Böcker i Katherine Mansfield Studies-serien

Explores the literary connection between Katherine Mansfield and Elizabeth von ArnimElizabeth von Arnim is best remembered as the author of Elizabeth and Her German Garden (1898) and The Enchanted April (1922), as well as being the elder cousin of Katherine Mansfield. Recently, new research into the complex relationship between these writers has extended our understanding of the familial, personal and literary connections between these unlikely friends. We know that they were an influential presence on one another and reviewed each other's work.By bringing the work of Mansfield and von Arnim together - including on matters of artistry, on mourning, on gardens, on female resistance - this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period. It also deepens our understanding of the historical and literary contexts within which both of these extraordinary authors worked.

Presents cutting-edge criticism on the theme of Katherine Mansfield and children What Virginia Woolf called 'Childlikeness' is a facet of Mansfield's personality which permeates every aspect of her personal and creative life. It is present in her mature fiction, where some of her most well-known and accomplished stories, such as 'Prelude' and 'At the Bay', have children as protagonists. It is present in her early poetry, which includes a collection of poems for children intended for publication and it is also present in her juvenilia, where many of the stories she wrote from an early age for school magazines and other publications, feature children. Even as an adult, Mansfield's love of the miniature, her delight in children in general, her fascination with dolls, all feature in her personal writing. Her relationship with John Middleton Murry was characterised by their mutual descriptions of themselves as little children fighting against a corrupt world. Including a newly discovered short story potentially by Mansfield, with an explanatory essay, this volume engages each of these aspects of the child in Mansfield's work and life. Gerri Kimber is Visiting Professor in English at the University of Northampton. Todd Martin is Professor of English at Huntington University and the President of the Katherine Mansfield Society.

The last collection of short stories published in her lifetime, The Garden Party and Other Stories would solidify Katherine Mansfield's place as the most prominent modernist short story writer of her generation.

These comparative essays explore the shared terrain of these modernist women writers and shed new light on their 'curious & thrilling' literary relationship.

Explores the literary connection between Katherine Mansfield and Elizabeth von Arnim Elizabeth von Arnim is best remembered as the author of Elizabeth and Her German Garden (1898) and The Enchanted April (1922), as well as being the elder cousin of Katherine Mansfield. Recently, new research into the complex relationship between these writers has extended our understanding of the familial, personal and literary connections between these unlikely friends. We know that they were an influential presence on one another and reviewed each other's work. By bringing the work of Mansfield and von Arnim together - including on matters of artistry, on mourning, on gardens, on female resistance - this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period. It also deepens our understanding of the historical and literary contexts within which both of these extraordinary authors worked.Gerri Kimber is Visiting Professor in English at the University of Northampton, and Chair of the Katherine Mansfield Society.Isobel Maddison is Fellow of Lucy Cavendish College, University of Cambridge.Todd Martin is Professor of English at Huntington University.

These comparative essays explore the shared terrain of these modernist women writers and shed new light on their 'curious & thrilling' literary relationship.

Examines Katherine Mansfield's engagement with the First World War and its impact on her writings. Offering new readings of Mansfield's explicit and implicit war stories, this book features contributions that refine and extend our knowledge of particular stories and their genealogy.

Addresses issues raised by Katherine Mansfield's nomadic rootlessness as an 'extraterritorial' writer, her constant movement between European countries, her impetuosity about travel, and her volatility towards states of home and belonging. In this book, Mansfield's writing is repositioned as both postcolonial and diasporic.