Böcker i Mint Editions--Women Writers-serien

Flame and Shadow (1920) is a poetry collection by Sara Teasdale. The poet's fifth collection, published two years after she won the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, death, and the natural world. Somber and celebratory, symbolic and grounded in experience, Flame and Shadow revels in the mystery of existence itself. "What do I care, in the dreams and the languor of spring, / That my songs do not show me at all?" Content to depict the rhythms of nature, the songs of birds, and "the silver light after a storm," Teasdale's poetry dissolves the poet's ego in order to access a deeper well of creative energy: "For my mind is proud and strong enough to be silent, / It is my heart that makes my songs, not I." In "There Will Come Soft Rains," a poem born from a decade of war and widespread disease, Teasdale imagines a posthuman world where beauty and harmony continue despite our disappearance: "Robins will wear their feathery fire / Whistling their whims on a low fence-wire; And not one will know of the war..." For Teasdale, a poet who merges an abiding affection for flora and fauna with a critical distance from human affairs, the belief in the life of the world, with or without us, is enough. With a beautifully designed cover and professionally typeset manuscript, this edition of Sara Teasdale's Flame and Shadow is a classic work of American poetry reimagined for modern readers.

A teenager is seduced by a charming solider who abandons her in a foreign country. Charlotte Temple, by Susanna Rowson, is a tragic story about a young girl left to fend for herself in America. The book was originally published in England in 1791 and the U.S. in 1794.

Seduced by a handsome English soldier, Charlotte abandons everything she has known to travel to America. When they get there, he loses interest in the young girl, leaving her to fend for herself in New York City. When she succumbs to illness and poverty, she leaves a young daughter behind. Lucy Temple is a novel by Susanna Rowson.

¿Wild flight on flight against the fading dawn / The flames' red wings soar upward duskily. / This is the funeral pyre and Troy is dead¿¿ Voicing the thoughts of Helen, a woman blamed throughout history for the violence of men, Teasdale explores her guilt and legendary beauty. Helen of Troy and Other Poems is a poetry collection by Sara Teasdale.

Syrena Tricksy has one dream and one dream only: to raise herself from her working-class roots and become an English noblewoman. Despite her beauty, charm, and wit, her best laid plans go frequently awry. Written in response to Samuel Richardson¿s Pamela; Or, Virtue Rewarded, Eliza Haywood¿s The Anti-Pamela: Or, Feign'd Innocence Detected is a story of identity and desire.

This Is the End (1917) is a novel by Stella Benson. Based on the author's experience in the movement for women's suffrage, This Is the End is a story of identity and social class set in the London neighborhood of Hackney. As Jay attempts to break from her restrictive past, her brother Kew returns from the First World War scarred by his experiences and disillusioned with life at home. Benson's meditative, diaristic prose guides the reader along the paths of change and confrontation faced by her protagonists, immersing them in the tumultuous decade in which the novel was written. "This is the end, for the moment, of all my thinking, this is my unfinal conclusion. There is no reason in tangible things, and no system in the ordinary ways of the world. Hands were made to grope, and feet to stumble, and the only things you may count on are the unaccountable things. System is a fairy and a dream, you never find system where or when you expect it. There are no reasons except reasons you and I don't know." Guided by a philosophical sense of the world, Jay-formerly Jane Elizabeth-longs to escape the confines of her life in the countryside. Without telling her family, she leaves for London and adopts a new identity, exposing herself for the first time in her life to the rhythms of working-class existence. When her brother Kew returns from the Great War and fails to find her at home, he comes to the city in search of his sister. Bonded by tragedy, the two orphans grow to respect one another as adults, both of them scarred in their own way by the expectations placed on young men and women in a decade of tremendous cultural change. With a beautifully designed cover and professionally typeset manuscript, this edition of Stella Benson's This Is the End is a classic work of British literature reimagined for modern readers.

Rivers to the Sea (1915) is a poetry collection by Sara Teasdale. The poet's third collection, published several years before she was awarded the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, romance, and the natural world. Somber and celebratory, symbolic and grounded in experience, Rivers to the Sea revels in the mystery of existence itself. "The park is filled with night and fog, / The veils are drawn about the world, / The drowsy lights along the paths / Are dim and pearled." "Spring Night," the collection's opening poem, begins in quiet reverie, its speaker appreciating the beauty and mystery of a silent world while suffering from heartache and uncertainty: "Oh, is it not enough to be / Here with this beauty over me? / My throat should ache with praise, and I / Should kneel in joy beneath the sky. / Oh, beauty are you not enough?" A lyric poet to her core, Teasdale explores the highs and lows of love in her own life and in the lives of strangers. Personal and communal, public and private, her work is a testament to a life spent in observance. For Teasdale, a poet who merges an abiding affection for flora and fauna with a critical distance from human affairs, the belief in the life of the world, with or without us, is enough. With a beautifully designed cover and professionally typeset manuscript, this edition of Sara Teasdale's Rivers to the Sea is a classic work of American poetry reimagined for modern readers.

Idalia: Or, The Unfortunate Mistress (1723) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of villainous men. Idalia: Or, The Unfortunate Mistress is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Idalia is a young woman at the center of Venetian social life. Having lost her mother at a young age, she lacks the guidance necessary for navigating the world of courtship. When her father rejects her suitor Florez, a handsome, rakish man, Idalia turns her attentions to Don Ferdinand, with whom she maintains a steady correspondence. When his friend Henriquez falls in love with her, the two men decide to fight for Idalia's affections. Their duel ends in death for both men, leaving Idalia to turn her attentions elsewhere. Soon, she attempts to enter a convent in order to live chastely, beyond the reach of men. But the world has other plans. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's Idalia: Or, The Unfortunate Mistress is a classic of English literature reimagined for modern readers.

Conquest: Or, A Piece of Jade (1917) is a drama in three acts by Marie Stopes. Although Stopes is more widely known as the author of Married Love or Love in Marriage, a bestselling work on contraception that guided generations of men and woman on how to nurture happy, healthy sexual relationships, she was also a gifted playwright and poet. Conquest: Or, A Piece of Jade, set in rural New Zealand and London, investigates themes of colonialism, pacifism, and romance. "But I answer you lads, what language do we speak? English! What race are we? Britons! Why, lads, the British over there aren't as British as we are; They are English and Scotch and Irish and Welsh-but what are we? All these British strains mixed! Most of us have some Scotch blood and some English blood and some Irish blood mixed in our veins, many of us have been to other parts of Britain and got a touch of Canada, or Australia, or South Africa into us." While working on their sheep farm in rural New Zealand, Gordon and Robert Hyde are visited by a military recruiter sent to gather men for the fight against Germany. Despite his patriotic fervor, Gordon is denied enlistment because of a pronounced limp. Left behind, emasculated and overwhelmed with guilt, he turns away from his romantic pursuit of Nora Lee to devote himself to political theory. Writing up plans for an international super-parliament with the help of Nora's cousin Loveday, Gordon dreams of presenting his ideas to the British government. With a beautifully designed cover and professionally typeset manuscript, this edition of Marie Stopes' Conquest: Or, A Piece of Jade is a classic of British scientific literature reimagined for modern readers.

Women Are People! (1917) is a collection of poems by Alice Duer Miller. Inspired by her work as an activist for women's suffrage, Miller published many of these poems individually in the New York Tribune before compiling them into this larger work. Focusing on the opposition of politicians and citizens alike, Miller makes a compelling and frequently hilarious case for the extension of voting rights to women across the nation. With her keen eye for hypocrisy and even keener ear for the rhythms of the English language, Alice Miller Duer crafts a poetry both personal and political. In "Liberty," she lampoons the hypocrisy of men who praise the goddess of Liberty while denying women access to basic human rights: "O Liberty, how many men there are / Who do you honour in a flowing phrase, / In martial measures and in patriot lays, / Invoking you as a goddess and as star/ [...] / But when you first approach them, when you turn / On their pale eyes your eyes' unwavering light, / [...] / They fly before you, crying in their fright: / 'Arrest this wild-eyed jade! Police! Police!'" In these lighthearted lines, Miller satirizes the exclusion of women from American democracy. Succinctly and convincingly, with humor and with lyric grace, Miller makes her case for suffrage and the rights of women very clear. As she expresses in her ironic title, women are indeed people-despite the lengths to which they must repeatedly go to prove it. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Duer Miller's Women Are People! is a classic of American literature reimagined for modern readers.