Böcker i Italian and Italian American Studies-serien

This volume investigates the ways in which Italian women writers, filmmakers, and performers have represented female identity across genres from the immediate post-World War II period to the turn of the twenty-first century.

Mining Italian, German and Russian sources, he examines the history of the Italian campaign in the East between 1941 and 1943, as well as how the campaign was remembered and memorialized in the domestic and international arena during the Cold War.

Italian intellectuals played an important role in the shaping of international politics during the Cold War. This volume marks one of the first serious attempts to assess how Italian intellectuals understood and influenced Italy's place in the post-World War II world.

This book sheds new light on the role of the military in Italian society and culture during war and peacetime by bringing together a whole host of contributors across the interdisciplinary spectrum of Italian Studies.

Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy's musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945.

"This book examines how a group of transnational British-Italian women affiliated with the exiled patriots of the Italian Left repurposed traditionally feminine activities, such as fundraising, gift-giving, maternity, and memory collection, to make a substantial contribution to Italian Unification and state-building.

This book examines the historical process that led to the foundation of the Italian Republic and its constitution, viewed through the personal experiences and political reflections of Adriano Olivetti (between 1919 and 1960), general manager and president of the well-known typewriter manufacturer "Ing.

Twentieth-century Italian poetry is haunted by countless ghosts and shadows from opera. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms.

This book investigates the representation of the Axis War - the wars of aggression that Fascist Italy fought in North Africa, Greece, the Soviet Union, and the Balkans, from 1940 to 1943 - in three decades of Italian literature.

This book investigates the narrative of nationhood during the Italian Risorgimento and its ability to reach a new and wider audience.

This book analyzes the spread of American female consumer culture to Italy and its influence on Italian women in the postwar and Cold War periods, eras marked by the political, economic, social, and cultural battle between the United States and Soviet Union.

As humans re-negotiate their boundaries with the nonhuman world of animals,inanimate entities and technological artefacts, new identities are formed and anew epistemological and ethical approach to reality is needed.

This book sheds new light on the role of the military in Italian society and culture during war and peacetime by bringing together a whole host of contributors across the interdisciplinary spectrum of Italian Studies.

This book is the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians and composers in Fascist Italy. Drawing together seven diverse essays from both established and emerging scholars across a range of fields, this book examines multiple aspects of this neglected period of music history, including the marginalization and expulsion of Jewish musicians and composers from Italian theatres and conservatories after the 1938¿39 Race Laws, and their subsequent exile and persecution. Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy¿s musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945. These original contributions on relatively unresearched aspects of historical musicology offer new insight into the relationship between the Fascist regime and music.

This book investigates the representation of the Axis War - the wars of aggression that Fascist Italy fought in North Africa, Greece, the Soviet Union, and the Balkans, from 1940 to 1943 - in three decades of Italian literature. Building on an innovative and interdisciplinary methodology, which combines memory studies, historiography, thematic criticism, and narratology, this book explores the main topoi, themes, and masterplots of an extensive corpus of novels and memoirs to assess the contribution of literature to the reshaping of Italian memory and identity after the end of Fascism. By exploring the influence that public memory exercises on literary depictions and, in return, the contribution of literary texts to the formation and dissemination of a discourse about the past, the book examines to what extent Italian literature helped readers form an ethical awareness of the crimes committed by members of their national community during World War II.

This book proposes a significant new interpretation of the relations between Italian partisans and British forces during the Italian campaign of 1943-1945. The core of the argument challenges many assumptions that are today still present both in Italian and in the Anglophone historiography on the subject. In current historiography, the debate is still ongoing as to whether the British were a hostile force to the Italian Resistance, trying to weaken it to better control it, or a genuine and committed ally. Instead of a clear-cut and artificial dichotomy between the 'Italians' and the 'British' this book posits the idea that lines were often blurred, and relations existed on a scale that included lots of grey and overlapping areas. Thanks to an original approach that examines the Italo-British interaction from a point of view as close as possible to the ¿action¿, it proposes a new interpretation based on the way the British image was cast in Italy. Politics is left in the background in favour of an analysis of the concrete problems and difficulties that Italians and the British had to face when working together and how these processes influenced the image of Great Britain in Italy in the following decades. This produces a final interpretation that enriches current historiography and pushes forward our understanding of the relationship between Italian partisans and British forces.

Gaetano Salvemini (1873 ¿ 1957), one of the most influential Italian intellectuals of his generation, was an historian, a professor, and a tireless anti-fascist who mentored a new generation of young intellectuals and political activists, such as Piero Gobetti, Ernesto Rossi, and Carlo & Nello Rosselli. After losing his wife and children in the 1908 Messina earthquake, Salvemini began a new family with his second wife, Fernande Dauriac, and her two children, Jean and Ghita. Yet, despite its marked influence on his life and politics, Salvemini¿s second family and its involvement with fascism has never been studied before. By exploiting hitherto unused archival sources, The Inimical Son explores an until-now little known dimension of Salvemini's life; it uncovers the personal costs of his anti-fascism, including the tragic embrace of fascism by his stepson, Jean Luchaire.

This book examines how Italian Americans have been represented in cinema, from the depiction of Italian migration in New Orleans in the 1890s (Vendetta) to the transition from first- to second-generation immigrants (Ask the Dust), and from the establishment of the stereotype of the Italian American gangster (Little Caesar, Scarface) to its re-definition (Mean Streets), along with a peculiar depiction of Italian American masculinity (Marty, Raging Bull). For many years, Italian migration studies in the United States have commented on the way cinema contributed to the creation of an identifiable Italian American identity. More recently, scholars have recognized the existence of a more nuanced plurality of Italian American identities that reflects social and historical elements, class backgrounds, and the relationship with other ethnic minorities. The second part of the book challenges the most common stereotypes of Italian Americanness: food (BigNight) and Mafia, deconstructing the criminal tropes that have contributed to shaping the perception of Italian-American mafiosi in The Funeral, Goodfellas, Donnie Brasco, and the first two chapters of the Godfather trilogy. At the crossroads of the fields of Italian Culture, Italian American Culture, Film Studies, and Migration Studies, Italian Americans in Film is written not only for undergraduate and graduate students but also for scholars who teach courses on Italian American Cinema and Visual Culture.

This book examines how Lampedusa, Italy¿s southernmost island, has become a transnational symbol representing migration to Europe from the Global South. It analyses how three very different associations have used the name ¿Lampedusä as a means of restoring a sense of subjectivity or agency to migrants themselves. Jacopo Colombini argues that the work of the Archivio delle Memorie Migranti (Rome), the self-organised refugee group Lampedusa in Hamburg, and the Lampedusa-based Collettivo Askavusa offers an alternative to the stereotypical, often racially connoted, public discussion of migrant presence in Italy and Europe. He also demonstrates, however, that the marginalisation of migrant and refugee voices in the public discourse is also partially and unavoidably reproduced in the cultural projects that wish to restore their agency.