How global biotechnology is redefining "life itself."
Tracing the connections-both visual and philosophical-between new media art and classical Islamic art.
An argument that video is not merely an intermediate stage between analog and digital but a medium in its own right; traces the theoretical genealogy of video and examines the different concepts of video seen in works by Vito Acconci, Ulrike Rosenbach, Steina and Woody Vasulka, and others.
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