Böcker i Monografias A-serien

The essays in this volume cover lyric, hagiography, clerical verse narrative, frontier balladry, historical and codicological studies, and include the draft of an unpublished essay found amongst Professor Deyermond's papers.Professor Alan Deyermond was one of the leading British Hispanists of the last fifty years, whose work had a formative influence on medieval Hispanic studies around the world. There were several tributes to his work published during his lifetime, and it is fitting that this one, in his memory, should be produced by Tamesis, the publishing house that he helped establish and to which he contributed so much as author and editor right up to his death. The contributors to this volume are some of Professor Deyermond's former colleagues, doctoral students, and members of the Medieval Hispanic Research Seminar. Given Professor Deyermond's breadth of expertise, the span of the essays is appropriately wide, ranging chronologically from the thirteenth to the sixteenth century, and covering lyric, hagiography, clerical verse narrative, frontier balladry, historical and codicological studies. The volume opens with a personal memoir of her father by Ruth Deyermond, and closes with the draft of an unpublished essay found amongst Professor Deyermond's papers, and edited by his literary executor, Professor David Hook. Andrew M. Beresfordis Reader and Head of Hispanic Studies at the University of Durham. Louise M. Haywood is Reader in Medieval Iberian Literary and Cultural Studies, and Head of the Department of Spanish and Portuguese at the University of Cambridge. Julian Weiss is Professor of Medieval & Early Modern Hispanic Studies at King's College London.

Eighteen short essays by the most distinguished international scholars examine Pessoa's influences, his dialogues with other writers and artistic movements, and the responses his work has generated worldwide.Portuguese writer Fernando Pessoa claimed that he did not evolve, but rather travelled. This book provides a state of the art panorama of Pessoa's literary travels, particularly in the English-speaking world. Its eighteen short, jargon-free essays were written by the most distinguished Pessoa scholars across the globe. They explore the influence on Pessoa's thinking of such writers as Whitman and Shakespeare, as well as his creative dialogues with figuresranging from decadent poets to the dark magician Aleister Crowley, and, finally, some of the ways in which he in turn has influenced others. They examine many different aspects of Pessoa's work, ranging from the poetry of the heteronyms to the haunting prose of The Book of Disquiet, from esoteric writings to personal letters, from reading notes to unpublished texts. Fernando Pessoa's Modernity Without Frontiers is a valuable introduction to this multifaceted modern master, intended for both students of modern literature and general readers interested in one of its major figures.

This collection of original essays focuses on the cross-currents and points of contact among Spain, Portugal and Latin America and their impact on the regions' film industries.This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere. Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds

Focusses on the years that Eca de Queiros lived in Paris and shows how the periodicals he conceived and edited were modeled on dozens of Victorian and American publications.Eca de Queiros' work has primarily been studied within the context of French literature and culture. This book presents a different Eca. Focusing on the years that he lived in Paris, it demonstrates how the periodicals he himselfconceived and edited were modeled on dozens of Victorian ones such as the Contemporary Review, the Review of Reviews or the Idler, as well as on some American ones such as the Forum, the Arena, and the North American Review. This book shows us an Eca who is undeniably an Anglophile, an Eca long seduced by the diversity and originality of English thought, an Eca increasingly distant from the French cultural model which had marked his education. Teresa Pinto Coelho is Full Professor and Chair in Anglo-Portuguese Studies at the Universidade Nova de Lisboa.

Este libro muestra que Gabriel Miro no ha sido olvidado, sino que ha influido en la literatura hispanica posterior, en particular la novela de postguerra. ENGLISH VERSION This book shows that Gabriel Miro has been undervalued and how he has influenced Hispanic literature, particularly the novel of the post-Civil War period. Que ha hecho que la obra de Gabriel Miro parezca haberse relegado a un lugar marginal de la historia de la literatura espanola, con cada vez menos lectores? La pregunta no es baladi. Puede que Miro no fuera un escritor de maEn efecto, en concordancia con la estetica de vanguardia, fue un autor dificil. Pero fue una figura clave de la llamada edad de plata. Sus obras, ademas, suscitaron un interes de repercusiones mediaticas, como las polemicas eno a su retrato del clero o la presunta inmoralidad de su prosa y su heterodoxa vision de Cristo. En este libro, se sugieren las razones que han podido llevar a este injusto olvido literario y se muestra que, a pesar de todo, su obra nunca ha dejado de ser relevante, y ha influido en autores de postguerra tan importantes como Camilo Jose Cela y Francisco Umbral, en la obra narrativa de un filologo de tanto prestigio como Antonio Prieto y en otros novelistas como Pedro de Lorenzo, Antonio Zoido y Adolfo Lizon. Guillermo Lain Corona es profesor de lengua y literatura espanolas en University College London. ENGLISH VERSION Why does it seem that Gabriel Miro has been neglected as a secondary writer in the literary history of Spain, with fewer and fewer readers? Miro might not have had a mass readership, as, according to the aesthetics of the Avant-Garde, he was a difficult writer. However, hisworks attracted the kind of attention that fascinated the media, including the controversies surrounding his portrayals of the clergy, the supposed immorality of his prose and his heterodox view of Christ. This book tackles the reasons for this unfair neglect and shows that, despite it, his work was never completely overlooked. Indeed, Miro influenced relevant writers of the post-Civil War period, such as Camilo Jose Cela and Francisco Umbral, as well as the prose fiction of an important philologist like Antonio Prieto and other novelists such as Pedro de Lorenzo, Antonio Prieto and Adolfo Lizon. Guillermo Lain Corona is a Teaching Fellow in Spanish Language and Literature at University College London.

Este libro reune las ultimas investigaciones de los maximos especialistas en este importante autor del siglo XV castellano que cultivo todos los generos literarios. Contains the latest research by the most important scholars of the Castilian author Mosen Diego de Valera.Esta obra colectiva reune las ultimas investigaciones de los maximos especialistas en este importante autor del siglo XV castellano que cultivo todos los generos literarios. En este volumen monografico Guido Cappelli escrsobre Valera y el Humanismo; Federica Accorsi analiza la relacion de Valera con los judios conversos; Florence Serrano estudia la presencia de Diego de Valera en Borgona y en su literatura; Gonzalo Ponton se centra en las cartas escritas por Diego de Valera; Jesus Rodriguez Velasco analiza a Diego de Valera como artista microliterario; Cristina Moya analiza la influencia de la cronica Valeriana entre 1482 y 1567; Fernando Gomez Redondo explica las palabrasque Juan de Valdes dedica a Valera en su Dialogo de la lengua; Jose Julio Martin Romero analiza la influencia de Diego de Valera en el Nobiliario Vero de Hernan Mexia y, finalmente, Juan Luis Carriazo Rubio prueba que mosde Valera no escribio el Origen de la Casa de Guzman. Cristina Moya Garcia es profesora en la Universidad de Cordoba. This collection contains the latest research by the most important scholars of this fifteenth century Castilian author who cultivated all literary genres. Guido Cappelli writes about Valera and Humanism; Federica Accorsi analyzes the relationship between Valera and the converted Jews; Florence Serrano studies the presence of Diego de Valera in Burgundy and in its literature; Gonzalo Ponton focuses on the letters written by Diego de Valera; Jesus Rodriguez-Velasco studies Diego de Valera as micro-literary artist; Cristina Moya examines the influence of the Valeriana between 1482 and 1567; Fernando Gomez Redondo explains the words dedicated to Diego de Valera by Juan de Valdes (Dialogo de la lengua); Jose Julio Martin Romero discusses the influence of Diego de Valerain Nobiliario Vero of Hernan Mexia; and, finally Juan Luis Carriazo Rubio proves that Mosen Diego de Valera did not write the Origen de la Casa de Guzman. Cristina Moya Garcia is a profesora at the Universidad deCordoba. Contributors: Federica Accorsi, Guido Cappeli, Juan Luis Carriazo Rubio, Fernando Gomez Redondo, Jose Julio Martin Romero, Cristina Moya Garcia, Gonzalo Ponton, Jesus Rodriguez Velasco, Florence Serrano

Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike.This volume brings together twenty-six essays from the world's leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, as well as to anyone interested in the theory and practice of adaptation. Harley Erdman is Professor of Theaterat the University of Massachusetts, Amherst Susan Paun de Garcia is Professor of Spanish at Denison University. Contributors: Sergio Adillo Rufo, Karen Berman, Robert E. Bayliss, Laurence Boswell, Bruce R.Burningham, Amaya Curieses Irarte, Rick Davis, Harley Erdman, Susan L. Fischer, Charles Victor Ganelin, Francisco Garcia Vicente, Alejandro Gonzalez Puche, Valerie Hegstrom, Kathleen Jeffs, David Johnston, Gina Kaufmann, Catherine Larson, Donald R. Larson, Barbara Mujica, Susan Paun de Garcia, Felipe B. Pedraza Jimenez, Veronika Ryjik, Jonathan Thacker, Laura L. Vidler, Duncan Wheeler, Amy Williamsen, Jason Yancey

Peral Vega explores the importance of Pierrot as a symbol of failure in matters of love in Garcia Lorca's imagery and his literary and personal life.Academic research has paid little attention to the importance of the figure of Pierrot in Garcia Lorca's imagery and, above all, in his literary and personal life. An image of marginality and failure, Pierrot was soon taken over by Spanish intellectuals of the early twentieth century as a representation of the bohemian spirit and, corresponding to his marginal status in matters of love, as a symbol of furtive desires experienced by those whose sexuality had to remain silent. Consequently, Garcia Lorca, as Pierrot, needs a mask to cover his identity, facing perpetual failure in his relentless pursuit of the other. As can be seen already from the poems, prose and plays of his youth,Garcia Lorca outlines in Pierrot his innermost self, a trend that will continue in the aforementioned series of drawings and some of his major pieces, such as El publico. Pierrot / Lorca: White Carnival of Black Desire aims, from a multidisciplinary perspective, to open new critical readings of both Garcia Lorca's work and some episodes of his life; as with, for example, his relationship with Salvador Dali, which can be presented in theatrical terms: Harlequin (Dali) / Pierrot (Garcia Lorca). Emilio Peral Vega is Associate Professor of Spanish Literature at the Universidad Complutense de Madrid.

The author examines the role of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Jaime Bayly and Fernando Vallejo.An important but often overlooked function of comedy is its intrinsic relation to questions of identity. This relationship, furthermore, is connected to another traditional feature of comedy: the utopian impulse. This book analyses these functions of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Fernando Vallejo and Jaime Bayly. Focusing on the correlation between changing concepts of identityand the hybrid cultural context of the late 20th-century, it examines the issues of individual and social identities expressed by these authors in their inscription and distortion of the comic genre as well as in their usage of different modes of comedy. It views the novels' comic aspects as symptoms of hybridity, which, according to many theorists, have brought about the dissolution of concepts, such as the self and society, and utopian modernity. Thesesymptoms are studied in tandem with the individual themes of the novels, such as gender, sexuality, class and global migration, as well as the 'post-national' question of Peruvian, Colombian and Mexican identity. PaulMcAleer is Lecturer in Hispanic Studies at the University of Hull.

A close analysis of Bunuel's and the Order of Toledo's making of iconoclastic public art.In 1923, Luis Bunuel established the Order of Toledo, a parody order of knights whose members included Salvador Dali, Garcia Lorca, and Rafael Alberti. Together, they often visited the ancient Spanish capital to stroll through itslabyrinthine streets. But these excursions on the part of Bunuel and the Brotherhood were more than simple episodes of cultural sightseeing; they were happenings, public interventions in space. This book explores the anti-artistic aspect of these activities and urban perambulations. Are these practices similar to the flanerie of the Dadaists and French Surrealists? Taking into account their liberal, Spanish context, what was new about them, and what did they mean? Does their aesthetic experimentation make for ideological radicalism? And what impact do these first steps have on Bunuel's subsequent work and his later ideological trajectory? Maria Soledad Fernandez Utrera is Associate Professor of Spanish at The University of British Columbia.

An unprecedented close textual analysis of numerous films within their contemporary cultural context.This book engages with representations of social crisis in Argentine fictional cinema between 1998 and 2005, a period when Argentina experienced a deep economic crisis that brought about significant changes in politics, culture, society and the arts. It focuses on the ways in which cinema interpreted and represented both contemporary and long-established issues within national and social discourse, while re-assessing notions of national identity, culture and class. Despite a growing body of scholarship on Argentine film published in English over the past few years, the role of more conventional films aimed at the public at large remains underexplored. By combining close textual analysis of films with the study of their cultural context, this book argues that fictional cinema at large addressed predominantly middle-class audiences, offering both reflective and divergent views on social reality that enriched the cultural arena in which Argentineans could reflect on their past, their daily life, and their relationship with the other. In this sense cinema helped Argentine people to learn to live in democracy. Santiago Oyarzabal is Associate Fellow in Hispanic Studies at the University of Warwick.

A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.Since Carajicomedia was published in 1519, it has been largely ignored by critics because of its strong sexual content. The author of Carajicomedia: Parody and Satire in Early Modern Spain believes that it is a sophisticated and complex composition that provides as good a vantage point from which to examine the ideology of the period as does La Celestina. In their poems, the writers of Carajicomedia inadvertently reveal thedeep worries of the knights and nobles who opposed the regencies of Ferdinand the Catholic and Francisco Jimenez de Cisneros pending the arrival of Charles V. Carajicomedia is therefore a harbinger of the War of the Comuneros, the great popular revolt that convulsed Spain in 1520. In this book's chapters, the author examines the parodic relationship between the text of Juan de Mena's El Laberinto de Fortuna, the glosses of Hernan Nunez's Las Trezientas, and Carajicomedia. He then turns to its actual writers and their settings, and shows how their satirical attitudes towards males, females, and conversos reveals the failure of the societal mechanisms in place to control desire and miscegenation. Carajicomedia: Parody and Satire in Early Modern Spain concludes with a paleographic edition of the text and appendices that contain a modern Spanish version and its Englishtranslation, as well as examine Carajicomedia's language. Frank A. Dominguez is a professor of medieval Spanish literature and culture at the University of North Carolina at Chapel Hill.

Un analisis detallado de la Pentagonia del autor cubano Reinaldo Arenas. An in-depth analysis of Cuban author's Reinaldo Arenas's Pentagony.Este libro presenta un analisis detallado de la Pentagonia de Reinaldo Arenas, que incluye las novelas Celestino antes del alba, El palacio de los blanquisimas mofetas, Otra vez el mar, El color del verano, y El asalto. A traves del uso de la ficcion, Arenas ofrece un testimonio de la opresion que sufrio en Cuba como escritor homosexual durante los anos sesenta y los setenta. Este libro pone de relieve el hecho de que, aunque su trabajo no cumpla con las pautas de la novela testimonial cubana, le da una voz a aquellos que fueron silenciados por el gobierno revolucionario. Los dos primeros capitulos ofrecen una vision general de los generos literarios relevantes para este estudio, como la autobiografia, la novela autobiografica y la novela testimonial, asi como del contexto socio-historico de la Pentagonia. Posteriormente, este estudio analiza en detalle cada novela por separado, y ofrece una vision dentagonia en su conjunto. Stephanie Panichelli-Batalla es profesora titular de espanol y estudios latinoamericanos en la Universidad de Aston. This book presents an in-depth analysis of Reinaldo Arenas's Pentagony, which includes the novels Singing from the Well, The Palace of the White Skunks, Farewell to the Sea, The Color of Summer, and The Assault. Through the use of fiction, Arenas offersa testimony of the oppression he suffered in Cuba during the sixties and the seventies as a homosexual writer. This book highlights the fact that although his work does not comply with the guidelines of the Cuban documentary novel, it does give a strong voice to those who were silenced by the Revolutionary government. The first two chapters provide an overview of literary genres relevant to this study, such as the autobiography, autobiographical novel anddocumentary novel, as well as the socio-historical context of the novels. Subsequently, this study looks in detail at each novel separately, offering a comprehensive overview of the Pentagony as a whole. Stephanie Panichelli-Batalla is a Lecturer of Spanish and Latin American Studies at Aston University.

Este libro trata de la atraccion de los "e;Siglos de Oro"e; por cierta doble configuracion de lo monstruoso. This is a book about the obsession of the Spanish Golden Age with the monstrous, and more specifically with the monstrous as structured into a dual image.Este libro explora la atraccion de los "e;Siglos de oro"e; por lo monstruoso. Varios trabajos recientes ya han arrojado luz sobre la abundante representacion de cuerpos excesivos que afloran en los siglos XVI y XVII y que parecen, acaso, reflejar el lenguaje inflado y deformado a traves del cual son descritos en la literatura de la epoca. Sin obviar sus logros, el libro intenta ir mas alla para mostrar que lo mas sorprendente de la monstruosidad en este periodo no es la manera en que representa un exceso barroco, sino la forma en que el exceso mismo esta estructurado en una imagen dual. Muchos de estos "e;monstruos"e; (hermafroditas, bicefalos o licantropos) ostentan un diseno geminado que permanece, de hecho, inexplicado. Que explica tal anomalia? Como contribuira esta excepcion a modelar la imagen misma de lo normal? Que tiene que ver con la configuracion del nuevo cuerpo politicones sociales iban a ser imaginadas, a partir de entonces, en el mundo occidental? Victor M. Pueyo es profesor titular en el Departamento de Espanol y Portugues de Temple University. This is a book about theobsession of the Spanish "e;Golden Age"e; with the monstrous. Recent research has begun to cast light upon the abundant representation of excessive bodies that mirrors the swelled and deformed language through which they are depictedin early modern literature. Without disregarding its representational approach, the book goes beyond this body of research by arguing that the most surprising element about monstrosity in the sixteenth and seventeenth centuries is not the way it represents Baroque excess, but the way excess itself is structured into a dual image. Most of these "e;monsters"e; (hermaphrodites, lycanthropes, two-headed creatures) have a geminated form that remains, indeed, largely unaccounted. What explains such an anomaly? How will it shape the rule? What does it have to do with the configuration of the new body politic through which social relations were going to be imagined in the Western World? Victor Pueyo is associate professor in the Department of Spanish and Portuguese at Temple University.

A major contribution to our understanding of intellectual exchanges between Britain and Spain in the early twentieth century.Ramiro de Maeztu was one of the most influential Spanish intellectuals of the early twentieth century, as well as the first foreign correspondent for the Spanish press to be based in London. This book argues for the importance that his relationship with England had on both his intellectual trajectory and on the culture and politics of Spain during this time. Particular attention is devoted to Maeztu's London period (1905-1919), which provides a fascinatinginsight into how Spaniards of the time perceived not just Britain but Western Europe as a whole. Against prevailing interpretations, this book argues that Maeztu's conservative evolution, and his growing Catholicism and Spanish nationalism, were a direct result of his immersion in Edwardian currents of thought. This in turn casts new light on the influence that Britain exerted over Spain during this period, and provides fresh insights into the cultural dynamics which led to the Spanish Civil War. Dr David Jimenez Torres is associate lecturer at Universidad Camilo Jose Cela.

El papel de las ropas en la construccion de la identidad en neuve autobiografias ficticias e historicas del Siglo de Oro.Este libro examina el significativo papel de las ropas y de los adornos corporales en la construccion de la identidad en nueve autobiografias ficticias e historicas del Siglo de Oro: Lazarillo de Tormes, Guzman de Alfarache, Guiton Onofre, El Buscon, La picara Justina , Vida del soldado espanol Miguel de Castro , Discurso de mi vida de Alonso Contreras, Vida i sucesos de la Monja Alferez de Catalina de Erauso y Comentarios del desenganado de Duque de Estrada. En estas obras las vestiduras proyectan una compleja vision externa de la personalidad que sustituye la falta de introspeccion y de descripcion del cuerpo caracteristicas de estas narraciones. Este estudio considera la representacion verbal de la ropa como un sitio donde confluyen dialecticamente el sujeto escindido en busca de unidad ficticia y de distincion personal y el individuo enfrentado a las estructuras y discursos que lo configuran. El analisis tiene en cuenta el significado filologico, economico, politico, moral y artistico del vestido en el periodo pero sigue diferentes metodologias,las teorias de Bakhtin, Mulvey, Freud, Lacan y Kristeva, para explicar la subjetividad particular de cada Vida. ENCARNACION JUAREZ ALMENDROS es profesora de espanol en la Universidad de Notre Dame.

Un analisis de la obra poetica de Lope de Vega revela como amoldo su propio personaje "e;Lope"e; para adecuarse, generalmente con exito, a los cambios de su entorno.La obra poetica de Lope de Vega se diferencia del resto de la produccion del Siglo de Oro por una insistente singularidad: escenas y figuras de la vida del autor aparecen frecuentemente en sus poemas. La critica y el publico general ha respondido a esta caracteristica desde una perspectiva post-romantica, considerando que Lope escribio con sinceridad e inspiracion biografica, impulsado por su apasionada vida personal. En este libro se analiza lo que los post-romanticos consideran "e;sinceridad"e; como un recurso literario. Lope consigue una apariencia de sinceridad pero, de hecho, reaccionaba a los cambios de su entorno social y literario creando nuevas actitudes "e;biograficas"e;. Ensu poesia amorosa y epica, su conocida vida amorosa le proporciona fama y reconocimiento. En el Isidro, se presenta como el genio defensor de lo castellano y espanol por antonomasia. En las Rimas sacras adopta la retorica religiosa de la epoca para contrarrestar el exito de Gongora en los circulos cortesanos. Finalmente, en las Rimas de Tome de Burguillos repasa ironicamente su carrera poetica desde la perspectiva de uno. Antonio Sanchez Jimenez es profesor de espanol en Miami University, Ohio.

Women's poetry of the Spanish early modern period.This collection of fourteen scholarly essays on women's poetry from Spain's early modern period shows that women did indeed have a Golden Age, and that they were significant cultural actors in the realms of poetic production. Thestudies of secular verse demonstrate how female poets of this period devised strategies to confront the dominant masculine poetic discourse, while the essays on sacred poetry explore the multiple manifestations of female piety andmysticism. The women's words are brought to life and modern readers helped to understand the socio-cultural, interpersonal, and aesthetic components of the poets' oeuvre. The volume, a companion to Julian Olivares' and ElizabethBoyce's revised anthology "e;Tras el espejo la musa escribe"e;: Lirica femenina de los Siglos de Oro, constitutes an authoritative critical enterprise focused on the recuperation of the female literary voice, and marks an important step forward in the battle to include women's writing as part of Spain's literary canon. Contributors: Electa Arenal, Aranzazu Borrachero Mendibil, Anne J. Cruz, Adrienne L. Martin, Rosa Navarro Duran, Julian Olivares, Inmaculada Osuna, Amanda Powell, Elizabeth Rhodes, Stacey Schlau, Lia Schwartz, Alison Weber, Judith Whitenack. JULIAN OLIVARES is Professor of Spanish at the University of Houston and editor of Caliope, Journal ofthe Society for Renaissance and Baroque Hispanic Poetry.

Representations of treachery in medieval and early modern Spain.Treacherous Foundations is the first sustained study of the theme of treachery in the founding myths of the Iberian Peninsula. It considers literary versions, in epic, chronicle and theatre, of the legends of Fernan Gonzalez, Bernardo del Carpio and King Sancho II from medieval and early modern Spain and compares the representation of treachery across two critical periods in Spanish history, assessing its political, ideological, and cultural function. This book explores the role played by representations of treachery in foundational texts in highlighting the ideological tensions that arise from movements toward the creation of collective identities. It discusses in particular visions of nationhood and the monarchical state in the thirteenth and late sixteenth centuries. The theme of treachery is expanded to cover all aspects of treason and political disloyalty and, engaging with loyalty, trust and the nature of kingship, the volume sheds new light on aspects of Spanish cultural and political history, and provides insight into the nature of myth and collective memory, historical change and the collective response to crisis. GERALDINE COATES lectures in Medieval Spanish Literature at the University of Oxford.

Zayas's prose through a gynocentric lens.Maria de Zayas y Sotomayor published two volumes of novellas, Novelas amorosas y ejemplares [1637] and Desenganos amorosos [1647], which enjoyed immense popularity in her day. She has recently been reinstated as a major figure of the Spanish Golden Age. This study examines Zayas's prose through a gynocentric lens. Drawing on an extensive array of primary and secondary sources, and referring to the ideas of Irigaray, Kristeva, Cixous,Raymond and Genette, O'Brien reflects on the interactions of Zayas's women in such relationships as friendship, sisterhood, and motherhood, analyzing these interactions through the collections as a whole, and connecting the novellas with the frame stories, an aspect of Zayas's writing which has often been overlooked by critics. EAVAN O'BRIEN is a Lecturer in Hispanic Studies at Trinity College Dublin.

This book is the first major study of one of Spain's most celebrated younger novelists, Belen Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature.This book is the first major study of one of Spain's most celebrated younger novelists, Belen Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature. Gopegui's social commitments find expression in her concern for solidarity and collective projects. These become more radical over time in response to a disenchantment with the evolution of the left in Spain and to the global impact of the capitalist economic system, giving rise to increasingly interventionist narrative strategies. The core theme of solidarity is explored in relation to the collective experience of Spain's largely consensualdemocratic transition and to the apparent erosion of collective goals in post-transition society. Gopegui's discourse of solidarity is examined through engagement with theorists of advanced modernity, including Ulrich Beck's 'risksociety' model and various contemporary reflections on the concept of solidarity. Centred on Gopegui's first four novels, the study situates analysis of these within the perspective of her later works and illuminates her artisticand intellectual trajectory by drawing on an extensive array of her non-fiction writings and personal interviews, one of which is published here for the first time. Hayley Rabanal is Lecturer in Hispanic Studies at the University of Sheffield.

Representations of religious conflict in sixteenth-century Spanish epic poetryEste libro analiza un corpus de textos epicos y propagandisticos que se escriben en las fronteras del imperio espanol en el siglo XVI. Examina la representacion del conflicto religioso en Inglaterra, Alemania y Holanda durante losreinados de Carlos V y Felipe II, y se centra en tres episodios, difundidos capilarmente en la cultura visual y emocional europea y en torno a los cuales cristaliza la narracion heroica: los martirios de cartujos y jesuitas en Inglaterra; la guerra de Esmalcalda; y el asedio de Amberes. El volumen considera las estrechas relaciones entre epica e historia; entre epica y cultura visual; y entre la poesia epica hispanica y la historia y la cartografiaiosa de Europa en unos anos criticos en los que se construye la Iglesia Anglicana y se afianza el luteranismo en Alemania. This book analyses a corpus of epic and propagandistic texts written at the margins of the Spanish empire in the sixteenth century. It examines the representation of religious conflict in England, Germany and Holland during the reigns of Charles V and Philip II, centring on three episodes widely disseminated in European visual and emotional culture and around which certain foundational Spanish heroic narratives emerged: the martyrdom of the Carthusians and Jesuits in England; the Schmalkaldic War; and the siege of Antwerp. The volume considers the close relationships between epic and history; between epic and visual culture; and between Hispanic epic poetry and the history and religious cartography of Europe during the critical years in which the Anglican Church was evolvingand Lutheranism gaining strength in Germany.

Explores Borges's supreme literary craftsmanship and the intimate puzzles of his fictions.Borges once stated that he had never created a character: 'It's always me, subtly disguised'. This book focuses on the ways in which Borges uses events and experiences from his own life, in order to demonstrate how they become the principal structuring motifs of his work. It aims to show how these experiences, despite being 'heavily disguised', are crucial components of some of Borges's most canonical short stories, particularly from the famous collections Ficciones and El Aleph. Exploring the rich tapestry of symmetries, doubles and allusions and the roles played by translation and the figure of the creator, the book provides new readings of these stories, revealing their hidden personal, emotional and spiritual dimensions. These insights shed fresh light on Borges's supreme literary craftsmanship and the intimate puzzles of his fictions.

Fleming masterfully demonstrates Camoes's debt to, and participation in, the long and continuing traditions of "e;spiritual"e; or allegorical scriptural exegesis in the European Middle Ages and Renaissance.Second in its fame only to the Lusiads within Camoes's large body of poetry, "e;Sobolos rios"e; ("e;Babylon and Zion"e;) in redondilhas is a philosophically ambitious masterwork of Christian humanism that draws from the psalm Super flumina Babylonis both a general theory of poetry and an intensely focused meditation upon the shape of an individual poet's career. Bringing to bear upon the poem the several learned traditions the poet demands, Fleming's study relates the poem to the traditions of allegorical scriptural exegesis characteristic of the Middle Ages and Renaissance. Specific subjects include the centrality of the psalms and the image of David to European poets, therelation of pagan myth to biblical truth, the complexity and purposefulness of Camoes's intertextual strategies, the underappreciated influence on Camoes of Juan Boscan, the exegetical control of the poem's elaborate numerological schemes, and the concept of palinode as literary genre and personal moral statement. John V. Fleming is the Louis W. Fairchild Professor of English and Professor of Comparative Literature emeritus at Princeton University.

Traces the processes and paradoxes at work in the late parodic poetry of Luis de Gongora and Lope de Vega, illuminating correlations and connections.Co-Winner of the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland Kerr traces the processes and paradoxes at work in the late parodic poetry of Luis de Gongora and Lope de Vega, illuminating the correlations and connections between two poets who have more often than not been presented as enemies.The analysis follows the parallel development of the complex parodic genre through Gongora's late mythological parody, from his 1589 Hero and Leander romance through to his culminating parody, La fabula de Piramo y Tisbe (1618) and Lope de Vega's alter ego Tome de Burguillos, whose anthology, Rimas humanas y divinas del licenciado Tome de Burguillos, was published a year before Lope's death, in 1634. Working from the premise that parody provides a Derridean supplement to exhausted, dominant genres (e.g. pastoral, lyric, epic), this study asks: what do these texts achieve by their supplementarity, and how do they achieve it?, and, the overarching question, why do these erudite poets turn to parody in an age of decline? Lindsay Kerr received her PhDin Spanish at Queen's University Belfast.

How did liberationist Christianity develop in Argentina between the 1930s and early 1970s? And how did it respond to state terrorism during the Dirty War?How did liberation theology develop in Argentina between the 1930s and early 1970s? And how did it respond to state terrorism during the Dirty War? Understanding the movement to be dynamic and highly diverse, this book reveals that ecclesial and political conflicts, especially over Peronism and celibacy, were at the heart of the construction of a liberationist Christian identity, which simultaneously internalised deep tensions over its relationship to the Catholic Church. It first situates the rise of a revolutionary Christian impulse in Argentina within changes in society, in Catholicism and Protestantism and in Marxism in the 1930s, before analysing how the phenomenon coalesced in the late sixties into a coherent social movement. Finally, the book examines the responses of liberationist Christians to the intense period of repression under the presidency of Isabel Peron and the rule of the military junta between 1974 and 1983. By exploring these distinct responses and uncovering the heterogeneity of liberationist Christianity, the book offers a fresh analysis of a movement that occupies a major role in the popular memory of the period of state terror, and provides a corrective to narratives that depict the movement as monolithic or as a passive victim of the dictatorship.

An original and groundbreaking historiography on fifty years of Uruguayan cinema.Runner-up for the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland This book presents an original historiography on fifty years of Uruguayan cinema. It is the first English language academic book in which Uruguay becomes a case study to reflect upon broader interests of both Film and Latin American Studies, such as the conditions of film archives, the many materialities of film, the relationshipbetween film and politics, and the ways in which films are produced in countries without a mainstream film industry. Uruguayan cinema has recently begun to capture the attention of academics and critics. However, most of Uruguayan productions remain ignored and forgotten, and have not been explored in depth. This ground-breaking investigation unearths films and videos from private and public archives, made in both amateur and professional settings, to reflect upon the ever-changing nature of the concept of cinema. How is the concept of cinema defined in non-industrial contexts? Can we even talk about cinema, when most of the production was captured in small-gauge film and video? In seeking to answer these questions, this book uncovers the tensions behind the text and the - filmic, magnetic or digital - materiality of films. Detailed case studies are based on the analysis of the political, cultural and economic contexts of film production and current issues of accessibility. Beatriz Tadeo Fuica is an Associate Researcher in the Grupo de Estudios Audiovisuales (GESTA), Universidad de la Republica (Uruguay); and atthe Centre d'histoire culturelle des societes contemporaines (CHCSC), Universite de Versailles Saint-Quentin-en-Yvelines.

The first book in English to consider the full extent of the accomplishments and influence the Chilean cultural icon, Violeta Parra.Violeta Parra was an extraordinary figure. She is best known for her contribution to the Latin American New Song movement and for her visual art, which was exhibited in the Musee des Arts Decoratifs of the Louvre gallery in 1964. Parra spent her early career singing Mexican songs in bars and researching traditional Chilean culture. All the different phases of Parra's life and work are discussed in this book, with analyses of her music, paintings, sculptures, embroideries (arpilleras), and poetry. Her exhibition in the Louvre gallery and the music venue that she set up before she died, La Carpa de la Reina, are also covered. Among the individual essays collected here are seminal works by Patricio Manns and Leonidas Morales, which have been translated into English for the first time. These works introduce the historical and biographical context for Parra's work. Other essays feature thelatest research and findings by Catherine Boyle, Ericka Verba, Paula Miranda, Serda Yalkin, Romina A. Green, and Lorna Dillon. The book also includes an interview with Violeta Parra's brother, the influential poet Nicanor Parra and a Foreword by Marjorie Agosin. Lorna Dillon earned her PhD at King's College London. She is currently a network facilitator and associate lecturer at the University of Kent.

Tracks the emergence and vicissitudes of attitudes to wrongdoing in Spain from the 19th century through the decades before the Civil War.The international contributors to this volume explore the rich diversity of cultures and representations of wrongdoing in Spain through the 19th century and the decades up to the Civil War. Their line of enquiry is predicated on the belief that cultural constructions of wrongdoing are far from simple reflections of historical or social realities, and that they reveal not a line of historical development, but rather variation and movement. Voices and discourses arise in response to the social phenomena associated with wrongdoing. They set out to persuade, to shock, to entice, and in so doing provide complex windows on to social aspiration and desire. The book's three sections (Realities, Representations, and Reactions) offer distinct points of focus, and move between areas where control is paramount and on the agenda from above and those where the subtleties of emotional response take pride of place. Alison Sinclair was Professor of Modern Spanish Literature and Intellectual History at the University of Cambridge until retirement in 2014. Samuel Llano is a Lecturer in Spanish Cultural Studies at the Universityof Manchester.

The first comprehensive study of the reception of the classical tradition in medieval Catalan letters.This book offers the first comprehensive study of the reception of the classical tradition in medieval Catalan letters, a multilingual process involving not only Latin and Catalan, but also neighbouring vernaculars like Aragonese,Castilian, French, and Italian. The authors survey the development of classical literacy from the twelfth-century Aragonese royal courts until the arrival of the printing press and the dissemination of Italian Humanism. Aimed atstudents and scholars of medieval and early modern Iberia - and anyone interested in medieval Romance literatures and the classical tradition - this volume also provides a concise introduction to the medieval Crown of Aragon, a catalogue of translations into Catalan of texts from classical antiquity through the Italian Renaissance, and a critical study of the influence of the classics in five major works: Bernat Metge's Lo somni, Joanot Martorell'sTirant lo Blanc, the anonymous Curial e Guelfa, Ausias March's poetry, and Joan Rois de Corella's prose. Lluis Cabre is associate professor of medieval Catalan literature at the Universitat Autonoma dercelona; Alejandro Coroleu is ICREA research professor of Renaissance Humanism at the Universitat Autonoma de Barcelona; Montserrat Ferrer is a research associate at the Universitat Autonoma de Barcelona; Albert Lloret is associate professor of Spanish and Catalan at the University of Massachusetts Amherst; Josep Pujol is associate professor of medieval Catalan literature at the Universitat Autonoma de Barcelona.