Böcker i Michigan Monograph Series in Japanese Studies-serien

Six short stories by Tanizaki Jun'ichiro (1886-1965), capturing the breadth of his literary oeuvre

In the 1960s, Suzuki Seijun met with modest success in directing popular movies about yakuza gangsters and mild exploitation films featuring prostitutes and teenage rebels. In this book, Peter Yacavone argues that Suzuki became an unlikely cinematic rebel and, with hindsight, one of the most important voices in the global cinema of the 1960s.

A unique document that opens a window onto the world of Buddhist religious experience - especially for women - in high classical Japan, the time of Sei Shonagon's Pillow Book and Murasaki Shikibu's Tale of Genji.

Yosano Akiko has long been recognised as one of the most important literary figures of prewar Japan. Her renown derives principally from the passion of her early poetry and from her contributions to 20th-century debates about women. This study shows that facile descriptions of Akiko as a 'poetess of passion' or 'new woman' no longer suffice.

Examining the pivotal relationship between Japan and Southeast Asia, as it has changed and endured into the Indo-Pacific Era

In his posthumous autobiography, Watakushi no eiga jinsei (1984), Yamamoto reflects on his career and legacy: beginning in the prewar days as an assistant director under the master Naruse Mikio, to his wide-ranging experiences as a filmmaker, including his struggles as an independent filmmaker in the 1950s and 1960s before returning to work within the mainstream industry.

Kurihara Sadako was born in Hiroshima in 1913, and she was there on August 6, 1945. Already a poet before she experienced the atomic bombing of Hiroshima, she used her poetic talents to describe the blast and its aftermath. In 1946 she published Kuroi tamago (Black Eggs), poems from before, during, and immediately after the war.

Explores the arguments for and against coeducation, as presented in newspaper and magazine articles, cartoons, student-authored school newsletters, and roundtable discussions published in the Japanese press, as these reforms were being implemented in the post-World War II era.

Why do Japanese women enjoy a high sense of well-being in a context of high inequality? Beyond the Gender Gap in Japan brings together researchers from across the social sciences to investigate this question.

Sheds light on the sources of power for three prominent women of the Meiji period: Meiji Empress Haruko; public speaker, poet, and diarist Nakajima Shoen; and educator and prolific author Shimoda Utako.

In Childhood Years, originally published serially in a literary magazine between 1955 and 1956, Tanizaki Jun'ichiro (1886-1965) takes a meandering look back on his early life in Tokyo. He reflects on his upbringing, family, and the capital city with a conversational-and not necessarily honest-eye, offering insights into his later life and his writing.

Provides previously unpublished memories, anecdotes, and insights into the lives, opinions, personalities, and writings of the great novelist Tanizaki Jun'ichiro (1886-1965) and his wife Matsuko (1903-1991), gleaned from the diaries of Edward Seidensticker and two decades of Anthony Chambers"s conversations with Mrs. Tanizaki and others who were close to the Tanizaki family.

The Allied Occupation of Japan brought an influx of African American soldiers and culture to Japan, which catalyzed the writing of black characters into postwar Japanese literature. This book considers the literature engendered by postwar Japanese authors' robust cultural exchanges with African Americans and African American literature.

How does mourning emerge to reshape Japanese visual culture? Textures of Mourning addresses this question by examining engrossing literary and visual portrayals of death and its aftermath from The Tale of Genji and its adaptations.

Tanizaki Jun'ichir? (1886-1965), the author of Naomi; A Cat, a Man, and Two Women and The Makioka Sisters, was one of the great writers of the twentieth century. The four stories in this volume date from the first and second decades of Tanizaki's long career and reflect themes that appear throughout his work.