Offers a probing examination of how the writing of sexual love undergoes a radical revision by avant-garde poets in the twentieth and twenty-first centuries. Jeanne Heuving claims that a key achievement of poetry by Ezra Pound, H.D., Robert Duncan, and others lies significantly in their engagement with the synergistic relations between being in love and writing love.
Explores "archaeological poetry", ground-breaking and experimental writing by innovative poets whose work opens up broad new avenues by which contemporary readers may approach the past, illuminating the dense web of interconnections often lost in traditional historiography.
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