Böcker i Music in American Life-serien

"One of the most innovative composers of his generation, Mikel Rouse is known for operas like Dennis Cleveland and a gift for superimposing pop vernaculars onto avant-garde music. This memoir channels Rouse's high energy personality into an exuberant account of the precarity and pleasures of artistic creation. Raconteur and starving artist, witty observer and acclaimed musician, Rouse emerged from the legendary art world of 1980s New York to build a forty-year career defined by stage and musical successes, inexhaustible creativity, and a support network of famous faces, loyal allies, and high art hustlers. Rouse guides readers through a working artists' hardscrabble life while illuminating the unromantic truth that a project's reception may depend on a talented cast and crew but can depend on reliable air conditioning. Candid and hilarious, The World Got Away is a one-of-a-kind account of a creative life fueled by talent, work, and luck"--

Presents the who, what, where, and when of rockabilly music

A biography of George Szell, one of the greatest orchestra and opera conductors of the twentieth century. It also lists Szell's conducting repertoire and includes a comprehensive discography.

Offers a comprehensive history of King Records, one of the most influential independent record companies in the history of American music. This book tells the story of a small outsider record company in Cincinnati, Ohio, that attracted an extremely diverse roster of artists, including the Stanley Brothers, Grandpa Jones, Redd Foxx and Earl Bostic.

One of the ethnomusicologists takes the reader along for a tour of his workplace.

Written by an award-winning composer whose music has been performed in the US, Europe, and the Far East, this title combines the whimsical and the treacherous into a chronicle that takes in various things from the KGB to Macy's store windows, Alcatraz to the Beach Boys, Hollywood thrillers to the United Nations, Joseph Stalin to Shirley Temple.

Combining the history of country music's roots with portraits of its primary performers, this work examines the close relationship between "America's truest music" and the working-class culture that has constituted its principal source, nurtured its development, and provided its most dedicated supporters.

Brings together forty years of passionate research by scholar and record label owner. This book provides fans and scholars alike with a guide for immersion in the long career and breathtaking repertoire of two legendary American musicians.

The dramatic story of a legendary American composer

The biography of a giant in the history of blues music

Contains vignettes from both on and off the stage about the personalities of the Chicago blues scene in contemporary times. This book takes the readers on a tour of venues like East of Ryan and the Starlight Lounge; home to artists, such as Jumpin' Willie Cobbs, Willie D, and Harmonica Khan, and tells the stories behind the lives of past pioneers.

A biography of Louis Prima, one of the most underrated jazz musicians and entertainers of the twentieth century. It explores Prima's ability to maintain a lifelong career, his knack for self-promotion, and how the cities in which he lived and performed - New York, Los Angeles, and Las Vegas - uniquely and indelibly informed his style.

The inside story on the Father of Bluegrass from one of his Blue Grass Boys

Reflections from the legendary R & B deejay whose signature sound seared the airwaves

Marian Anderson was a woman with two disparate voices. The first - a powerful, majestic contralto spanning four octaves - catapulted her from Philadelphia poverty to international fame. A second, softer voice emanated from her mere presence. This study of Anderson's life features separate appendices for Anderson's repertory and discography.

From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited work songs and "shouts" of freedmen, this title traces the course of early black folk music in various its guises.

Beginning with the musical cultures of the American South in the 1920s and 1930s, this title traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It also describes early bluegrass' role in postwar country music, and its trials following the appearance of rock and roll.

The story of the night club impresario whose wildly successful interracial club, Cafe Society, changed the American artistic landscape forever