Böcker i Modern Plays-serien

Amidst the filth and fury of Dublin 1904, the theatrical event of the century is about to explode... Will the Irish National Theatre of Ireland seize its chance for glory? This work is a gleefully innovative look at Dublin's lurid past, a rampant piece of story theatre that has delighted critics and audiences alike during its tour of Ireland.

Features two plays: "By a Thread" explores the immediate experience of adolescent insecurity and issues of responsibility, love, jealousy and death; and "The Raft" - produced by BBC Radio 4 - offers a moving and daring exploration of a young mother's struggle to survive the desolation of prison and separation from her son.

Opening at Soho Theatre, London, in September 2007 in a co-production with Talawa Theatre Company, Pure Gold is the debut work by Michael Bhim, winner of the Alfred Fagon Award.

Stark and imperative, but shot through with a sense of warm humanity, Beth Steel's debut play Ditch is a clear-eyed look at how we might behave when the conveniences of our civilisation are taken away, and a frightening vision of a future that could all too easily be ours.

In The Trial of Ubu, Simon Stephens takes the grotesque and amoral megalomaniac dictator from Alfred Jarry's proto-surrealist 1896 play Ubu Roi and places him before a twenty-first century international tribunal. Set in January 2010, at the International Criminal Tribunal sitting in The Hague, it is day 436 of the trial of the dictator Ubu. Sitting before a UN constituted International Tribunal, he is charged with Crimes against Humanity and other serious violations of international humanitarian law. Simon Stephens' virtuosic satire examines the often absurd legal wrangling of the international justice system. The Trial of Ubu is a savage comedy that interrogates the assumptions of a Court as it struggles to deal with defendants who are not only opposed to the morality of law, but exist in a different moral dimension altogether.Exploring the central legitimacy and effectiveness of international law, Stephens asks how a civilised society can deal with the perpetrators of unspeakable crime, and wherein lies the legitimacy of any internationally convened tribunal. Taking a wry and intelligent look at the international courts when reduced to senseless and convoluted legal altercations, this funny yet unsettling play asks important questions about legal against moral justice, and the futility of reasoned argument in the presence of a heinous malefactor.

Sharp, thoughtful and mysterious, How the World Began is a powerful story about an outsider in a close-knit, devastated community. Looking at the tension between secular religion and evolution, and how this is taught in schools, this provocative, intelligent play explores the clash between faith and science.

An inventive take on the classic myth, Eurydice is by the highly-acclaimed US playwright Sarah Ruhl and includes magical, dreamlike surrealism, lyrical beauty and heart-rending pathos.

A contemporary political play exploring race, identity and the concept of home, by Olivier Award-winning playwright Bola Agbaje.

Adapted for the stage by the author, Takin' Over the Asylum is a hilarious, updated and profoundly moving adaptation of Donna Franceschild's Bafta-winning BBC TV-series. Set in a Scottish mental institution, the play reveals hope and joy in the fragile beauty of the human heart. When Ready Eddie McKenna, Soul Survivor and double glazing salesman, arrives to reinvigorate St Jude's defunct hospital radio station he turns more than the ramshackle station upside down. The whisky drinking would-be DJ meets the 19-year-old bipolar Campbell, schizophrenic electronic genius Fergus, OCD Rosalie and the elusive self-harming Francine. Fighting against illness and perception Eddie and the patients of St Jude's strive for their dreams to be accepted.

'I missed first time. I could feel his skull caving in. It was like a shell.' Morning - a play for young people - is the latest offering from acclaimed playwright Simon Stephens, written after a workshop involving actors from the Young Company at the Lyric, Hammersmith and the Theater, Basel, Switzerland.It's the end of summer in a small, claustrophobic town and two friends are about to go their separate ways: one to university; the other will be staying local. But no matter what separates them, they will always share one moment: a moment that changed them forever. This dark coming-of-age play, to be performed by the Lyric Young Company, is a disturbing look at the cruel acts we are capable of committing; our society's numbness to physical pain; and the consequences of our actions.This programme text will coincide with the Lyric's production of the play at the Traverse Theatre, Edinburgh as part of the Festival (2 - 22nd September) followed by a brief run at the Lyric Hammersmith, London in September.

Vincent Woods's poetic retelling of the Classic Irish story of Deirdre and the Sons of Usna - a story of love, hatred and revenge - transforms this timeless story into a compelling contemporary drama. Published to tie-in with the world premiere at the Abbey Theatre, Dublin, in June 2005.

Set in a modern-day courtroom in New York during a week when there are Middle East peace talks being brokered in town. This humorous play is a courtroom farce which lampoons the American judicial system and exposes the hypocrisy surrounding personal prejudices and political correctness.

This boisterous and comic new play from Levi David Addai (93.2FM) looks beyond the glossy facade of the high street at the stories and ambitions of the workers within.

Published to tie in with the revival of this classic play by Harley Granville-Barker at the Almeida Theatre, 25 Sept - 15 Nov.

Set on the eve of the Thatcher victory, this new edition of Keeffe's classic, harrowing play coincides with the general election of 2010 and asks what's changed.

The Boy on the Swing is essentially a black comedy that confronts the power of a corpororation to brainwash and destroy an individual through the manipulation of emotions, beliefs and the truth. Joe Harbot's play is a brilliant tale of one such individual who ends up entwined in a series of dark power games.

He wants me to fuck about with paper clips in some office with a smile on my face, fuck him . . . but there''s just one thing I''ve got to take care of first. I''ve got to do something to make this right.Four years on from the collapse of the Lehman Brothers and still we find ourselves in crisis. It''s time to work out what''s wrong. It''s time to look at the heart of the system.You Can Still Make A Killing is the story of the normal men and women who fill the City''s institutions, of a world radically altered when right became wrong, and of the private worlds that fall apart when there are no alternatives in sight. This production reunites director Matthew Dunster with playwright Nicholas Pierpan, following their collaboration in 2010 on Pierpan''s play The Maddening Rain (Old Red Lion and Soho Theatre). The cast includes Alecky Blythe (writer of London Road), which marks her much-anticipated return to acting, and Kellie Bright (Love and Money, Royal Exchange and Young Vic). It will run at the Southwark Playhouse in its main house (which holds 150 seats) from 10 October until 3 November 2012. A German production will open at Theatre Ulm in April, 2013.

A strongly issue-led play, Burning Monkey relates the story of a teenage couple and their interactions with an older war veteran, trying to rebuild his fractured relationship with his daughter. While their exchanges initially show a hostile and unsympathetic clash of generations, it soon becomes apparent that they share similar pain - based on their damaged family relationships, and absent parents/children - and they begin to feel empathy for one another's plight. In the background, the presence of war looms; the character of Old is haunted by memories of his time as a soldier and the character of Monkey looks forward to a time when he can escape the depressing realities of his life and join the army. In the midst of this, Shell is fifteen, madly in love with Monkey, and pregnant with his child. Her attempts to try and make the irresponsible, immature Monkey stay with her become increasingly desperate. Burning Monkey is a play that raises important issues for teenagers, addressing themes such as war, violence, separated families and responsibility.

We're supposed to be having a party. It's s'posed to be fun. This is my house, and when I say everybody have fun, then everybody have fun.Thatcher's Britain - Brixton, 1981. As tensions mount on the streets, in the safety of their home, a group of Oxford University graduates barely notice what's happening on the streets outside as police and rioters clash, shops are looted, and buildings are set on fire. In both worlds there is a fight for rights... a fight for respect ... a fight for control. Who will win? Who will lose? Who will make the strongest cocktail? And when the dust finally settles the question remains... Will things ever change? Hard Feelings was first staged at the Oxford Playhouse in 1982 before transferring to the Bush Theatre in 1983, directed by Mike Bradwell. It was later broadcast as a BBC Play for Today. Hard Feelings was revived by Defibrillator Productions in a production at the Finborough Theatre in 2013.

An Englishman, a Northern Irishman, a Scotsman and a Welshman walked into a recording studio and created The Union. Commercially successful and critically acclaimed, the pioneering indie rock band is now on the verge of breaking up.When financial disaster strikes and Scottish guitarist Barry leaves the band, artistic differences go head to head with alliances that run deep, can The Union survive?With live music from a four-piece ensemble, I'm With the Band is a witty and timely response to our changing political landscape.

It was a very hot day - dazzling sunshine! - and Mum - she was wiping sweat from her neck. No, not wiping. Dabbing . . . Dab . . . Dab. Mum was a beauty. Not like me. And don't tell me I am because you'll be lying and I won't thank you for it. Not today. Not when this whole thing - us, here - is about me telling the truth. The latest from Philip Ridley is a beautiful, breathtaking new drama about one girl's craving for family and home, and the lengths she will go to achieve them. Dark Vanilla Jungle embarked on a national tour of Great Britain in spring 2014.This edition also features a selection of previously unpublished monologues by Philip Ridley alongside the play.

We're just the least lucky girls in all the world. All three of us. You and me and Ruthy have been given a big sad spoon of bad luck. A girl growing up in a battered part of Stockport in a battered time at the end of the Seventies falls in love with the man who will break her heart into a thousand pieces. Blindsided is a surprising and romantic play about warped love, jealousy, and damaged lives, spanning from the beginnings of the Thatcher Government in 1979 to the birth of New Labour in 1997.This edition features an introduction by Dr Jacqueline Bolton.

Women are running for president. Men are exfoliating. It''s all jumbled: you can''t read the signs.Can any woman have it all? After university Catherine and Gwen chose opposite paths: Catherine built a career as a rock-star academic, while Gwen built a home with a husband and children. Decades later, unfulfilled in opposite ways, each woman covets the other''s life, and a dangerous game begins as each tries to claim the other''s territory. Sparks fly and the age-old question arises: what do women really want?Gina Gionfriddo dissects modern gender politics in this breathtakingly witty and virtuosic comedy, set in a small New England college town. Traversing the experiences of women across the generations, this play is a hugely entertaining exploration of a new style of feminism, ripe for the twenty-first century.Rapture, Blister, Burn was commissioned by Playwrights Horizons, where it premiered, with funds from the Harold and Mim Steinberg Charitable Trust. It received its UK premiere at the Hampstead Theatre, London, in January 2014.

One day you''re you. The next you''re - I can''t even say the word. Dembe and Sam have been seeing each other for a while. They should be wondering where this is going and when to introduce each other to their families. But they''re gay and this is Uganda. The consequences of their relationship being discovered will be violent and explosive. Especially for Dembe, whose brother goes into the pulpit each week to denounce the evils of one man loving another.A Bruntwood Prize for Playwriting winner in 2013, The Rolling Stone received its world premiere at the Royal Exchange, Manchester, on 21 April 2015.

'I wasn't throwing up. I was dying. I was very ill . . . And do you know what? In the middle of all that . . . malaise, I remember thinking "This is what it's like to be married." But I'd do it again'An elderly couple sit in a dark room in their house, doing the crossword, taking their tablets and knitting, all the while raking over a traumatic past that has all but destroyed them.Conservatory is a compelling play about loss and family which shows that happiness is not a necessary condition of togetherness. It premiered at the Abbey Theatre, Dublin, in March 2014.

Everything can be quantified. All worth can be quantified. Artistic worth. Human worth. Material worth. Everything. Some food is simply better than other food. Isn't it? Some clothes are better than other clothes. Aren't they?The last week of a massive international tour and rock star Paul is at the height of his fame. Everybody knows his name. Whatever he wants he can have. He can screw anybody he wants to. He can buy anything he desires. He can eat anything. Drink anything. Smoke anything. Go anywhere. As the inevitability of the end of the road looms closer and a return home becomes a reality, for Paul the music is starting to jar.Birdland received its world premiere at the Royal Court Theatre Downstairs on 3 April 2014.

In Nigeria, a frightened child puts an old roll of film into the hands of Dublin-bound teacher Sister Martha. In Dublin, ex-con Larry, with a wounded backside, has to get out of the city to rob a convent. Meanwhile, Scarab Oil plans to unleash its new clean fuel of the future. The film roll Martha is carrying attracts the urgent interest of some very powerful and ambitious people.A play written for two actors and filled with memorable characters, Little Thing, Big Thing is the latest production from the innovative and outstanding Irish theatre company Fishamble.

They call it a civil war, but there is nothing civil in this. Nothing civil at all. They came from Damascus, from Halab, from Banias where the bombs fall day and night and the wounded children look like sleeping angels. Now they live in camps and abandoned buildings in Lebanon or Jordan. Now Syria is just a distant memory, a home forever lost.This urgent and extraordinary play explores the crisis in Syria through the stories of its two million refugees. Oh My Sweet Land received its UK premiere at the Young Vic Theatre, London, on 9 April 2014.

A modern parable set against the backdrop of the first Old Firm clash of the season. Funny, hard-hitting and thought-provoking, the second edition of Scarfed for Life tells the story of two teenage friends caught in the crossfire of polite suburban prejudice and garden equipment. Ideal for secondary school students, the play draws on what sectarianism and prejudice actually mean to young Glaswegians, and how it affects them and their peers. Scarfed for Life is a hard-hitting play based on the experiences of discrimination and prejudice among the young people of Glasgow.The play toured secondary schools in Scotland in 2011 and Scottish prisons in 2013. The language in this edition has been revised specifically with school-age students in mind, and is an ideal, issue-led play for students 14+.