic interpretations point to David's guilt during his dance in front of the ark. The rabbis indeed attributed the exile of the nation to David's misdeeds. A careful reading of the biblical texts dealing with the figure of David in his relationship with his first wife Michal reaches the same conclusion: He is not exactly the man he pretends to be.