Böcker i New Directions in Irish and Irish American Literature-serien

This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain - whether endured or inflicted, witnessed or remediated - is culturally coded.Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland's literary and cultural history.

This collection of critical essays explores the literary and visual cultures of modern Irish suburbia, and the historical, social and aesthetic contexts in which these cultures have emerged.

This is the first book on Irish literature to focus on the theme of loss, and how it is represented in Irish writing. The main notion of loss being dealt with is that of death, but feelings of loss in the wake of immigration and of the loss of certainties that defined notions of identity are also analysed.

Accordingly, the contributions explore different facets of what we term "Irish minority and dissident identities," ranging from political agitators drowned out by mainstream narratives of nationhood, to identities differentiated from the majority in terms of ethnicity, religion, class and health;

Irish Presidents, critics, and media initiatives focus on how Irishness is a global resource chiefly informed by the experiences of an Irish diaspora predominantly working in English, while also reminding Irish people 'at home' that Irish is the 'national tongue'.

This book examines how the Irish environmental movement, which began gaining momentum in the 1970s, has influenced and been addressed by contemporary Irish writers, artists, and musicians.

As it traces the textual history of the works of authors like Bobby Sands and Gerry Adams, this book analyses Republican resistance to disciplinary structures, demonstrating the ways in which prisoners appropriate space through discursive strategies.

This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain ¿ whether endured or inflicted, witnessed or remediated ¿ is culturally coded.Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland¿s literary and cultural history.

Despite the multifaceted critical attention Dubliners has received since its publication more than a century ago, many readers and teachers of the stories still rely on and embrace old, outdated readings that invoke metaphors of paralysis and stagnation to understand the book.

An important part of the national imaginary, Yeat's work has helped to invent the nation of Ireland, while critiquing the modern state that emerged from it's revolutionary period. This study offers a chronological account of Yeat's volumes of poetry, contextualizing and analyzing them in light of Irish cultural and political history.

This volume explores the ways in which the complicated revolution in British newspapers, the New Journalism, influenced Irish politics, culture, and newspaper practices. The essays here further illuminate the central role of the press in the evolution of Irish nationalism and modernism in the late nineteenth and early twentieth centuries.

This book scrutinizes the way modern Irish writers exploited or surrendered to primitivism, and how primitivism functions as an idealized nostalgia for the past as a potential representation of difference and connection.

This book analyses travel texts aimed at the emergent Irish middle classes in the long nineteenth century. Unlike travel writing about Ireland, Irish travel writing about foreign spaces has been under-researched.

Exploring the effects of traveling, migration, and other forms of cultural contact, particularly within Europe, this edited collection explores the act of traveling and the representation of traveling by Irish men and women from diverse walks of life in the period between Grattan's Parliament (1782) and World War I (1914).

This volume explores the ways in which the complicated revolution in British newspapers, the New Journalism, influenced Irish politics, culture, and newspaper practices. The essays here further illuminate the central role of the press in the evolution of Irish nationalism and modernism in the late nineteenth and early twentieth centuries.

This book argues that the outskirts of cities have become spaces for a new literature beyond boundaries of traditional notions of nation, class, and gender. Includes discussions of Booker Prize winners Roddy Doyle and James Kelman.

This book scrutinizes the way modern Irish writers exploited or surrendered to primitivism, and how primitivism functions as an idealized nostalgia for the past as a potential representation of difference and connection.

An important part of the national imaginary, Yeat's work has helped to invent the nation of Ireland, while critiquing the modern state that emerged from it's revolutionary period. This study offers a chronological account of Yeat's volumes of poetry, contextualizing and analyzing them in light of Irish cultural and political history.

As it traces the textual history of the works of authors like Bobby Sands and Gerry Adams, this book analyses Republican resistance to disciplinary structures, demonstrating the ways in which prisoners appropriate space through discursive strategies.

This book examines periodical production in the context of post-revolutionary Ireland, employing the unique lens of genre theory in detailed comparisons between Irish, English, Welsh, and Scottish magazines.